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Year:
2000
Country:
USA
Genre:
Drama
IMDB rating:
8.4
Director:
Darren Aronofsky

 

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Ellen Burstyn as Sara Goldfarb
Jared Leto as Harry Goldfarb
Jennifer Connelly as Marion Silver
Marlon Wayans as Tyrone C. Love
Christopher McDonald as Tappy Tibbons
Janet Sarno as Mrs. Pearlman
Suzanne Shepherd as Mrs. Scarlini
Joanne Gordon as Mrs. Ovadia
Charlotte Aronofsky as Mrs. Miles
Mark Margolis as Mr. Rabinowitz
Michael Kaycheck as Donut Cop (as Mike Kaycheck)
Jack O'Connell as Corn Dog Stand Boss
Requiem for a Dream Storyline: Drugs. They consume mind, body and soul. Once you're hooked, you're hooked. Four lives. Four addicts. Four failures. Despite their aspirations of greatness, they succumb to their addictions. Watching the addicts spiral out of control, we bear witness to the dirtiest, ugliest portions of the underworld addicts reside in. It is shocking and eye-opening but demands to be seen by both addicts and non-addicts alike.
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Reviews
Over-rated morality tale
The real descent into the quagmire is the last 30 minutes of this film, not the characters within the film. According to this film this is what you can expect from drug abuse: 1. Being force-fed in a public hospital (have these people heard of the IV drip?) and then ECT without any form of anaethesia (every bone in that woman's body would have shattered)- did they take her to a hospital in Eastern Europe?? 2. People with severe septicaemia will be denied hospital treatment and thrown into a cell on suspicion of being a drug addict until they require amputation. Watch and learn - it's fine to be a junkie as long as you don't get caught. 3. A man will be allowed to vomit into food being prepared in a government run correction facility. If you are bad, you eat vomit. OK? 4. A middle class chick will end up on the other end of a black dildo in order to feed her drug habit. Yawn... I mean, this film says more about what kind of overblown morality Americans are willing to accept in films than anything about drug abuse or its consequences. The anti-drug message descends into hyperbole and farce and I found myself laughing hysterically where I was supposed to be shocked and repulsed. Give me a break. These sanitised stories are just too ridiculous. As well as this, we are offered the same old, same old routine of white-powder-imagery and colourful-pill-popping. These guys injected something and were bopping around the place, next minute they snort something and they are all on the nod...go figure? And please, the heavy handedness of the junkie losing an arm...spare me, I am not that easily shocked or unaware of symbolism-overkill.
2002-08-25
An intermittently interesting failure
Yes, "Requiem for a Dream" is well made, as far as it goes. The insurmountable problem, however, is that three of the four major characters are monumentally uninteresting losers. It was almost impossible to care about the fate of anyone in the film except for the Ellen Burstyn character.

The other fundamental flaw was the one-note nature of the entire production: "Addiction! Addiction!! ADDICTION!!!" Okay, okay; I got it. I got it after the first 20 minutes. I still got it after the next 20 minutes. I didn't care anymore by the third 20 minutes.

The acting is very good, as far as the monotonous roles allow. The direction and editing are skillful and interesting. In fact, they are more interesting than anything else in this tedious film.
2006-07-03
Shock Tactics that mean nothing
Yes this film does leave you in 'shock and awe' at the end and you could be fooled into thinking you have just seen a great movie. However, when you've had time to rationalise things it is obvious this film is an empty shell of tradegy which the root is caused by 'evil drugs'. There have been comments that this film is 'extremely realistic' and 'what drugs do to you'. These statements are ridiculous to the majority of people who live in the real world. This film shows the almost comi-tradegy spiral of 4 people into a 'drug hell' which could have been taken straight out of a government 50's educational film. It lacked sensitivity, reason and any notion of reality, an absolute joke of a film.
2003-09-07
The Ultimate in WTF
I have no idea what to say about this film. Is it good? Maybe. Is it bad? It shows shades but it is not terrible. I have never seen such a film which gets so much right yet at the same time so very much wrong.

