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USA, Hong Kong
Crime, Thriller, Mystery
IMDB rating:
Martin Scorsese


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Leonardo DiCaprio as Billy Costigan
Matt Damon as Colin Sullivan
Jack Nicholson as Frank Costello
Mark Wahlberg as Staff Sgt. Dignam
Martin Sheen as Cpt. Queenan
Ray Winstone as Mr. French
Vera Farmiga as Madolyn
Alec Baldwin as Cpt. Ellerby
Kevin Corrigan as Cousin Sean
James Badge Dale as Barrigan
David O'Hara as Fitzy
Mark Rolston as Delahunt
Robert Wahlberg as Lazio - FBI
The Departed Storyline: In South Boston, the state police force is waging war on Irish-American organized crime. Young undercover cop Billy Costigan is assigned to infiltrate the mob syndicate run by gangland chief Frank Costello. While Billy quickly gains Costello's confidence, Colin Sullivan, a hardened young criminal who has infiltrated the state police as an informer for the syndicate, is rising to a position of power in the Special Investigation Unit. Each man becomes deeply consumed by his double life, gathering information about the plans and counter-plans of the operations he has penetrated. But when it becomes clear to both the mob and the police that there's a mole in their midst, Billy and Colin are suddenly in danger of being caught and exposed to the enemy-and each must race to uncover the identity of the other man in time to save himself. But is either willing to turn on the friends and comrades they've made during their long stints undercover?
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Just An Ugly Film
OK. First off, I'm glad to see that "The Departed" has as many detractors as it has admirers. My objections to it, for the most part, have been filled in by other users. Therefore, I'll keep it brief. The movie's characters, just like its gushing audiences,seem to suffer from attention deficit disorder. As if they've never read a book in their lives. And it appears as if Scorcese had that in mind, knowing fully well in advance that the film would appeal to people who seemingly have no problem with the F word being uttered every twelve seconds--whether it's in the movies, or in their actual,everyday pedestrian conversations. Which, I've found to be a problem with those who, quite simply,did not stay in school long enough. And who would believe-- even for a second--that two members of the Boston P.D.(played by Alec Baldwin and Mark Wahlberg) would engage in banter graphically describing how each of them had sex with the other guy's mother--at a meeting where the bulk of the attendees consists of top- level Federal Agents?. What are these guys--in the 8th Grade? If I held that position in real life ( FBI,CIA,etc. ),I--while walking out on the two of them-- would look both in the eye and let them know what slobs they are.

Finally, to switch gears, I guess nobody thought the film went awry when Leo DiCaprio has apparently no trouble beating the hell out of two grown men from the Rhode Island branch of the Cosa Nostra (man, that's some muscle that got sent in from Providence, huh?). All of it punctuated by the unnecessary--not to mention perfunctory-- accompaniment of The Human Beinz "Nobody But Me". And later, when one of Nicholson's men is being interrogated, we are treated to about six and a half seconds of "Sail On Sailor". If you're anything like me, when you think grueling questioning, you think... Beach Boys. And don't get me started on the fact that this is an Oscar winning film, the last ten minutes of which consist of not one...not two... not three...but four-count 'em-- men getting a bullet through his brain. Lovely.Just like the conclusion of "Babe", where the talking pig wins the Sheepdog Contest. Guaranteed... when you're at some guy's house/apartment--and you don't see any bookcases--that if the subject of this film comes up, he'll tell you just how terrific it was. Childish, pernicious drivel.
I don't want to vote for this movie but I find it very low from the Americans to remake an Asian movie and to get (or will get)a bigger success then the original movie.I want to criticize the American movie industry because they are not original. It is better to search for original ideas then to play the role of the copycat in our society.

I wanted to say my opinion to those who appreciate the American movie industry so much.(and surely this movie)

good examples of remaked movies are : the ring , the grudge , the seven samurai, Godzilla , (masked rider) and more (they planned also to make an American version of Battle royale)

Even if they remake it well they will never win my respect and i will consider it like fake.

thank you
Nothing compared to the Hong Kong original!
Trust me! Once you see the Hong Kong original, you would find out that Scorsese ruined this terrific play!

The original title in Chinese was "Wu-chien-dao", which in Buhdism it means the bottom level of the hell. In this hell, people are doomed for eternity and suffer forever. And in the original, Costigan killed the other guy Costello sent into the force and the movie ends. Costigan has to bear the quilt and live on! This is what the script wants to show! Living but with the quilt is THE true hell after all! The new ending totally ruined the essence of the script underneath.

