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Crime, Drama, Thriller, Romance
IMDB rating:
Danny Boyle, Loveleen Tandan


          Slumdog Millionaire IMDb    Slumdog Millionaire Wikipedia    Slumdog Millionaire Soundtrack

Dev Patel as Youngest Jamal
Saurabh Shukla as Sergeant Srinivas
Anil Kapoor as Prem
Jeneva Talwar as Vision Mixer
Freida Pinto as Latika
Irrfan Khan as Police Inspector
Azharuddin Mohammed Ismail as Youngest Salim
Ayush Mahesh Khedekar as Youngest Jamal
Jira Banjara as Airport Security Guard
Sheikh Wali as Airport Security Guard
Sanchita Choudhary as Jamal's Mother
Himanshu Tyagi as Mr Nanda
Slumdog Millionaire Storyline: The story of Jamal Malik, an 18 year-old orphan from the slums of Mumbai, who is about to experience the biggest day of his life. With the whole nation watching, he is just one question away from winning a staggering 20 million rupees on India's (2000) (Who Wants To Be A Millionaire?) But when the show breaks for the night, police arrest him on suspicion of cheating; how could a street kid know so much? Desperate to prove his innocence, Jamal tells the story of his life in the slum where he and his brother grew up, of their adventures together on the road, of vicious encounters with local gangs, and of Latika, the girl he loved and lost. Each chapter of his story reveals the key to the answer to one of the game show's questions. Each chapter of Jamal's increasingly layered story reveals where he learned the answers to the show's seemingly impossible quizzes. But one question remains a mystery: what is this young man with no apparent desire for riches really ...
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It's never good to watch a movie with great expectations. Either you just get what you waited for anyway or you are completely disappointed. Well, what's wrong with Slumdog Millionaire? Maybe I shouldn't have read anything about it before watching - but as it won so many Oscars, it's hard not to find out anything about it. So the storyline was clear - some poor boy from the Mumbai slums gets the opportunity to win a lot of money. And the movie somehow has to point out how it is actually possible for somebody who dropped out of school as a child to know all these answers.

Well, the acting is fine and you really get to know the main character. It's hard not to like him. The music's good, the antagonists are as bad as you'd wish them to be. So it's about the plot. Slumdog Millionaire is a modern-day Indian fairytale. Everything works out for Jamal. Don't get me wrong, that's all right - Jamal has the amount of luck of an action movie hero (be it in "Die Hard" or in "Taken"). But they normally aren't rewarded any Oscars.

The Academy Awards Jury seemingly longs for happy endings. But this one got so many Oscars because it's a movie that gives you a good feeling. From rags to riches, and besides finding the girl of your dreams - all of this happening in India with its social problems. Some of those Oscars are symbolic for the message you might want to receive from the movie. Everyone can be a winner. But that's cinema. A real-life "Die Hard" wouldn't have had an happy ending. It's fiction and you gotta accept it. Maybe some people don't wanna accept that and thus rate Slumdog Millionaire this good.

For me it's nothing but a pretty enjoyable drama. But an overrated one.
The Sickness
It feels as if I have been hit with a terrible, incurable disease. Like the elephant man, who's abnormalities awakens fear and anger in the crowd. How can something be like this? It's not supposed to be like this.. but.. so things turned out.. 8 Oscars can not convince me.. - I laughed my way through Slumdog Millionaire. All my high hopes and expectations – which dramatically had increased the last couple of months - seemed to drop on the floor simultaneously with the movie's unbearable plot (or lack of plot..). It was as if my soul and heart got torn out of my body, leaving a dry, cynical scalp of skin and a hard, mean laughter. The sickness.

As a big fan of Milk, I expected a true masterpiece from the hands of Danny Boyle – something amazing it had to be, if it could win over Milk. But, oh, Danny Boy, how could you go so wrong… You can't cover an empty, meaningless, predictable plot with beautiful pictures, cute Indian children with glittering eyes and heart throbbing music. The flat characters, the wannabe social realism-coverage and the corny love story WILL shine through.

In advance, I knew that I didn't have to use my brain for this movie, it was okay, I was so ready for this hopeful, happy-go-lucky, beautiful masterpiece. But it bullied happy movies! It made a joke of its genre! It's the most embarrassing stunt in film history I'd ever seen. Even the hideous, awful Danielle Steele-movie I saw a week before, had more depth and realness in it. The slum of Mumbai seemed so joyful and colorful; I thought "yay, this slum I have to visit, they seem so happy", and wow, they sure learn English much faster that any other western country does. There sure is a lot of stereotypes in Mumbai… you're born as one character (Salim was a gangsterkid, too obvious that he would turn out deceiving and cruel) and it doesn't really seem to change.

