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Download Wilson 2017 Movie Legally
Year:
2017
Country:
USA
Genre:
Drama, Comedy
IMDB rating:
5.8
Director:
Craig Johnson

 

          Wilson IMDb    Wilson Wikipedia    Wilson Soundtrack

Woody Harrelson as Wilson
James Robert Miller as Bearded Man
Kimora Collins as Granddaughter
Sandy Oian-Thomas as Dog Lover
Shaun Brown as Laptop Man
Andrew Hawtrey as Commuter
Lauren Weedman as Cat Lady
Richard Ooms as Edwin (as Richard G. Ooms)
Tonita Castro as Nanny
Brett Gelman as Robert
Judy Greer as Shelly
Wilson Storyline: Harrelson stars as Wilson, a lonely, neurotic and hilariously honest middle-aged misanthrope who reunites with his estranged wife (Laura Dern) and gets a shot at happiness when he learns he has a teenage daughter (Isabella Amara) he has never met. In his uniquely outrageous and slightly twisted way, he sets out to connect with her.
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720p 1280x696 px 4476 Mb h264 6622 Kbps mkv Download
HQ DVD-rip 720x392 px 1390 Mb mpeg4 2057 Kbps avi Download
Reviews
Woody Harrelson is a Marvel!
Woody Harrelson's undeniable talent comes with force in 'Wilson'. As the misanthrope protagonist, Woody is at his scene-stealing best, overpowering this uneven film with his bare hands. But hey, this Comedy-Drama isn't without its moments.

'Wilson' Synopsis: A lonely, neurotic and hilariously honest middle-aged man reunites with his estranged wife and meets his teenage daughter for the first time.

'Wilson' is a sadistically funny tale of a strange man, whose ups and downs, either result in hilarious situations or in pure bizarreness. I found myself laughing for the most part, particularly in its first-hour, which engages you. The second-hour does get a little dark & even the culmination doesn't really, but fortunately, the narrative never gets boring. At 94- minutes, 'Wilson' is thoroughly watchable & sporadically funny.

The Screenplay by Daniel Clowes, which is based on the graphic novel of the same name by Clowes, himself, shifts gears from being funny to dark, but works in parts overall. Craig Johnson's Direction is passable. Cinematography & Editing are fair.

Woody Harrelson is the trump card of 'Wilson'. The Acting Thespian nails the part! He enacts the strange protagonist with enviable easy & keeps you invested even when the Writing falters. Its a winning performance from beginning to end. Also in terrific form is the magnificent (and hot) Laura Dern, who scores as Wilson's estranged wife.

On the whole, 'Wilson' is a Woody Harrelson show all the way. Watch It to see how fine acting alone can save an uneven story.
2017-08-13
Nice Film
A comedy starring (Woody Harrelson) who plays Wilson a middle aged guy who just know after seventeen years he had a daughter from his ex-wife Pipi (Laura Dern), so they go on journey to restore the old years that were not presented for their daughter.

