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Year:
1942
Country:
USA
Genre:
Drama, War, Romance
IMDB rating:
8.6
Director:
Michael Curtiz

 

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Humphrey Bogart as Rick Blaine
Ingrid Bergman as Ilsa Lund
Paul Henreid as Victor Laszlo
Claude Rains as Captain Renault
Conrad Veidt as Major Strasser
Sydney Greenstreet as Signor Ferrari
Peter Lorre as Ugarte
Joy Page as Annina Brandel
John Qualen as Berger
Leonid Kinskey as Sascha
Curt Bois as Pickpocket
Casablanca Storyline: In World War II Casablanca, Rick Blaine, exiled American and former freedom fighter, runs the most popular nightspot in town. The cynical lone wolf Blaine comes into the possession of two valuable letters of transit. When Nazi Major Strasser arrives in Casablanca, the sycophantic police Captain Renault does what he can to please him, including detaining a Czechoslovak underground leader Victor Laszlo. Much to Rick's surprise, Lazslo arrives with Ilsa, Rick's one time love. Rick is very bitter towards Ilsa, who ran out on him in Paris, but when he learns she had good reason to, they plan to run off together again using the letters of transit. Well, that was their original plan....
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DVD-rip 640x360 px 1316 Mb h264 1792 Kbps avi Download
Reviews
American Rick Blaine finds himself the holder of the letters of transit out of Casablanca and standing before the love of his life once again.
This movie was truly amazing. I never found myself bored, not even for a second. The underlying dry humor in a lot of the scenes really made the storyline comical to the viewer (if you understood the humor). I have a whole new appreciation for old time movies and Humphrey Bogart. The dialog was perfect, the characters sucked you in so much that at times I forgot it was just a movie. I also may have been the only person who was thoroughly happy with the unusual ending that in my eyes wasn't predictable. That's the most I can say without giving it away. It had an array of comical and lovable characters that I couldn't help finding myself wishing that they'd have a happy ending. Especially Sam, the piano player, although he barely said two words throughout the film his charisma and cheerfulness in an otherwise very depressed time made him so lovable as a character. Rick Blaine was a strong character that you couldn't help feeling some sympathy for, but his character displayed selfless and humble qualities that made the movie all the better.
2012-10-11
Just plain good
This movie is just flat out good. It still holds up after 60 years, and for excellent reason. The performances, though more over-the-top than what we are used to today, are spot on. The story is simple but effectively moving, and the movie is entertaining from beginning to end. The musical score is magical.

Casablanca is simply a fine example of classical Hollywood cinema. I watched it with a degree of skepticism, not expecting the movie to live up to its hype, but I was pleasantly surprised when if far exceeded my expectations. The story is interesting and the script is well-written. All of the characters are strongly crafted, and the acting is superb. I give this movie the 10 it deserves.
2002-06-21
It'll never be equalled
Simply put: the best American film of all time and I ain't kidding. I've seen it no less than one dozen times and each viewing has a bit more than the last.Simply impossible to believe that during the making of it,the original writers, the Epstein Brothers, walked out in disgust and in came Howard Koch, the author of the famous 1938 Mercury Theater Orson Welles's "War of the Worlds" based on H.G.'s masterpiece. That's right-the Epsteins said the film was going nowhere-they took a hike and Bogey and Koch sat down and together completed the script. Even Ingrid Bergman, after shooting was done, said she never wanted to be associated with such garbage again. Oh heck, I could write a million words of praise about "Casablanca" but never could I impart the true greatness of the film. It's got to be seen to be believed. The whole darn thing is engrossing, enchanting, mesmerizing,tough,tender,stirring,nationalistic,anti-Nazi and that's only the beginning. "As Time Goes By" is not only one of America's greatest love songs but just about the one song most closely associated with any film. Dooley Wilson looks like he's playing it but the truth is that the man didn't know how to play the piano. But who cares,Miss Ilsa? Want to know how good is that picture? Ever hear of anyone buying and devouring three books about it? I did. (1)"Casablanca" by Richard Anobile,(2) "Casablanca" by Howard Koch and (3)the most definitive work ever written about the film,the 402 page tome,"Round Up the Usual Suspects" by Aljean Harmetz which I read twice. Enough said.
2003-07-08
I've loved this film for thirty years.
Casablanca is a film about the personal tragedy of occupation and war. It speaks to the oppression of the one side - and the heroism and self-deprecation of the other. From opportunists, to isolationists - from patriots to disenchanted lovers - the film has everything a man or woman would enjoy. Bravery, courage, intrigue, romance, beauty and love. Leading actors to please any appetite. Watching this film is to step back to a world that doesn't exist - yet to know it. It is to experience lives that have never been lived - but are "real to you." It is to know pain and joy, pride and pity for characters that are a fiction - yet are so real that you can't help but get lost in their story.