Through the years I've seen many Bollywood-features and enjoyed their charm and humour: their self-realization of their genre. Clichés in row. But they can bear it, because they are TRUE to their theme: they don't pretend to visualize the hard life in the slum, they don't give a false depth to a character. They admit that they are predictable. But Slumdog Millionaire… what would it tell us? That even if you had a rough childhood under poor, miserable circumstances, you can turn out millionaire? I really don't get it. And I almost threw up during the last scene. "Kiss me" – and then dance the Bollywood dance! Never have I seen anything this embarrassing. I held my hands over my eyes. I couldn't bear it.

After the movie, I missed the last train, and that just made me more angry and miserable. And sick. What is wrong with me, since I feel this way? How can such a horrible film receive this great acknowledgment from high profiled film critiques. It's one of our time's biggest mysteries.
Krusty presents: The Cheesy and Schmaltzy Show.
Since it received no less than 8 Oscars, I foresaw that Slumdog would not be of my liking, but I was frankly still baffled that the picture did not even meet my poorest of expectations, turning out to be just another overcheesed melodrama and an altogether quixotic mess of a film.

With leads totally bereft of any charisma and zero chemistry between them, I progressively wondered who exactly I was supposed to root for. I think at some point I went for the game show host, since he was apparently paying the game money out his own pocket? and was obviously the victim of a swindle, much like myself.

Come on, people don't instantly become of interest or garner sympathy just because they had a rough time. It takes a believable backdrop, a solid script and character development to achieve this. This picture fails terribly on all these counts and does so rather conspicuously, much like a cartoon or a parody. Oh, this was a realistic portrait of a typical slum in Bombay? They must have recently painted and vacuumed the place then.

Heavy handed and utterly contrived situations furthered my annoyance as the movie turned into an inconceivable question and answer game where queue back sequences, in perfect chronological alignment, conveniently allowed the main lead to be able to rush through the game show, never showing the proper emotion or physical reaction such a tense situation surely would bring. No wonder the comic book villain cops didn't buy the lead's explanation that he simply knew all the answers. Our poor lead is beaten and tortured as the morally bankrupt cops try to force out a confession. But after a few weepy lifetime tales, the cop miraculously turns from foe to friend acting like the father one never had. Please give us a break.

And what was up with these kids being able to speak perfect English all of a sudden? Since when is the WWTBAM show broad-casted live? Since when do you only need to answer 6 questions in this quiz and what in God's name is so glorious or symbolic about being shot to death in a bathtub full of money?

Why is it that nowadays films with a story line that would really only be suitable for young children with its simplistic and utterly unrealistic plot points, seem so fit to gather so much general acclaim from a mature audience? I know people are easy to manipulate with these sorts of rags to riches claptrap, but surely this level of schmaltz and insultingly lame and predictable story progression would open up a few eyes here and there?

I guess that the better the movies come, the worse they actually are.
Overrated Garbage
After seeing this movie in theaters, I found it to be quite mediocre at best.

It's a completely tired story with clichés left and right. The only thing that separates it from a pile of otherwise identical plots is that it involves poor Indian characters...

Walking out of the theater, ESPECIALLY after that ridiculous dance scene, I thought this film to be a 6/10 at its very best.

As time went by, this pedantic film got nominated for a bunch of Oscars... I was sorely disappointed.

Then the craziest thing happened, and it won best picture as well as a ton of other Oscars. Now it's even #60 of all time here.

This pains me... a lot. I had no idea such a terrible movie could play the race card and win best picture.
Remove it From Top 250
First of all, I'm an Indian. So I want to clarify this movie didn't offend me in any kind of way. It was nice to see all the world laughing and making jokes on Indians all across the globe, and they deserve it. Bollywood the so called Biggest Film industry in the world has copied almost 96% of Hollywood, Germany,Korean movies and music.

Guy Meets Girl and they fall in love and they fight the whole world for the survival of their love. That is a typical story of a Bollywood Movie, almost 99% movies are made in India are based on this subject. Danny Boyle did nothing but take that Level of stupidity to another Level. I hate this Movie for every reason. I don't know why this movie won Oscar, the story of the movie is completely fictional, the characters are speaking English. The main Lead Actor did nothing but kept fighting for his dream girl for his entire life.