The story was major consecrating on family and how important for a human to have one and how people are changed with the modern technology. Acting amazing act from both Woody Harrelson and Laura Dern, they were communicating very well in the film. The film was very slow and quite which excluded most of the music and effects. The story was not presented very well and it was very long film for short story.
2017-05-22
omg, this was hilarious!
This movie had me laughing so much I'm gonna have to watch it again because I missed some of the dialog due to not being able to stop laughing. There is a lot of foul language because Woody's character has no filter, and that's part of the humor. Unlike most movies made these days, there's a purpose and method to the language. It's not just foul language for the sake of foul language. Having said that, it's probably best to watch alone, or with someone you know is not sensitive to foul language. Woody does an excellent job with his character, although I get the feeling it wasn't much of a stretch for him. This may be the best I've seen from Woody. Excellent movie!
2017-08-31
Why?
For such a talented cast I cannot for the life of me explain why they bothered to be in this movie. While parts of the Twin Cities are recognizable; it's one of the worst movies I have seen in some time. The story or lack of it is depressing, uninspired, ridiculous and all over the place. The writing is terrible. One of the other reviewers said it best: it would have been better if it had been about Wilson the volleyball from the movie Cast Away. The Twin Cities certainly deserves a better representation of our beautiful state than this movie.
2017-06-30
Requires a sophisticated mind to recognize the true genius of this movie
Comedy is very subjective and this movie may not be for everyone. In my opinion it totally worked, they really pulled it off. Never stretched the limits of suspension of disbelief while at the same time presented an extremely skewed, quirky character who I found to be engrossing. Woody completely lost himself in the character becoming almost unrecognizable. He is a handsome man but became very unattractive and almost strained credulity when the beautiful actress wanted to begin having sexual relations. But it could be possible for a mentally challenged weirdo who still has such a great body. I am a complete comedy aficionado and constantly searching for new cutting edge material, 99 percent of it is garbage but this passed my rigorous standards to stand out as one of the ten best comedy movies to come out in recent years. I'm giving it nine out of ten stars because it could become overlooked if more uncultivated comedy palates can't "get it"
2017-06-10
A rare gem of a comedy these days
Don't let the negative reviews put you off. I really can't understand what people have against this comedy, it is quite a breath of fresh air since comedy has changed so much in recent years and has become quite lazy.

This is a movie you really have to give a chance. These days if you find it hard to come across a new comedy movie you actually like, this movie had me laughing at more scenes than not. If you feel these days like comedy movies have lost something, like the set up of jokes and lines that are actually smart and funny then this might be the movie for you. If you like satire, sarcastic type humour that pokes fun at today's society and you are not too sensitive to swearing, you will enjoy it.

The plot is simple, but put across in heartfelt yet hysterical way. Wilson is a very blunt lonely man who has fell out of place in today's society, largely down to the fact he is a bit of a technophobe when it comes to computers and smart phones. He prefers good old fashioned human contact and he yearns for it throughout. All he wants is a regular family, which thanks to his ex wife he missed the chance on having years ago.

I'd say the movie seems to be more put towards a British audience with the style of humour, its cracks at religion and the world today and even the strong language used throughout but used intelligently.

The only reason I haven't give this movie a higher rating is due to the rather rushed ending it had. Otherwise I'd have given it a ten.
2017-05-28
Film Review: Wilson
Have you ever met a person that was always so negative; a complete narcissist; a complete nut case who goes about doing all the wrong things, and makes the worst life choices ever? Well, if you do know a person like that and want to compare them to someone else as neurotic, Wilson is the movie for you. Woody Harrelson plays the titular title character with as much pizazz and life as possible while being an inherently bleak as can be.

Harrelson's Wilson can best be described as the ultimate misanthrope. Nevermind Ebenezer Scrooge, Wilson is the real deal when it comes to pessimism. Taking the world with less than a grain of salt, Wilson tackles the world with the most obvious sense of negativity, blaming people and society for all that's gone wrong in his life, including his; love life, family life and most of all, all of his own quirks and habits. Don't believe us? Just pay close attention to one very short and emotionally draining scene where Wilson visits his father on his deathbed. Like so many cases after this scene, Wilson seeks for retribution and peace in all the wrong places and times.

Clearly the oddball in his almost picturesque Minnesota community, Wilson's world shakes and shatters upon the discovery that an old flame and frequent drug user Pippi (Laura Dern) decided to keep a child they had together, who later independently decided to put the girl up for adaption. Upon the discovery of Pippi, and some sort of hope that the once love would rekindle, Wilson takes it upon himself to find his daughter Claire (Isabella Amara) and the beautiful urban family who has taken the responsibility to raise Claire as their own. As expected, in the most distasteful and awkward way possible, Wilson, along with Pippi, make it a hobby to include themselves in Claire's life almost forcefully.

Having an almost crude and grimy way of connecting with humanity as a whole, Wilson makes good-intentioned decision to involve himself in Claire's life, until things begins to spiral out of control, in familiar Wilson-fashion, leading Wilson to state penitentiary.