It is well shot, acted, directed, and as for writing says what it wants to say very well. However, it is a major downer, cannot seem to hold interest, and the message is a bit heavy-fisted throughout. I feel the suffering, but much of it seems overblown.

I would not recommend this to anyone, but still feel it to be a technical marvel. I guess if you're really curious you could see it, but it is too disturbing for most and will not resonate strongly due to the way the message is portrayed.

The five stars you see in the review are just for convenience so I know I've seen it. My actual rating is *null*/5 because no star rating would do my opinion of the film justice.
2013-11-27
un-believable
first off, this movie is a bit repetitive, which is of course on par with the idea of showing people being addicted. (mother likes her chocolates a bit too much first (later on she turns to diet pills), her son and his friends are into harddrugs of various kinds) and all are constantly on the outlook for more of the same kind. the problem with movies about drug-addicts is that however alien their situation may be to a person watching it, the person still needs to feel compassion or have similar feelings towards them in order for the movie to 'succeed'. alas, no such thing here. the main characters (apart from the great acting mother) all look like the lousy but oh so trendy 'actors' you see in commercials or videoclips (there are plenty of references to both, but i can't think of a single one right now that wasn't a cliché or that wouldn't be beaten senselessly by the overall sublimeness of 'magnolia' or the freshness 'trainspotting' had at the time). so, the movie's protagonists are mostly 20+ year olds with nothing on their hands but trying to score and use drugs (and screwing even that simple given up). the characters just don't come alive for me and the obligatory postmodernistic/ nihilistic/ apocalyptic downward spiral which sets in is boring as hell to watch through even though (or just because) the whole thing is cut up much like a flashy videoclip. obviously so to hide the lack of insight on behalf of the makers (though i have to say here i absolutely loved 'Pi', aranofsky's debut which i rate very highly). the crappy finale was partly stolen from kubrick's overrated 'eyes wide shut' and it almost made me laugh because it was so unbelievably unbelievable to see the various plots develop as they did. on a more positive note, the soundtrack is great though, as was Pi's (nevertheless aphex twin would eat mansell any day of the week, kronos quartet or no, but the soundtrack is without a doubt the most intriguing facet to this otherwise one-dimensional fiasco) - go see terry gilliam's 'fear and loathing in las vegas' instead if you want a 'bad trip'. at least gilliam doesn't solely rely on clichés or gimmickry and even when he does, it always shows somehow that he doesn't take himself too seriously or that he uses the right amount of irony / cynicism, something mr aranofsky obviously has yet to master).
2001-07-05
Bad Trip
Keep on playing those mind games forever! What a wasted of a talented cast giving their all from top to bottom. But this that wants to prove how hip it is by plotting the most senses-assaulting grizzly death possible for its characters, and the drug trips the audiences are put through are all bad. So, in the end, all this talent is wasted.
2001-06-16
The only film I have ever seen that was hard to watch
This film makes you FEEL the characters. You aren't even introduced to the characters and you feel their pain, it's very depressing. Darren Aronofsky did a excellent, and I mean EXCELLENT, job with the camera angles, the effect, the music was great, everything. This film was very hard to watch in some scenes, perhaps because the acting was great, Ellen Burstyn should have won the Oscar in my opinion. I stumbled upon it at FYE, watched it, and never wanted to see it again in my life. I wanted the DVD in the trash because it was that powerful and moving. I turned the film onto friends and family and I hear the same reaction from everyone, "Man that was sad" or "It was too depressing." I highly recommend this MUST SEE film
2007-03-18
Devastating, grotesque masterpiece
When I go to the museum, I am often awed at these still lifes from dutch painters of the 16th and 17th centuries. There were those beautiful still lifes, showing a vase of flowers down to the slightest detail. But oh, it would be the one that captured some sort of devastation or ugliness that would capture my attention. The strange thing was as devastating and grotesque one would be all the more beautiful and engrossing.