Ugly Looking Actors, Poor Story, Poor Film, Poor Country. I want IMDb supervisor to remove this movie from Top 250.
It is written?
Jamal, Salim and Latika, three abnormally cute little kids, live in the Dharavi slums of India. Jamal is a dreamer, proud of his signed photograph of Bollywood superstar Amitabh Bachchan. Salim's a pragmatist. He sells Jamal's picture - the photo epitomizing Jamal's fantasies of upward mobility - for money. Latika sits between them. She's the female trophy who exists to either be corrupted by Salim or saved from the slums by Jamal's undying love.

Directed by Danny Boyle, "Slumdog Millionaire" tells a familiar "rags to riches" tale. Its first act consists of several brief anecdotes, Boyle fetishizing the Dharavi slums, portraying poverty as a carnival of colours and soul-deadening action. Shot with the same over-saturation and hand-held work that made the slums of "City of God" and "The Constant Gardener" problematic, Boyle treats poverty as a MTV video.

Of course it's not all fun and games. Mothers die, eyes are gorged out and child traffickers run rampant, but the film glosses over such matters, using them instead for tactical shocks and easy jolts. The reason these scenes, despite their inherent darkness, seem so trite, is because Boyle tries to have it both ways. "Millionaire", regardless of its social probing, is essentially a fantasy. It's a Cinderella story, our heroes rising above the slums by the sheer force of love and destiny, brought together on the set of a television game show, the power of pop culture lifting their dirty bodies from the filth and grime of Dharavi.

We're expected to believe that children are harvested and abused, yet we're also expected to believe in magical happy endings where everything works out. Boyle wants the gravitas of a child watching his mother murdered, but he also wants the expired movie clichés central to a Disney love story.

Toward the end of the film, a gangster cuts Latika's face with a knife. The resultant scar epitomizes "Millionaire". On the surface, we think we're looking at something "real", something "violent". But look closer and see how carefully placed and artfully directed that scar is. It's a single clean cut, perfectly framing the actress's face. It's not an ugly scar. It doesn't protrude or ruin her symmetry. In no way does it obscure her beauty. So while the initial impression is one of shock or even sympathy, the fraud is that it's carefully designed to be pretty. To be easy on the eyes and head. Contrast this with the Indian kids in 2004's "Red Light Kids" or with how the prostitutes are treated in "Unforgiven". It's not pretty when a woman is cut up. Boyle's film is one where he's not being honest about the situation, and the responsibility is on the audience not to think twice.

Worse still is the film's reliance on destiny. What engenders Boyle's happy ending is the underdog's pure heroism, an egotistical lottery mentality, a belief in destiny, and the prodigal brother's heroic martyrdom. Indeed, Salim exists solely to do the dirty work of killing the bad guys so as not to interfere with the moral purity of Jamal. At the same time, it's hard to believe that anything really matters when everything in the film is simply working according to destiny. Apparently it's destined that all the other slum dwellers (who can't get onto a TV game show) continue to live a life of poverty.

The film ends with all of rural India celebrating Jamal's victory as though it were their own triumph. The fact that "one of their own" has become rich elicits an outburst of joy. And this is the film's ideology: anybody can rise out of misery, if they are pure of heart and chosen by fate. Jamal is plucked arbitrarily out of the masses as a symbol. He is a celebration of the culture of the dice, the casino, the lucky ticket.

And so the film ends with a "happily ever after". Our boy and girl embrace before the film erupts into a happy song and dance routine. It's all quite silly. But perhaps Danny Boyle is being ironic, deconstructing the fantasy image and poking fun at Bollywood's avoidance of truth? Or am I watching too much Altman? With this view mind, I gave the film another look. How straight is Boyle playing things?

Consider this: the film travels from the "reality" of poverty to the artificial world of TV sets, Bollywood shenanigans and big money. The narrative then self-destructs, essentially becoming a thoughtless Bollywood dance movie. Brilliant still, the film ends with the line "D: It is written", an allusion to fate, but also implying perhaps that the story is itself fabricated, a screenplay and so profoundly false. Better yet, the entire film is told from the point of view of Jamal, who we know is an imaginative boy and fan of movies. Is it possible that Jamal, like Spacey in "The Usual Suspects", has just narrated a cosy lie to us solely to avoid being punished by the police? After all, Jamal is a known con artist and the plot is too unbelievable, too manufactured, to be true. The characters are too cardboard, too stereotype, too comic book. The love story is too insensible and contrived. Is it possible that Jamal has scammed the quiz program and that the film is a scam on the audience?