Luckily for us, Harrelson, one of the most versatile and interesting actors working today, allows Wilson to be a very engaging and interesting character film, focusing on the ideas of longing and loneliness. While we were fortunate enough to have the film written by Daniel Clowes, the original author of which the graphic novel the film is based off of, and Craig Johnson, director of the totally off-beat but satisfying tragic comedy The Skeleton Twins, Clowes and Johnson are able to keep the spunkiness of the almost two hour film somewhat light, keeping its flowing characters in serious need of redemption mostly entertaining and engaging.

Do not get it twisted, Wilson is a very dark and comedic film, just not dark in the sense that depression and pill popping may ensue after. While Clowes has a knack of making really funny situations and characters depressing and almost unchangeable, Wilson does progress towards a satisfying yet, in its own way, Hollywood ending. While I did long for a more in-depth look or analysis of Wilson's relationship with his father, it never comes.

While Wilson showcases the many levels and various temperaments of a very flawed and almost unlikable character, by the end of the film, one cannot help to kinda/sorta fall in love with Wilson. There is an illustrious comedic poignancy of the man who barely reaps the benefits of all of life's wonderful yet disillusioning obstacles. Decorated with slight glimpses of retribution for our beloved inane character, the world in which Wilson longs for is one that is slightly unattainable, yet charmingly whimsical.

Harrelson is an actor that can pretty well play anything and anyone. Slap on a pair of thick framed glasses, a shaggy silver-laced beard and Harrelson nails all of the nuances of a impulsive man for whom bell tolls for on a daily basis, blowing up everything and everyone in his crazy and directionless path.

Luckily for Clowes and Johnson (the original author of the source material and director) were able to assembler a quite impressive cast for a Sundance and indie darling. With the likes of Harrelson, Dern, Cheryl Hines and Judy Greer, giving a well needed spunk and kick in the ass to a somewhat joyless narrative, despite some uncomfortably appealing scenes of Wilson within a school playground and pet shop parking lot.

Overall, Wilson may probably not be your most beloved feature of 2017, nor will it be your most memorable. Luckily for us, art is always a reflection of the images we see on screen, and if there is anything Wilson does well, its reminding us that there is light at the end of the tunnel; and no matter how bad things may end up looking or really are, hope, happiness and redemption is always in store, just don't squander on the opportunities once they becomes apparent.
2017-04-04
Even bad-boy Woody can't make this a comedy.
When titular anti-hero Wilson (Woody Harrelson) says suburbia is a "living death," he could also be talking about himself as a curmudgeon dissing everyone he sees while crying for the family life he's never had. That extreme tonal shift characterizes his bifurcated personality and the film itself.

In other words, this film is so deaf that it is almost impossible to see it as the comedy the producers would like us to experience. Although Harrelson brings his patented innocent bad-boy persona, he can't save the result from mediocre dialogue and inscrutable characterization.

As it all begins, Wilson's voice-over is larded with misanthropy spread over the landscape from a sweet dog lover (Sandy Olan) to any young person he meets, except his long lost daughter, Claire (Isabella Amara). The latter supposedly transforms his life after he seeks her out.

Fawning over his indifferent daughter emphasizes his lack of insight, despite his constant chatter about his disappointment with modern life, frequently spot on, if not unkind. His attempt to reunite with his estimable former wife, Pippi (Laura Dern), shows the other side of solid insight. By the end of the film, I felt I was battered from one side of the ring to the other with no real winner and a definite loser in Wilson.

Jack Nicholson did a remarkable job as a reforming curmudgeon in About Schmidt, as did a score of fine actors playing Scrooge. The film Wilson just doesn't fit because it lacks character focus. That Woody brings the requisite jaded innocence is a given; that the screenplay gives him nothing to hang the character on is a flaw in an otherwise interesting concept about the middle-aged pessimist turned optimist.

