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Thriller, Action, Adventure, Sci-Fi, Horror
IMDB rating:
James Cameron


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Sigourney Weaver as Ellen Ripley
Carrie Henn as Rebecca 'Newt' Jorden
Michael Biehn as Cpl. Dwayne Hicks
Lance Henriksen as Bishop
Paul Reiser as Carter Burke
Bill Paxton as Pvt. Hudson
William Hope as Lt. Gorman
Jenette Goldstein as Pvt. Vasquez
Al Matthews as Sgt. Apone
Mark Rolston as Pvt. Drake
Ricco Ross as Pvt. Frost
Colette Hiller as Cpl. Ferro
Daniel Kash as Pvt. Spunkmeyer
Cynthia Dale Scott as Cpl. Dietrich
Aliens Storyline: Fifty seven years after Ellen Ripley survived her disastrous ordeal, her escape vessel is recovered after drifting across the galaxy as she slept in cryogenic stasis. Back on earth, nobody believed her story about the "Aliens" on the planet LV-426. After the "Company" orders the colony on LV-426 to investigate, however, all communication with the colony is lost. The Company enlists Ripley to aid a team of tough, rugged space marines on a rescue mission to the now partially terraformed planet to find out if there are aliens or survivors. As the mission unfolds, Ripley will be forced to come to grips with her worst nightmare, but even as she does, she finds that the worst is yet to come.
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Aliens, a personal favorite and a marvel in special effects.
Despite the fact that the movie is now a bit dated, the special effects remain stunning. Many have claimed that "Alien" is best movie of it's type. Many also claim that no sequel can ever surpass the first. Aliens is better than Alien, because it does not drag out the suspense of waiting to see aliens quite as long as the first movie did. As for action, it can't be beat! Lots of creatures and lots of firepower give a gung-ho movie fan what he/she wants. The acting is convincing, the technology is amazing, and the explosion of the reactor on LV-426 is simply out-of-this-world! The only detractor from this movie is "Alien3", which takes most of "Aliens'" great characters and flushes them right down the toilet. Anyway, "Aliens" is a great movie in it's own right and deserves credit for that. Thank you.

(P.S.) Petition 20th Century Fox to release "Aliens: Special Edition" to VHS where it rightly belongs.
Awesome second installment to Alien saga filled with tension , chills , noisy action and groundbreaking scenes
Stirring and superior sequel with plenty of thrills , intrigue , suspense , disgusting special effects and lots of blood and gore . The planet from Alien I (1979) has been colonized, but contact is lost . This sequel deals with an invincible squad of G.I.Joes (Michael Biehn , Bill Paxton , Al Matthews , Mark Rolston , Jenette Goldstein and several others) with breathtaking firepower commanded by a Lt. (William Hope) , being accompanied by Ripley (Sigourney Weaver) , a chief (Paul Reiser) of 'The Company' and again an android (Lance Henriksen) ; all of them go to the dangerous planet Alien . The rescue team has to confront an incredible power in a titanic fight .

Nail-biting outing contains tension from start to finish , gory scenes aplenty , some strong scares , slime , emotion , entertainment and nice acting . This follow-up to Alien is also visually astounding , being masterfully realized by James Cameron with a good cast as Paul Reiser , Jenette Goldstein , Lance Henriksen , Michael Biehn , among others . All of the cast who were to play the Marines with the exception of Michael Biehn, who replaced James Remar one week into filming were trained by the S.A.S. , Special Air Service, Britain's elite special operations unit for two weeks before filming . Here Sigourney Weaver/Ripley stands out as one of the best action women of the cinema history . Sigourney Weaver's Best Actress Academy Award nomination for this movie was the first ever for an actress in an action role in an action movie . Moving and thrilling story by Walter Hill , David Giler and the same Cameron ; based on "Alien" characters created by Ronald Shusett and Dan O'Bannon . This exciting as well as heart-pounding movie contains shocks , stomach-churning violence , being packed with frenetic action , thrills and results to be pretty entertaining . It is a very good cinematic combination of Sci-Fi , monster movie and terror . This is a brutal , considerable violent and overwhelming sci-fi thriller that scales new heights of savagery even by the standards of the 70s , 80s , 90s and even 2000s . The result is a throughly violent but undeniably impressive action movie with an acceptable cast giving sweatily good value to their abrasive characters . Magnificently designed creatures , originally created by the artist HR Giger . Top-notch special effects by SFX designer Alec Gillis and Tom Woodruff Jr . Although , only six alien suits were used, and even then they were mostly just a handful of latex appliances on black leotards , the appearance of hundreds of aliens is simply clever editing and planning, and lighting plus slime helped make the "suits" more solid. The Animatronics were controlled by a motion-control rig which could save her rapid movements . The ending part is particularly exciting with our protagonist battling the malicious as well as brutal alien mother and with impressive scenes that took various months to film . The picture packs an enjoyable music score by maestro James Horner , full of fury and frightening sounds , though he cannibalized previous scores he had done, such as elements from his Star Trek II -wrath of Khan (1982) and Star Trek III (1984) scores . Furthermore , a colorful and adequate cinematography by Adrian Biddle . The motion picture lavishly produced by Gordon Carroll , David Giler , Walter Hill and Gale Anne Hurd was perfectly directed by the great James Cameron .