But no, Boyle does not seem to go down this route. There's no irony here, no questioning of artificiality, and little inclination that Boyle believes his picture to be anything more than a straight fantasy. A better filmmaker would have probed deeper, undermining the carefully manufactured Bollywood image, but Boyle seems content with his happily ever after.

6/10 – See "Salaam Bombay!", "Los Olividados", "Land of Plenty and "Wendy and Lucy".
A boy survives the horrific slums of modern India and must answer questions on a TV game show and prove that it is life and love, not cheating that has given him the answers.
Kudos Danny! This film is the best film I've seen all year. Hands down. It's brilliantly directed, the casting and performances are superb, the story is both riveting and heart warming. The locations are mind bending and the realities of life in modern India are both fascinating and appalling. It's a shocking, thought provoking, make-you-feel-good- to-be-alive kind of film.

The audience broke into applause at the DGA screening. Every one I heard leaving the theater said, "best movie of the year."

This is the "CRASH" of 2009.

I think word of mouth will give it lift off! Too bad it's a limited run. Somebody need to get behind this movie, if for no other reason than it has all the makings of a great, classic feel everything movie.

Thank you Danny and all involved. You made magic!
Very disappointing, after all the hype!
Many people are being subconsciously bullied by the media hype to actually like the film, fuelled further by the silly Oscar orgy of ten nominations. Why don't we - Indians- have the guts to speak out about what we actually think or feel about the film, now that the disappointment over the film is growing? It is an absolutely average film. Apart from being obviously shallow, there is nothing of much worth in the film. It needs an idiot to believe that a slum child in Bombay talks with the British body language of Dev Patel. All the actors are so mediocre, I don't even understand what the hype is about the 'great acting'. This must be one of A. R. Rehman's most unimpressive musical scores and it is a sad irony of fate that he would be nominated for the Oscar for this one! By now he should have received 20 of them if this is the benchmark for Oscars! The screenplay is so full of loopholes and the dance at the end of the film is so badly choreographed that it would have been lambasted if it was made by an Indian director. Actually the dance at the end sticks out of the film like a sore thumb. It does not ever grow out of any context. If western audiences can appreciate and actually patronise something so illogical and outrageous, their general contempt for 'Bollywood' cinema now seems a case of moral hypocrisy because the film is made totally in the Bollywood style with every possible form of illogical excess. There is not a second in the film that touches me emotionally or can even be considered as quality cinema. It is indeed a heady mix of the worst variety of third world poverty, an internationally successful TV show, a rags-to-riches story and vintage Indian exotica. Even the geography is all wrong! It is interesting that when the kid falls off the train and the dust settles around him, he finds that he has landed right in front of the Taj Mahal. Any one who has been to the Taj would know that there is no railway line in its vicinity to give that cinematic view of India's most well-know icon seen through a sea of trash. I am not even talking about the display of poverty in the film which is a bit more complicated issue. We know that contention - we must not wash our dirty linen in public - has come from the most conservative quarters in the entire history of cinema, whether it was Italian neorealism or Bunuel's 'Los Olvidados', Ray's 'Pather Panchali' or even the more recent 'Salaam Bombay' and 'City of God'. A filmmaker has every right to explore whatever he wants. The real contentious and political issue is the reception to image-making of realities that are not lived through personal experience. Amitabh Bachchan's response can be perfectly understood in the light of the fact that he has been particularly made into the villain of the film, which was unnecessary in any case. (There is absolutely no ambiguity in the film whether Anil Kapur is playing AB.) So his reactions and critique may have grown out of a personal sense of hurt but then we need to ask ourselves, why do we like 'City of God' so much? Are we getting some perverse joy out of consuming the poverty of the Brazilian favelas or are we just captivated by its palpable characters and plot situations? It needs a depraved mind to even believe that anyone would spend their money to enjoy seeing poverty. So, ultimately the question is whether 'Slumdog Millionaire' qualifies as a film of high quality. I seriously doubt that. At best, it is a well-made Hindi film. What needs to be understood is the myth around it and the mind-boggling hype about hype itself. How did that happen? That would be more revealing about the world around us than the film's laughable claim to authenticity, that too legitimised by gullible Indians themselves.
one of the worst to get an academy award
This movie is an insult to the viewer's intelligence.

I saw this before the Oscar hype and seriously I found it insulting in so many ways.

