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Adventure, Sci-Fi, Romance, Family, Animation
IMDB rating:
Andrew Stanton


          WALL·E IMDb    WALL·E Wikipedia    WALL·E Soundtrack

Ben Burtt as WALL·E
Jeff Garlin as Captain McCrea
Fred Willard as Shelby Forthright - BnL CEO
MacInTalk as AUTO
Kathy Najimy as Mary
Sigourney Weaver as Ship's Computer
Kim Kopf as Hoverchair Mother
Teddy Newton as Steward Bots (voice)
Lori Alan as Additional Voices (voice)
Bob Bergen as Additional Voices (voice)
Paul Eiding as Additional Voices (voice)
Donald Fullilove as Additional voices (voice) (as Don Fullilove)
Teresa Ganzel as Additional Voices (voice)
John Cygan as Additional Voices (voice)
WALL·E Storyline: In a distant, but not so unrealistic, future where mankind has abandoned earth because it has become covered with trash from products sold by the powerful multi-national Buy N Large corporation, WALL-E, a garbage collecting robot has been left to clean up the mess. Mesmerized with trinkets of Earth's history and show tunes, WALL-E is alone on Earth except for a sprightly pet cockroach. One day, EVE, a sleek (and dangerous) reconnaissance robot, is sent to Earth to find proof that life is once again sustainable. WALL-E falls in love with EVE. WALL-E rescues EVE from a dust storm and shows her a living plant he found amongst the rubble. Consistent with her "directive", EVE takes the plant and automatically enters a deactivated state except for a blinking green beacon. WALL-E, doesn't understand what has happened to his new friend, but, true to his love, he protects her from wind, rain, and lightning, even as she is unresponsive. One day a massive ship comes to reclaim EVE, but WALL-E, ...
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iPhone 640x272 px 1085 Mb h264 1557 Kbps mp4 Download
What Screenplay?
This movie was nominated for Best Screenplay? What screenplay? WalllllEEEEEEE WallllllEEEEE beep beep cat sea he she me it. Is robot mambo jumbo a new language that is worthy of an Oscar nomination? It didn't win, but then it wasn't even in the top 100 screenplays What screenplay? plus the movie is boring. Robots in love; now that is a new concept; just like sharks in love and snakes in love some things are not able to love and to imagine them in love is not much entertainment. I seldom see an animated movie; some have been great. What is it about space and robots and science fiction that is somehow so entertaining? I can't figure that out. Doesn't grab my attention.
Actions speak louder than words
WALL-E is set in a dystopian future where the Earths surface has been over-run by waste, poisoning the atmosphere and rendering life impossible.

Abandoning the planet, the Humans of Earth seek sanctuary in the stars, leaving the dutiful task of cleaning up after themselves to a legion of Robot's - Waste Allocator Load Lifter's - Earth class (Wall-E's).

After 700 years, civilisation has forgotten about Earth and the WALL-E fleet has worn itself down to 1. Infinitely curious, the remaining 'bot is captivated by a new presence, EVA, thrust onto the planet by an unknown vessel.

Their slowly developing friendship is tested to the limit when EVA is immobilised and taken back to her mother ship. The Luxury Cruise vessel which houses the remaining few humans who have become totally reliant on their technology and are oblivious to the fight for their true homes survival.

The protagonists' communication is restricted to a few awkward phrases and limited expression, posing a significant challenge to Disney/Pixar. Yet throughout the film I passionately longed for the happiness and safety of the animated duo. The characters are complete and well rounded and far from a hindrance, the lack of spoken language gives a totally unique perspective to their story.

Disney/Pixar have achieved a monumental masterwork worthy of admiration. It's clear that a lot of love has gone in to this movie, with every scene a visual masterpiece, offering overpowering aesthetic beauty and minute attention to detail which creates as much a work of art as any sculpture or painting.

The film lacks many of the sneaky Innuendo's that often tickle the adult viewer, but manages to reach all age groups in an effective and powerful manner. Through explosive laser battles and dramatic backdrops, hilarious miss-haps and a torturous climax, every range of emotion is comprehensively invoked leaving the audience exhausted and exhilarated.

The plot is fairly typical of a Disney film and leaves few surprises, the three-phased story telling that has made Disney famous has always proved successful and does not fail here. An imperfect balance is torn to shreds and eventually put right, bringing a brighter future for all.

The much criticised ending symbolises the ideal of Love conquering all, and relies on the immersive characterisation over believability, which far from a weakness, perpetuates the theme of the piece.