There was seven years between the release of Alien (1979) and Aliens (1986), six between Aliens and Alien 3 (1992), and five between Alien³ and Alien resurrection (1997). The original and the best was ¨Alien¨ by Ridley Scott , it was starred by Sigourney Weaver as a great action woman similarly to Sanaa Lathan ; it is followed by this ¨Aliens¨, considered to be its better sequel . All of them starred by the great Sigourney Weaver who performed one of the best female leads created in years followed by Sanaa Lathan . Furthermore, ¨Alien vs. Predator¨ (2004) that was first film in the "Alien" franchise to not feature Sigourney Weaver, who has said in interviews the idea of the crossover "sounded awful¨ and ¨Aliens vs. Predator ¨ (2004) by Paul W.S. Anderson with Sanaa Lathan , Raoul Bova , Ewen Bremner , Tommy Flanagan , Joseph Rye . Followed by ¨AVPR: Aliens vs Predator - Réquiem¨ (2007) by Colin Strause and Greg Strause with Steven Pasquale , Reiko Aylesworth , John Ortiz , Johnny Lewis , Kristen Hager , Ariel Gade , Sam Trammell , Gina Holden , Ty Olsson and Robert Joy .
in space no one hears you scream except the audience!
let me begin by saying that this film is magnificent. Working from a 26 million dollar (US) budget and a relatively unknown cast aside from Ms. Weaver, James Cameron broke the mold and blew the lid off of sci-fi action films with this one.

The first Alien was a miracle unto itself. After slyly reversing the lead roles and creating a heroine with Sigourney's Ripley, Scott masterminded a haunted house in outer space that broke taboos aplenty in the seventies. Learning that the cast including veronica cartwright and everyone else were not privy to what was going to happen during the first chest-burster sequence, their reactions are still priceless.

How could Fox ever improve upon a film like Ridley's? After a pitch meeting with newbie, James Cameron, and him turning down a remake of Spartacus, the creative exec shouted 'what about alien 2?' James took a seat and listened then ran off to create a masterpiece. The difference between these two films is the subtext. Alien had none. As beautiful as it was, the characters were cliché and the dialogue lame. Ian holm did a great job, but aside from his malfunctioning synthetic, there wasn't much else.

James built a force to reckon with around Ripley. Corporal Hicks, a talented Michael Biehn, private Hudson, the whiny soldier on his last days of service, private velasqez, the male-ass kicken female, the corporate snake played wonderfully by the slithering Paul Reiser and the sympathetic synthetic played by Lance Henriksen. These characters were drawn well from beginning to end and we sensed a bit of family between them. And lastly, Newt, the darling Carrie Henn who has since abandoned her days of acting and has become a grade school teacher. How I long for her to scream once more! With that said, the reason why this film worked was that it's a film in its own. There is no "2" after it and the names spells it all. Aliens is about multiple aliens. Multiple facets of life. The death of Ripley's daughter and her crying in the beginning saying that she promised to be home for her 6th birthday. Weyland Yutani playing the behind the scenes chess player and compromising people's lives in order to make a buck. (Haliburton anyone?) The concept of synthetics and androids in everyday life, being 1986 this seemed almost implausible, but now it's 2006 and those are just right around the corner. Did anyone catch the close resemblance between Bishop's hyperdyne system model and mr. cameron's cyberdyne systems from terminator? With only six variations of the 'alien suit' and the abandonment of H.R. Giger's designs, I was hesitant but became a huge fan after my first viewing of this film. I was 8 years old when I first saw it and it still has me in awe. This film is a DRASTIC departure from Ridley's haunted house on the nostromo. His was moody, dark, and claustrophobic. Cameron's is an extravagant action spectacle with character substance.
The Greatest Sci-Fi War Movie Ever
After the masterfully suspenseful horror/thriller of Alien, any sequel needed to do something different, and that was exactly what James Cameron came up with for Aliens. Where Alien is essentially a haunted house movie in space, Aliens is an all-out war movie in space.