The movie's name reeks of colonial overtures. Seriously is it so tough to find a name which isn't downright insulting?

While I agree Hindu-Muslim riots are a reality in India what I found to be utterly derogating was a kid of 6-7 yrs portraying Ram with a bow and arrow with a menacing eyes ready to pounce upon younger version of Jamaal.Even more so as the movie portrays somewhat a contemporary (early 1990s) event which is quite well-documented.

Slums are also a hard reality not just in Mumbai but throughout the whole of India. But even there people exist who help each other, share whatever meager things they have with others etc. even though here portrayed as some dystopia where all they do is blind the kids, run brothels etc.

More than the socio-political portrayal this movie takes all the negative things that has ever happened to anyone in India and make it happen to one single person by which it takes poetic license a bit too far and also tests the very premise of probability theory.

ARR has done far more ear-pleasing compositions than what he has done for this stupid movie.

While I can write a research paper dissecting all the plot holes each one of them larger than the rings of Saturn I won't do it as it's already been done by so many people.

And lo!! behold!! we have 8 Academy awards to show while The Dark Knight and The Wrestler doesn't even get a nomination in many of the relevant categories :(
Shame on you Oscars
After seeing this movie, I think members of the Oscars should be arrested and interrogated for suspicion of fraud. As others have pointed out, this film is part of a continuing trend of the Oscars trying to shove mediocre movies down our throats. It is as though the intentions of this movie were good enough to make it a "great" movie.

First off, this movie asks way too much of its audience as far as suspension of belief. This is fine with a sci-fi or horror movies, but for a highly touted Oscar winner that claims to be a gritty drama portraying an often ignored part of a big society, it really goes overboard. The coincidences that you are asked to accept are just beyond human comprehension. I used to watch the American version of Who Wants to be a Millionaire, and to suggest that an uneducated homeless guy could win because just about every question is related to something obscure that happened a long time ago in his life, and which he happens to conveniently remember, is just ludicrous. Please, the coincidence of the little kid in God Rama custom was just laughable, and when movie critics decide they hate a movie, this is the kind of stuff they pounce on, but in this case, a clear example of complete amateurism is ignored.

And don't get me started about the TV host character. He blatantly belittles the contestant about being poor, again and again and again, with no subtlety whatsoever, just straight out laughs in his face while millions watch on TV. He is part of a collective that makes taking this film seriously completely impossible.

Somewhere between 20 to 30 minutes into this movie you realize how the rest of the movie is going to go. Those who you think will end up together, do. The characters you expect to die, do. The only thing that kept my interest was the notion that, since this was a critically acclaimed movie and a foreign movie, they would not cop out and do a Hollywood ending. I guess I was wrong. And maybe it's an Indian tradition, but what was the deal with ending the movie with a completely irrelevant dance number??? I know they did something similar in "There's Something About Mary", but that was a comedy!! Can you imagine a dance number at the end of "Crash"?

Another thing that bugged me was the so called love story. It was a big part of the second half of the movie and it just destroyed any sliver of credibility the plot still had at that point. The main character suffers from what I like to call "Hugh Grant Syndrome". This is when a movie gives us a male character who has a nonsensical, and self deprecating, obsession with a woman who obviously doesn't like him and even goes out of her way to hurt him just to show him how much she's not into him, but then the guy, against all logic, persist and eventually wins her. These movies have the audacity to asks us to see these stalker, unhealthy, relationships as "romantic" and "endearing" when any adult with half a brain knows that women like this (or any person for that matter) don't change over night and that the relationship is already doomed. The girl in this movie, except briefly when they were playing around as kids, never showed the same level or type of interest that the guy does through out the last half! She always followed whatever would allow her to survive. The only time she actually seems to want to be with him as much as he does with her is when he has fame and money. This is supposed to be romantic?

I decided to see this movie, despite the obvious red flag that this was hyped by the Oscars, because I wanted to see something different, something that would give me more insight into what I regard as a fascinating culture. In spite of the great cinematography and look of the film, all I got was a bunch of Western stereotypes wrapped in a silly and substandard plot. This was the best movie of 2008?!?! Really?!?! I thought "The Wrestler" was a better movie, and it wasn't even nominated!!!! Only the Hollywood elites don't see the big disconnect between their taste in movies and that of movie fans. In a move that reeks of desperation they are adding more nominees to the Oscars categories in an attempt to keep the ceremonies' ratings from going down the toilet even more. They don't get it, it's not about quantity, it's about quality, or in this case, lack of quality.
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