Amazing cast, memorable dialogue, unforgettable story. Through this film, Casablanca will always live in my heart and I will think of its characters as family.

Seeing it for the first time is truly the start of a romance with ideals that will live in you long after credits end.
2000-11-29
Words are Sufficient
"This is a beginning of a beautiful friendship" – that is how this unforgettable and everlasting movie, which talks about love, friendship, loyalty, intrigue, and survival ends. The play takes place in the city of Casablanca, and even though we are unable to see the city (because the action takes place mainly in Ricks' bar), the life of the city is present. On one side are refugees waiting to escape from the horrors of war, and on the other are those who still enjoy nights full of gambling and entertainment, or smuggling and enrichment. The love story is started in war Paris, and revived through the memories in the currently more peaceful Morocco. The fact that love is stronger and larger than any other living thing, and subordinate to world events, is show in the decisions Rick (H. Bogart) makes. Although the movie is black-and-white, it even more emphasizes time events. There is also a color version of the film, but it feels like something is missing. If you have a chance to watch it, you shouldn't miss this masterpiece. And if you have watched it... Play It Again Sam.
2013-07-31
Beyond classic
Spoilers ahead, but then again, who isn't familiar with Casablanca, even if one hasn't seen it?

I've been watching 'Casablanca' over and over again since I bought the Special Edition DVD, and is there any film out there one can watch again and again without ever being tired of it? And does any film appeal to a broader audience? Just everything about it seems to be as close to perfection as it only can be.

But what exactly is so special about it? Is it its great genre mix, never equaled by another film? When we think of 'Casablanca' first, we remember it as a romantic film (well, most of us do). But then again, its also a drama involving terror, murder and flight. One can call it a character study, centering on Rick. And there are quite a few moments of comedic delight, just think of the pickpocket ("This place is full of vultures, vultures everywhere!") or the elderly couple on the last evening before their emigration to the US ("What watch?").

But 'Casablanca' is not only great as a whole, it still stands on top if we break it apart and look at single lines of dialog, scenes or performances alone. Is there any other film which has more quotable dialog than 'Casablanca'? 'Pulp Fiction' is on my mind here, and 'All About Eve' and 'Sunset Blvd.' come close, too, but still I think 'Casablanca' tops everything else. And not only is the dialog great, it's unforgettably delivered, especially by Humphrey Bogart ("I was misinformed.") and Claude Rains ("I am shocked, shocked to find that gambling is going on here"). Many of scenes have become a part of film history; the duel of 'Die Wacht am Rhein' and 'La Marseillaise' is probably one of the greatest scenes ever shot (the only I can think of that would rival it for the #1 spot is Hynkel and the globe from Chaplin's 'The Great Dictator'), and the last scene is probably even familiar to the few people who've never seen 'Casablanca'. Am I the only one who is absolutely convinced that the film wouldn't have become what it is today if Rick and Ilsa would have ended up as the lucky couple?

About the performances: So much has been said about the uniqueness of Humphrey Bogart's and Ingrid Bergman's chemistry as Rick and Ilsa, about Claude Rains' terrific turn as Renault, about the scene-stealing performances by Peter Lorre (one of the 10 all-time greatest actors) as Ugarte and Sydney Greenstreet as Ferrari and about Dooley Wilson stopping the show as Sam. I'd love to emphasize here two other performances, one that is not mentioned quite as often and one which is blatantly overlooked: Conrad Veidt as Major Strasser had a really difficult task here, as his character is the only evil one, but still Strasser is not a one-dimensional character, and it took more than 50 years until another actor gave an equally (maybe even more) impressive performance as a Nazi, Ralph Fiennes in 'Schindler's List'. But why no one ever mentions S. K. Sakall, who plays Carl, the jolly waiter at Rick's Café Américain, is beyond me. He has definitely more screen time than Lorre, Greenstreet and Wilson, and probably about as much as Veidt, and he's a joy whenever he's on the screen. I simply love his reaction when the pickpocket ("Vultures everywhere!") accidentally bumps into him, or the reaction to the "What watch"-dialog. Or how he says he gave Strasser the best table, "being a German, he would have taken it anyway". His performance is simply criminally overlooked.