What is beautiful about such a painting is the thing that makes Requiem for a Dream such a beautiful film. A true artist captures what he or she sees, lives, or feels. If the artist fails to do this, then they create a sugar coated work. It is satisfying for the moment, but ultimately fails to leave a lasting impression. Too often, "artists" compromise their work for the sake of commercial success, painting "beautiful" pictures that are often too common in the field. Requiem for a Dream defies this by painting a grotesque, gripping portrait of addiction. Not once does Darren Aronsky flinch in creating this pictures. It is at time ugly, grotesque, sick, and devastating. But like a classic still life, you can't turn away as you stare at every stark detail.

What I love about this film is that you know your own in for a downhill ride when you begin the film. Jared Leto's character is taking his mother's TV to be sold to get drugs. This moment just scratches the surface of the downward spiral we are about to witness. Aronsky's characters suffer and never turn back. And nothing more need be said of Ellyn Burstyn's fantastic performance as she deals with delusion, drug addiction, and an addiction of a different sort, with the television.

The film has a big finish which is one of the most classic scenes in American film. Although I imagine most pointed towards this review have seen it, I dare not spoil it. It's the final detail in the still life. The one that makes you stare and stare - not so much at its beauty, but its sheer unrelenting truth.
2007-07-10
Not top 100 material.
I liked Requiem for a Dream but not enough to compensate its flaws. Ellen Burstyn was excellent and her story was fascinating to watch, but Jared Lato and his friends' far more tired tale kept interrupting it. It's old news that drugs are bad, and the original high will always be replaced by a mournful low, but why must it be so forcibly rammed down your throat. "Do drugs and you'll end up in a yokel prison getting racially abused, or you'll end up a prostitute, whoring yourself in front of 50 men for a fix, or you'll end up in a mental institute getting electro shocked back into coherence, or you'll end up an amputee!" It's all served up about as subtly as a sledgehammer to the forehead, with Guy Ritchie style fast cutting and camera tomfoolery.

I never particularly liked Trainspotting either but at least it handled the subject of drugs with a bit more common sense, there were consequences for drug abuse in most cases, they weren't ridiculously over the top and some people tried to sort themselves out. Requiem for a Dream is about as level headed as Mary Whitehouse. Anyone who goes near a drug ends up in abject misery.

I had heard so much about how this film would shock me and move me, how I'd love it but never want to see it again. Maybe this led to my expectations being too high but it had none of the impact of Irreversible or Dancer in the Dark (I know these are unrelated films, but I think they fit the description I'd been given).

6/10

`Drugs? ….. No, I don't do drugs!'
2004-02-23
Don't believe the tripe!
While the trailer for this movie was seductive, most notably for its MTV-style quick shots from the film & music, actually watching it was an experience in torture. This film is one big cliche. Perhaps US raver kids (born after 1980) who have never seen a good film might find this to be "different" & "unusual", but for anyone that's seen non-US or pre-1980 films, this film is one big bore. It's presentation of drug use is no more complex or realistic than the "This is your brain on drugs" PSAs that graced US television sets more than a decade ago. If you're into stream-of-consciousness & lots of style in your drug film check out "Naked Lunch", If you're into the drama & humor of it all then check out "Trainspotting", or if you need a dose of pessimism & reality then check out "Drugstore Cowboy". Hell, even "Fear & Loathing in Las Vegas" is better than this mess. The acting is awful, especially Ellen Burstyn. I was never convinced that her over-the-top performance was anything but acting....if you really want to see a food performance from her check out "The Last Picture Show". What irks me most about the film is that its MTV-style quick cuts & soundtrack really mask the fact that there is really nothing to it. I could have spent the 90 or so minutes I wasted watching it doing something more productive...like my laundry. By far the most boring drug movie I have ever seen. Advisory: take some caffeine or amphetamines first if you want to stay awake to the ending.
2001-09-23
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