The story fits PERFECTLY alongside Alien and there are no continuity lapses between the two. The characters are all totally believable, from the inexperienced and arrogant Gorman, through the cocky but cowardly (but ultimately heroic) Hudson, to the sleazy corporate "suit" of Burke. The cast do a fine job of bringing these characters to life, so much so that we can even accept Ripley's transformation into a kind of all-action female-Rambo by the end.

The effects are universally excellent with only a couple of fairly obvious rear-projection backdrops giving the game away nowadays. The practical Alien effects (and especially the Queen) are infinitely more scary and believable than the all-CGI-garbage that Alien:Covenant has recently foisted on the cinema-going public.

To be honest, the biggest "downer" of Aliens is how Alien 3 completely swipes away everything Ripley worked for in Aliens before the opening credits are done! But the fact that the biggest problem with Aliens is it's subsequent sequel should tell you all you need to know about it! It's an absolutely superb film which, along with The Empire Strikes Back and The Godfather Part II, has the rare accolade of being a sequel that more than holds it's own next to original.

Impossible to give this anything other than 10/10.
Best movie to date.
I think this movie is the best movie made. The graphic violence, it's realism in a non-realistic way, and the acting made it a high quality film. I've ordered the directors cut that comes out June 1, 1999. I can't weight for the new stuff.
They Mostly Come Out AT Night. Mostly.
How do you follow up a movie that is possibly the best example of a sci-fi/horror movie ever? Simple. Make what is possibly the best sci-fi/action movie ever. Eminently quotable and totally enthralling, Aliens burst onto our screen seven years after the original movie was released. At the helm this time was the relatively unknown director James Cameron and didn't he do well? The plot is a simple one. After being cryogenically frozen for 57 years, Ripley (Sigourney Weaver), is found floating in space. She is woken up and finds out that the planet they first found the Alien on is now inhabited. Despite her impassioned pleas that her crew was killed by a massive alien that burst out of a man's chest, had acid for blood and two sets of teeth, for some reason she isn't believed. Her pilot status stripped away, she is left to fend for herself, until earth loses contact with the colonists. Then Ripley is talked into joining the Marines assigned to find out what went wrong in an advisory roll. The Marines are cocky, brash, over-confident and wielders of immense amounts of firepower. In short they're dead meat. Also along for the ride are Bishop (Lance Henriksen) - an android, and Burke (Paul Reiser) - a sleazy corporation guy. Upon entering the colonists' facility the Marines find signs of a massive firefight, as well as a remarkably cute little girl generally called Newt (Carrie Henn). Eventually they find where the colonists appear to be. All in one area so it's a simple matter of going down there and finding out what's going on.

After the majority of the marines have been killed and their main way off the planet wiped out it's up to the survivors to – basically - continue to survive. Eventually, after a few more casualties, they escape. Except… ooops, Newt didn't make it. Happy to leave behind Marines and corporate stooges by the bucket-load, Ripley, who frankly hasn't been the best mother in the world to her own daughter, decides to go back for Newt. An encounter with the Alien Queen and a whole room full of eggs and her finding Newt later and we're back on the space ship, finally safe. Until, of course, in a fantastic fake-out involving more milk and yoghurt than ever before seen on film we see Bishop ripped to shreds by the Alien Queen we thought was left behind to die. The final showdown of these two protective mother figures is a lot of fun, the Queen is sucked out into space and everyone is happy in the end. OK, so maybe the plot isn't all that simple.