So is there a weakest link in 'Casablanca'? Every film, no matter how close to perfection, has a minor flaw or two, so one can find them in 'Casablanca', too, if one really tries hard. So yes, one might ask how much sense the entire mumbo jumbo about the letters of transit makes. One might point out that Paul Henreid, although his performance is certainly good, doesn't come close to the greatness of any of his co-stars. However, the film is so close to perfection that I'm almost ashamed that I'm so desperately trying to find less-than-perfect elements.

So whatever films will come, how many sequels will overflow the screen, and how much junk we will have to sit through, one thing is certain if we're desperate to see a great film: We'll always have Casablanca!
2017-06-23
Timeless
Regardless of when the first time you saw Casablanca was, the movie will always remain timeless. Boggie plays the sarcastic and charismatic Rick Blaine and the beautiful Ingrid Bergman plays the lovely Ilsa, the only woman Rick ever loved who comes back into his life after abruptly leaving him. "Of all the gin joints in all the cities in all the world, she comes walking into mine."

The ultimate tale of love and sacrifice, Casablanca is a movie that despite how much times change, this film never loses its magic.

From a personal standpoint, I am not that big a fan of older movies (what some people dub "classics". I generally don't like any film made before 1960. I find the acting generally cheesy. But along with On The Waterfront, Casablanca is still one of the most amazing movies ever made. Highly recommended. Don't go to the video store and rent it, just go buy it.
2003-08-08
Every performance is top-notch.
What can I say about this movie that hasn't already been said? It is one of the best films I've ever seen. Usually when I see a movie that is as highly regarded as this, I perversely try to not like it. This one, however, is impossible to dislike. Peter Lorre gives one of the most memorable performances of his career, even though his screen time is roughly four minutes. Claude Rains is at his unflappable best, and has many of the most memorable lines in this film. Humphrey Bogart plays the type of character he does best, the bitter drunk. Ingrid Bergman is absolutely breath-taking, and not in an ugly baby way. I would recommend this to anybody.
1999-12-28
THE Hollywood romance itself!
This movie can compete with the most famous and timeless love stories in history, like Romeo & Julia, the beauty and the beast, Julia Roberts and Richard Geere.

Always remember while you watch it: 1942. Not such a nice time for the world! Not such a nice time for romance. Not such a nice time to stand up against something. It must have been quite an effort to shoot this film during such harsh times. I mean, it's quite a political movie and the scene with the Marseillaise must have been a punch in the face of every fascist.

But all the political quarrels are combined with an amazing love story that hasn't lost a single ounce of its attraction or beauty throughout the years.

But what really made a classic out of the picture is, in my opinion, Humphrey Bogart. I consider him the man of the millennium, a guy with so much masculine attitude and yet so much feeling. It's just an eye-catching experience to see him walk and talk and, most impressive, drink. Any other actor drinks quite ordinary. It's not a big deal to empty a glass of booze. But when Bogie does it, you can feel his pain. You can feel his grief and his anger. You can feel the person behind the scene. If you ask me for the man I respect the most in movie history, it has to be Humphrey Bogart.

Sure, the rest of the cast does a great job as well, Ignrid Bergmann is responsible for half of the chemistry between Rick and Ilsa but well, I can only see them in the shadow of Bogie.

This is one of those movies, you hear so much talking about and you begin to ask what's so great about a dusty old flick, but after you've watched it, you realize what everybody was talking about. At least, that's how I did.

A truly timeless tale about romance with the perfect cast and probably the most memorable quotes in history. Terrific!
2006-12-23
Perfection
Casablanca (1942), pretty close to perfection. A movie that brings out the best script from both heart n brain, a tough combination. Does a perfect job in blending the political scenario of that time (World War 2) and the ever pervasive love matters. Just 102 minutes movie but each second is entertaining. The clever-stylish dialogues keep it alive throughout. The chemistry between Bogart and Bergman from their very 1st shot together, looks very natural. I wonder why they don't make such well developed movies today. Before watching the movie I did some other viewer comments saying it is all so boring but one thing they might be missing is that these were the movies from which directors used stuff again and again and that is why they look boring to us. But I guess we should at least respect them for this. A keeper, 10/10.
2007-07-21
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