Up against strong competition, WALL-E's chance of big box-office success is mired by its Target Market, but unlike the blockbusters it's up against, it truly will appeal to everyone.
A Wasted Opportunity
After half an hour of almost meditative atmospheric silent comedy build-up, complete with perfect use of sound effects, the plot kicks in and we're left with one of PIXARs least captivating story lines this side of "Cars".

The computer-generated images are crystal-clear and marvelous to behold, but, compared to, say, "Ratatouille" somewhat distancing, while the sledgehammer delivery of the eco-friendly message with all the obese robot-controlled ex-earthlings tends to overstay its welcome. Especially the second half with all the chasing and hiding suffers from lazy script-writing.

Still, as with all PIXAR works, an enjoyable movie.

6 out of 10 "Hello, Dolly!" songs
Is this REALLY the best Disney/Pixar film?
Let me start off by saying I have grown up with Disney/Pixar movies. The day a brand new D/P movie came out was like Christmas morning for me. And I was never let down. Ever. Toy Story 1 +2, Monsters Inc, Finding Nemo, The Incredibles, Cars, and Ratatouille all have amazing aspects to them that make them classics and some of the best family movies ever made. It is hard to pick a best one of these - they are all great in their own ways.

That being said, I just finished watching Wall-E, the latest D/P "masterpiece." When I first saw the trailer, I was skeptical. It looked pretty stupid to me and I did not end up seeing it in theaters. After reading the rave reviews for it all over the place and the 8.5 rating on IMDb, I thought I would give it a shot.

The first 30 minutes or so I was very confused. Some of the few other negative critics have used the word "uncomfortable." But, honestly, I thought it was stupid. There. I said it. Not even because it was not physically correct or whatever...or showed Liberal propaganda to children... but because it was just STRANGE. When EVE came it picked up a little bit. But one thing I have to say was that Wall-E annoyed me a little bit. OK - the first couple times he said "EEEEEVE-uh" and EVE said "wwwwwuuualll-EEE" it was kind of "cute." But after the 3 or 4 hundredth time, it started grinding on my nerves. I was not "swept off my feet" by the "adorable" romance of Wall-E and Eve. Again - a bit strange. I was really disappointed because I REALLY wanted to join the hordes of people who endeared this film, but I just couldn't. First 30 minutes - 3/10 As for the positives, OF COURSE the cinematics, visual effects, animation, art, and technical aspects were stunning. (I will say Wall-E was the best D/P movie in those terms.)A positive turning point came when we met the humans. I particularly liked the Captain for his bumbling, yet heroic aura. It was funny how they satired and exaggerated the American culture and what may become of it. It had a nice ending and an overall good story. I will not go into anymore of the positives, since the have been covered by the 70,000+ who gave this film a 9 or 10. For the rest of the movie I give a 7/10.

But please, Wall-E doesn't come CLOSE to other D/P masterpieces such as Finding Nemo, The Incredibles, Toy Story, Monsters, Ratatouille, and Cars. And best of animation of the year - Kung Fu Panda and Horton Hears a Who were both better. (OK - Wall-E WAS better than A Bug's Life - and Space Chimps).

Again, I enjoyed this film and was thoroughly entertained by it. Also, I agree, it does reach a plateau in computer animation with its visuals. The story was nice. But a lot of it was just bizarre and definitely NOT D/P's best. Again I write these negatives with a heavy heart and I hope maybe if I let it "digest" I will be able to comprehend what others have heralded as "an incredible cinematic achievement." Overall for Wall-E - 6(sigh)/10
A masterpiece
"Wall-E" along with "Up" must be one of the best movies released by Pixar, a company that never made a single bad film: All were enjoyable and well made, a complete pleasure to watch. "Wall-E" not only have an incredible animation, but also the characters were simply adorable, likable and interesting, and the history was funny and charming form beginning to end, with lots of heartwarming moments and captivating scenes, beautifully made. The plot was brilliant: Most of films aimed to children have very simplistic or silly plots, but "Wall-E" has a deep, meaningful story that everyone from the public could appreciate, from the youngest members of the audience, to the most cynical adults. "Wall-E" is simply one of the best films ever made, and it's a film that deserves everyone's recognition. I don't think that it is overrated at all; actually I think that is pretty underrated, because this film don't have any single flaw.
What a cartoon!
I have never thought that a cartoon , done in a classic ,e.g.-Disneyan way, by using the armada of talented artists and their drawing ,sketching etc. hand skills ,or , all these on the rows of computers , could be more humanistic that a non-animated product , a feature film , but , what Disney - the Pixar geniuses have achieved with this , is simply, beyond words ,and I have to reiterate here that what stands out is the basic building block of any work of art , that is the need to tell , describe , warn ,where talent simply lashes out ,and as is the case with Wall-E ,where the story carries everything, and the perfect digital animation ,voice characterization ( the main computer's voice is no other than Madame S.Weaver's ,and the same goes for her as for Mr . C.Eastwood , namely , the 'older' she is ,the better she is !), musical scenes are all fused into this cinematic evergreen ! Yes, as an adult and a sort of a movie buff , I simply cannot believe what kind of satisfaction and personal hopes of a better world in the middle of an interpersonal , financial and moral crisis this cartoon has reignited in me , again stressing the most basic cosmic and religious rule that love is possible ,that a better world is possible , that peace is possible ! And , what more can you wish for !
Pixar's still producing the best movies out there
We went to the San Francisco Film Institute's first public screening at their campus in Emeryville. Everyone's sworn to secrecy, but for a film with little dialog, it carries more of an emotional punch and has a richer story than any live-action movie this year. The tone and style of the film is completely different for Pixar, and Disney haven't tried to override the darker thematic elements at all, making the story surprisingly three-dimensional.