What a waste!
Never will be "departed" from the pantheon of premiere American directors.
"The heaven sets spies upon us, will not have Our contract celebrated." Shakespeare, The Winter's tale

It's not Taxi Driver or even Goodfellas, but Martin Scorsese's Departed is one of the year's best films and one of his best, after his 2 or 3 indisputable classics such as Raging Bull. The director has assembled a first-rate cast, who, right down to Jack Nicholson as mobster kingpin Frank Costello, are having a great time nudging each other's performances toward excellence through collaboration.

Remade from a 2002 Hong Kong smash called Infernal Affairs, The Departed tells of moles within the Boston State Police Department and the South Boston Irish-American mob. When the director opens the film with Costello's brief narration and the Stones' Gimme Shelter for background music, we're in for a whole lot of no shelter for anyone and uncommon acting for everyone.

The set up is just complex enough to act as a metaphor for the nasty workings of the United Nations, Iraqi Assembly, and US Congress. Billy Costigan (Leonardo DiCaprio) willingly serves as a mole in the South Boston Irish-American mob for the State Police, while Colin Sullivan (Matt Damon) does the same in the State Police for the mob.

Amongst the intertwining machinations of cell phones and lies is a triangle with those two operatives and a psychologist Madolyn (Vera Farmiga), as well played by the three as could be hoped for in such a trumped-up situation that provides little sexual payoff for audience voyeurs and many scratched heads for those who enjoy well-structured plots. This triangle is the only disappointment in a film layered expertly to show how intertwined crime and punishment can be in a world last laid bare by Clint Eastwood's Oscar-winning Mystic River (2003).

Cinematographer Michael Ballhaus and production designer Kristie Zea are winning collaborators with the director for a look that is authentic (I worked in South Boston for 3 years), crisp, and dark. But in the end the film belongs to the actors, chief among them DiCaprio as a young Scorsese acolyte showing the master's handiwork after 3 films with him. And Matt Damon has never been better in his hometown, as has fellow South Bostonian Mark Wahlberg in his role as a detective with a barbed tongue and equally sharp intuition.

Welcome back, Martin S. The Departed may not win you an Oscar, but it does guarantee you never will be "departed" from the pantheon of premiere American directors.
A masterpiece right up Scorsese's alley
Director Martin Scorsese's "The Departed", a gangster flick based from the Hong Kong thriller "Internal Affairs", goes without saying as perhaps his best work since "Goodfellas." Working on a genre that's right up his territory, Scorsese is back on top of his game and recreates a new dimension to the genre. This crime thriller treads the same theme as much of its director's previous films does. It's about two young men, the people around them, and the complications brought about by their characters' ambiguity.

Set in Boston, the Massachusetts State Police sends young cop Billy Costigan (Leonardo DiCaprio) to go undercover and infiltrate an Irish mob syndicate where he quickly earns the trust of leader Frank Costello (Jack Nicholson). Meanwhile, Costello's informant Collin Sullivan (Matt Damon) works for the police department's Special Investigation Unit. Soon, stakes are raised when both the police and the mob realize there's a traitor among them, and that both Billy and Collin are both in danger of losing their cover and even their lives.

Nicholson, yet again playing another villain, owns every scene he's in with his portrayal of Costello, providing a paradoxical attraction to his menacing character. DiCaprio, increasingly maturing as an actor since becoming Scorsese's "muse", fits right in as the streetwise cop, while Damon brings his usual authoritatively calm demeanor to the part. They are complemented by the ensemble performances of Martin Sheen, Alec Baldwin, Mark Wahlberg and Vera Farmiga.

Scriptwriter William Monahan ("Kingdom of Heaven") retains much of the structure of "Internal Affairs" but adds depth to its characters and an acerbic quality to its witty dialog. The cinematography by Michael Ballhaus is brooding and morbid, capturing the character of its Boston setting while Howard Shore's score is as good as a soundtrack can be.