Many people may have heard me call this a Vietnam War movie and, once again, I stand by that. The Marines, despite their high-tech weaponry look like a unit in Vietnam. This was a conscious decision by Cameron, he went as far as getting the actors to decorate and customise their own costumes. The scenario itself (high-tech army against low-tech but numerically superior forces), vents doubling for tunnels, the heat, the loud Sergeant Apone (Al Matthews) the oppressive atmosphere: all of it feels like Vietnam. You even have Hudson (Bill Paxton) talking about being a short timer! This allows the audience to connect with the characters. By making the distant future feel like our recent past (the war had only finished 11 years previously) we are able to identify with their plight. These aren't super soldiers or men in battle suits. These are grunts who are just doing their job.

The acting is generally pretty good, with the supporting cast not given that much to do other than portray a group of Marine stereotypes. Paxton is possibly the most standout of all of the marines, though he does generally get most of the best lines. Michael Biehn as the dependable Cpl. Hicks, Ripley's love interest, is also very good. Both Henriksen and Reiser give great performances, with memories still strong of Ian Holms android going postal in the first movie, Henriksen plays every moment for all of its sinister value until the very end when we realise Bishop is a good guy, and Reiser is so slimy he practically leaves a trail.

The best performance of the movie is easily that given by Weaver. The fact that in 1987 a performance in a sci-fi/action movie should be nominated for an Oscar is testament enough to the quality of her acting. The mother-daughter bond that grows between Ripley and Newt is central to the movie, and one that allows Weaver to develop her character even further. Of course Cameron cannot resist mirroring this with the maternal instincts of the Alien Queen. These themes of motherhood and the nature of the difference between the two species are continued in the next two movies, although never as subtly.

What can I say about the direction? It's James Cameron, so there is a lot of blue or red on the screen. Here it leads to a truly atmospheric feel, the tension building up as things just go from bad to worse for the marines. With clever use of camera angles, quick cuts, lighting and good old fashioned dry ice, Cameron never once gives away too much about the aliens, and manages to make it feel like there are far more on screen than there really are.

This is a movie that does not give you a break. Cameron is either piling on the dramatic tension or the adrenalin pumping action. Everything about this movie is sheer class and it is rightly considered one of the best of its type ever made. If you don't like this movie then the problem is your taste in films, not the film itself. If you have not seen it, not only am I surprised, I recommend you do so when you're in the mood to have a roller-coaster ride but Blackpool is too far away.
Great follow up
It's 57 years after the first movie. Ellen Ripley (Sigourney Weaver) has been lost in cryogenic sleep until she's discovered by a deep salvage team. She's asked to return to the planet to investigate why the colony there has lost all communication. She and a team of space marines must battle the aliens in an all out fight.

James Cameron has taken this franchise from its horror origins to a great big action adventure. The change in style is seamless. The action is perfect, and it's a non-stop roller coaster ride. Ripley has transformed herself from the feminist icon into a powerful mother figure. There isn't a false note in this movie. The characters are all well drawn from the humanist robot Lance Henriksen to the comic relief Bill Paxton. They all work to create one of the most thrilling rides of all times.
James Cameron's Powerhouse Sequel to "Alien"
Say what you will about James Cameron's attempts at more "serious" film-making ("Titanic"? Ha!), the man does know how to put together an action movie. He takes a completely different approach to this second film in the "Alien" series than Ridley Scott did to the first -- whereas Scott's film was slow, creepy and scarier for what you didn't see than for what you did, Cameron's is nearly non-stop hard-core action. It works though, and for all the difference in their styles, the two films cohere very well together.

In this sequel, the focus moves away from the science/research angle of the first and instead focuses on a group of marines sent to a ghost town of a space station to investigate the disappearance of the colonists. Ripley (Sigourney Weaver) is along for the ride again, and Cameron uses her fear of what they could potentially be walking into effectively. Whereas in the first one, we were scared because we shared the scientists' cluelessness about what was going on and only learned things as they learned them, in this one we're scared in the same way Ripley is, precisely because we know what's going on and how terrifying it is. And Cameron ups the ante here -- instead of one single alien as a nemesis, this group of marines has to deal with hundreds of them.

I'm not really a fan of the subplot involving Newt, the little girl the marines find and who forms an attachment to Ripley. But the story does give Ripley's character a lot of motivation and makes her stand off with the aliens much more personal.

I've seen this film a few times, so you'd think it wouldn't hold any suspense for me now, but I just watched it again over the weekend and damned if I wasn't on the edge of my seat.