This will end up being the animated film of the year and I had the same 'wow' feeling as after seeing Ratatouille. Considering that animated films have always played second-fiddle to live-action, and have been aimed at kids, it's ironic that once again Pixar produces a film that rivals any live action on every level. Bravo!
Jam-packed with plot and viewer-friendly ecology-minded messages...perhaps too jammed
Disney/Pixar animation at its most beautiful, but also at its most annoying. In Earth's distant future, trash and refuse has replaced all life on the planet; a waste-reclamation robot (with human emotions and feelings) has a daily routine of condensing and piling up the junk-cubes into skyscrapers made of garbage. WALL·E is an amusing, resourceful, lovable hunk of metal and rubber who is also something of a happy hoarder (his collection includes Christmas lights, utensils, a cigarette lighter, a video-cassette of "Hello, Dolly!" and, most importantly, a small plant still encased in dirt). Director Andrew Stanton also co-wrote the screenplay with Jim Reardon (based on Stanton and Pete Docter's idea), and they have fashioned a mind-blowing, heart-tugging first act. WALL·E, whose only friend is a winsome little cockroach (!), is visited one day by EVE, an Extraterrestrial Vegetation Evaluator, who inadvertently leads (and lifts) WALL·E off the Earth and into the galaxy (the film's peak moment) where he discovers obese, computer and soda-addicted humans living on a space station. This is arguably the moment where the movie begins losing some of its heart; Stanton shoots-up on the imaginative possibilities of the circumstance, revving the pace and sending the editing into overdrive (possibly to compensate?). There's a revolt of man-serving machines, a Captains' mutiny with the main power source, comedic elements derived from various popular films, and WALL·E's desire to be reunited with EVE (which is all we really care about). The film goes out of its way to engage younger viewers by immersing itself in cute behavior, cute responses and one-liners, and manic action-action-action. Cuteness is a prerequisite for Disney/Pixar, of course, but Stanton really lays it on thick delivering several false endings, all manipulated for that ultimate sentimental sock. Pixar Goes Green! And that's fine, if not especially amusing. The wondrous, wonderful first half-hour was still far more engaging. *** from ****
Great movie - Very touching - Family fun
This was an excellent movie. It will make any one of any age laugh, tear up, laugh some more. And the subtle messages will make you think.

I really enjoyed this movie as a 31 year old woman (no kids) I even liked the opening magic/bunny cartoon.

One thing I think is off...

Hello Dolly and Michael Crawford have such pivotal roles in the movie that Jerry Herman (the composer) and Michael Crawford (Seen Singing "it only takes a moment") Should have been credited. I didn't see them in the end credits or on this site. (Granted I didn't sit through the WHOLE credits. So maybe they were closer to the end)

I'll have to check if they are near the end when I buy it on DVD.

Yes, this is worth adding to your DVD collection! Highly recommended! Solid A
Very Disappointing
I don't know if I would have liked this movie better if my expectations weren't so high.

I agree with those critics who say the first half hour, which contained so little dialogue, was excellent. However, in the remainder of the movie, the animation got in the way of the story. The animation was stunning, but it was also distracting. In Ratatouille and Toy Story 2, the story drove the movie, and although the animation was great, it wasn't so overwhelming that it interfered.

I recently took my granddaughter to see Kung Fu Panda, which was not as well animated but overall was much more enjoyable. The greatness of the animation can detract from the greatness of the movie.
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