Because this film is adapted by the graphic novelist, Daniel Clowes, who created the protagonist, it's fair to say Clowes caught the cartoon-like irony of the comic book but lost the sense of character consistency so much a hallmark of a mature novel set to film. If you want bleak and dark with a light touch, the work of Todd Solondz would fit your needs. Clowes not so much.
2017-03-23
Did I say Retarded?
Dunno what the director was thinking, or Woody Harrleson for that matter, but the movie is awful, too retarded to be a drama, too embarrassing to be a comedy, too boring to follow. If there was a message of this movie or a purpose, I completely missed it. I regret my time spent and I really like Woody as an actor.
2017-05-16
It's Wilson's world. We're just living in it.
In 1944, legendary Hollywood producer Daryl F. Zanuck made a movie called "Wilson", a biopic about our highly educated, dignified and visionary 28th President – and the film went on to win the Academy Award for Best Picture. 2017's "Wilson" (R, 1:34) is NOT a remake of that film. Not even a little. The more recent "Wilson" is also not a spin-off of "Cast Away". The title character in 2017's "Wilson" doesn't have any of the qualities of that President who led us through World War I and who established the forerunner of the United Nations (except maybe for… honesty). And this Wilson has much more personality that Tom Hanks' famous volleyball buddy. This Wilson is more like a less volatile cousin of Michael Douglas' character in 1993's "Falling Down"… and is like a half-brother to Bill Murray's character in 2014's "St. Vincent". But, notwithstanding those cinematic comparisons, "Wilson", as portrayed by Woody Harrelson, is an original and unique character and one who I wish I could be like… sometimes.

Wilson is a lonely middle-aged man with a lot of faults, but he doesn't mean any harm. Wilson is honest… to a fault. He's impulsive… to a fault. He's even empathetic… to… well, you get the point. You see, it's Wilson's world and we're just living in it. He'll stop a stranger walking her dog, talk only to the dog – in a cutesy animal voice – and then act confused when the woman yanks her dog away and looks at Wilson like he's a weirdo. Wilson will ride a virtually empty train, sit right next to a businessman wearing earbuds, interrogate him about his life and not feel the least bit uncomfortable when the man forcefully asks Wilson to go sit somewhere else. Wilson is also the kind of person who will go visit an old friend in hopes of renewing their relationship but then change his mind and calmly tell his friend that he had forgotten what a joyless and unkind person his friend really is. But in spite of all this, the most important thing to know about Wilson is that he just wants to be loved… on his own terms, of course.

One fine day, Wilson decides to go looking for his ex-wife, Pippi (Laura Dern). He remembers Pippi as basically a crack whore – and that's how he describes her to everyone he encounters who he thinks might know her. With the help of Pippi's very WASPy sister (Cheryl Hines), Wilson is able to track Pippi down to her waitress job, where she is using a different name, but is still kind of a mess. Pippi is none too happy to see Wilson – or to endure the problems that his presence causes for her at work – but she still falls right back into bed with him. That's when she reveals that she had Wilson's baby sixteen years before and put her up for adoption. Wilson is beyond excited that he's a father and talks Pippi into coming with him to find their daughter, a surly, heavy-set girl named Claire (Isabella Amara). Claire lives with upper-middle-class adopted parents who neglect her… but she's still not thrilled to meet and be stalked by Wilson and Pippi. Nevertheless, Wilson is thrilled to have an "instant family" and won't give up on Pippi or Claire. And with a man like Wilson driving this train… what could possibly go wrong?? "Wilson" is wonderfully crude, funny and heart-felt. Wilson acts like we all wish we could act… sometimes. Personally, I envy his fearlessness and his ability to be himself and not care what other people think. Of course, he's also a jerk, he knows it and he doesn't care, so that part… not quite as admirable. In adapting his own innovative graphic novel of the same name, American cartoonist Daniel Clowes gives us a fully-drawn character who never really changes who he is as a person, but who still manages some growth. As directed by Craig Johnson ("The Skeleton Twins") and starring the versatile Harrelson, we get a fully realized character who is equal parts funny and obnoxious, but who still comes off as sympathetic. Besides the usual great work by the star, Dern gives a transformative performance and Amara shines in her most significant role to date. Margo Martindale, Mary Lynn Rajskub, Brett Gelman and (especially) Judy Greer contribute strong supporting performances. "Wilson" is an enjoyable foray into an uninhibited mind – and a reminder why we wouldn't really want to live that way. "A-"
2017-04-02
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