Grade: A
A rarity in the world of sequels....
Can it be possible; a sequel that is as good, if not better, than the original? Yes, it not only can be possible, it is, and "Aliens" not only proves a fantastic sci-fi movie in its own right but again proves the power that Sigourney Weaver has in the right film, as well as the over-powering direction of James Cameron.

Picking up 200 years after the fact, Weaver is once again thrown into a battle along with the Space Marines that are called to the planet where Weaver's team originally found the alien of the first film. The colonies that have been built there have been obliterated of all life and they are being sent there to wipe out every last alien on the planet.

Of course, in a movie like this, nothing is as it seems, and that's a positive quality. Weaver misses nary a beat as Ripley, a woman as un-trusting of aliens, most humans and just about anything else in general as she was before. It's only when they discover a small girl (Carrie Hehn) left alive that she finally finds something that perhaps shows she has some feeling left.

Of course, there are other great performances by Biehn, Henriksen, Goldstein, Paxton and Reiser, playing well fleshed-out characters against a backdrop of desperation, fear and outright gut-wrenching horror as they find out their mission wasn't as easy as they all thought.

But then comes James Cameron. Having proven his mettle with "The Terminator", he works with a bigger budget and shows just as much ingenuity and flair for big, flashy action as any ten action directors. But even if the story seems routine, Cameron's approach is not; he makes every single moment seem as fresh now as if it were being seen for the first time in motion picture history. Always a good thing in science fiction, where there aren't exactly new ideas coming out every day.

As with the original "Alien" (and Cameron's "Terminator"), the last half-hour or so is so much edge-of-your-seat and nail-biting tension that you'll feel like a wrung-out wash rag by the time all is said and done, and rightly so. And, more than ever, you'll empathize with Weaver as her character fights not only for her own survival, but for that of others as well.

So, "Aliens" is great science fiction and great film-making, but is it a worthy addition to the saga? Most definitely, especially when you consider that most sci-fi films can't muster HALF the story this one does, much less a sequel to one.

Ten stars (eleven if I only could) to "Aliens", one of the best science fiction sequels ("Star Wars" movies excluded) ever.
My mommy always said there were no monsters - no real ones - but there are.
Ripley has been found in deep space by a salvage ship and brought back to a space station to be awoken from her 57 year sleep. Here she is mortified to find that the planet on which herself and her now deceased Nostromo crew found the Alien, LV-426, has been colonised by Weyland-Yutani Company. Suffice to say that when The Company representative, Burke, tells her that all contact is lost, she's not in the least bit surprised. Unable to get anyone to believe her about what happened to the Nostromo crew, Ripley is cajoled into going back to LV-426 with a crack team of space marines to seek, destroy or rescue...

How do you make a sequel to one of the finest, most loved modern era films ever? This was something that director James Cameron must have pondered on many a dark night once he had agreed to make Aliens. The answer was to rightly not copy the format so brilliantly laid down by Ridley Scott and his team for Alien, but to embrace its mood and enhance it with thrills spills and exhilaration. This was only Cameron's third feature length movie, and here he was working with the crew who had made Scott's movie so special. Also writing as well as directing, this could have gone very wrong indeed, but Cameron rose to the challenge admirably and set up his marker on how his film would succeed. Keep the premise simple and seamlessly connected to Scott's film, and lets have more. Not just one bad ass acid bleeding alien, but an army of them, and their mother too!

They mewstly come at night - mewstly.

Where Alien was a splicing of sci-fi wonderment and basic horror terrors, Aliens is a blend of war film staples to compliment both of those earlier picture things. Thus in keeping with Cameron's more is more work in progress skeleton. Another thing that Cameron instinctively called right was to make Aliens about Ripley (Sigorney Weaver simply brilliant), it's her story. Be it a parental thread or a feminist heroine fighting off the phallic hoards, cinema got in Ripley's extension one of its finest and strongest female characters ever (Weaver was nominated for Best Actress but lost out to Marlee Matlin for Children of a Lesser God).

Thematically Aliens has been pored over in regards to metaphors about Vietnam, foreign policy and corporate greed at any cost, and rest assured that Aliens isn't merely one big excuse for a shoot them up bonanza. But realistically, and explaining why it was such a huge box office success, it's with the thrills and terror that Aliens most succeeds. The action scenes are slick and at times breath taking, and the tension is often palpable. None more so as we enter the film at the half way point, because here we realise that we have characters to care about. Blood, brains and brawn, all led by a heroine of considerable guile and guts. 10/10
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