At its core, "The Departed" is a well-crafted, well-written, and well-acted film noir. In an age where style usually triumphs over the narrative quality, "The Departed" is one of the best films I have seen so far in recent memory.
if THE DEPARTED is the movie fo the year then INFERNAL AFFAIRS is the worlds best movie
i am a huge fan of 'Infernal Affairs' when i heard that Hollywood were remaking it, i was a bit sceptical about it, then i heard it was being directed by Scorses i was excited.

i sat there for the first half hour or so, thinking the original got this part over and done with in about 10 mins. The Departed just didn't have the suspense or the character development of the original. When Sheen died, you just didn't feel anything for him, and the shock factor that the original had was just not there.

the character development in the original was great, as you genuinely felt for the characters went hey died, but in the departed it was like so what if you die. The ending of the departed was a bit of a joke, it was just too much, i think Scorses just thought 'i don't want to make a sequel or a prequel to this movie' - (didn't want to make another goodfellas).

to those who say Scorses deserves best director or that the departed deserve best movie, must be kidding me. Infernal affairs didn't even get nominated for best foreign language movie. When it is certainly a cut above the Hollywood remake. I'm sure they'll be nominated but to win, i don't think so.

however on the plus side, DiCaprio has probably produced his best work since 'Whats eating gilbert grape', and is certainly in with a shout for best actor.

the movie alone is a gd movie, but compared to the original its just another unfulfilled remake So if you have only watched the departed, go and rent out/ watch on film four the original and then re-write your review because I'm sure it will be very different.
The Departed is rubbish, go watch Infernal Affairs instead!
The director practically gutted the original story. This is classic Hollywood doings. I've never seen a worse adaptation from an original movie. They basically added more sex scenes and cut out all the meaningful parts of the original stories, made the story choppy and hard to follow, then stick a couple of big names to draw the audience.

The original Hong Kong movie Infernal Affairs has a solid character development. Infernal Affairs also used more intelligent ways of communication between the undercover and the source, making you sit at the edge of your seat. Aside from much stronger story lines, it also portrayed mental health workers in a much more professional manner...the psychiatrist in the Departed would've had her license taken away in a snap as there are strict laws prohibiting dual relationships. Just like all meaningless mainstream movies, as if putting in a sex scene and showing some flesh would make up for the horrid chopped up story. The original made the psychiatrist-patient relationship more real and tapped into the inner workings of the psychiatrist working with an undercover. If you are looking for a truly well written screenplay with deep emotional plots, go watch the original Infernal Affairs instead!
In a society where being rich and famous is everything, it's sad to see a former rebel succumb to his nation's core values. Martin Scorsese decided being a celebrity with all the material trappings were what mattered most to him, and dreadful films like Departed and Aviator are the result. Perhaps Mr. Scorsese can rationalize his admirable work on film restoration and figure he's doing his part for the greater good, but I'm not buying it. In fact, I no longer will see a film simply because Martin Scorsese is the director. I wish he and Mick Jagger would take their champagne and yes-men to France, and leave the film and music-making to more eager and less corporate fellows. Also, as much as I respect Roger Ebert's analysis and writings, I can not take seriously his review of a Scorsese film. Don't know if their buddies, but if Scorsese directed The Fish That Saved Pittsburgh, Ebert would give it four stars.
Oscar winner? Absolute rubbish!
I understand why you may think this film is good. Just the fact you didn't know about the original movie made in Hong Kong. The Departed cannot even compare to the original - Infernal Affairs. It is like watching a TV movie with seriously bad acting, bad direction, crap music. I can't find anything good about this movie apart from the stolen story line. Are you people blind or something? The story has been changed in parts for the worst. There is no style whatsoever to this film. All I can say is that its the most disappointing remake of a foreign film I have ever seen. Watch the original trilogy to enjoy story telling at its best. Scorsese??? Please!! U have no idea.....
So-So Effort
I watched this movie (again) last night and it finally dawned on me what bothered me about it the first time I saw it. It's actually a pretty weak story. Too many big names.(very distracting). Pretty weak acting. Especially Sheen, Nicholson and Wahlberg. I really like Scorsese and Goodfellas is one of my all time favorite films but The Departed isn't even in its league. Jack shows up, well, as Jack. I think the last time Nicholson actually played a character, other than himself, Reagan was still in office. I don't buy him as a powerful Irish Mob boss for a minute. Wahlberg just yells and cusses a lot for no good reason. And Sheen looks kinda like he had a minor stroke before filming started. He looks like he's trying not to soil himself in every scene he's in. Not a bad movie but Best Film?? Really?? I also noticed the Boston Police Department is portrayed as an inept bunch of clowns who do nothing but yell, cuss, and argue instead actually doing any police work. 5 stars.
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