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Year:
1998
Country:
USA
Genre:
Drama, Action, History, War
IMDB rating:
8.6
Director:
Steven Spielberg

 

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Tom Hanks as Capt. John H. Miller
Tom Sizemore as Sgt. Mike Horvath
Edward Burns as Pvt. Richard Reiben
Barry Pepper as Pvt. Daniel Jackson
Adam Goldberg as Pvt. Stanley Mellish
Vin Diesel as Pvt. Adrian Caparzo
Giovanni Ribisi as T-5 Medic Irwin Wade
Jeremy Davies as Cpl. Timothy P. Upham
Matt Damon as Pvt. James Francis Ryan
Ted Danson as Capt. Fred Hamill
Paul Giamatti as Sgt. Hill
Dennis Farina as Lt. Col. Anderson
Joerg Stadler as Steamboat Willie
Max Martini as Cpl. Henderson (as Maximilian Martini)
Saving Private Ryan Storyline: Opening with the Allied invasion of Normandy on 6 June 1944, members of the 2nd Ranger Battalion under Cpt. Miller fight ashore to secure a beachhead. Amidst the fighting, two brothers are killed in action. Earlier in New Guinea, a third brother is KIA. Their mother, Mrs. Ryan, is to receive all three of the grave telegrams on the same day. The United States Army Chief of Staff, George C. Marshall, is given an opportunity to alleviate some of her grief when he learns of a fourth brother, Private James Ryan, and decides to send out 8 men (Cpt. Miller and select members from 2nd Rangers) to find him and bring him back home to his mother...
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Reviews
Over-hyped, Unrealistic
This is for those, who think SPR is realistic.

DDay happened on 20m-s and under 15 minutes! Oh yeah! The US government is so kind that they risk 8 guys for only one. This 8 breaks trough German defense lines. Every German soldier, who fought in the war were an evil Nazi, who couldn't aim, and ran into every single American bullet! The only one, they let to go is a bad Nazi SS Soldat who is hungry for revenge! Medics are used in frontal attacks against an MG! Americans are able to shoot into Tiger Tanks and throw grenades into them. SS surrenders to a small little guy who couldn't even hold his weapon properly!

This movie is truly over-hyped made for the Americans as a propaganda! If I would be an American i would rate this movie 10/10! But i'm not... Beautiful photographics though, but this won't save the movie.

10/1
2007-06-19
The Greatest War Movie Ever Made
It gives a million reason why no one should go to war and one very powerful reason to go to war. It is a soul numbing realistic depiction of what our grandfathers, fathers, uncles, brothers and sons have faced in humanities darkest moments. Not just in WWII but in any war. No one can see this movies without being altered in some way. No one should miss it with the EXCEPTION of those war veterans that have already been there. The surround sound puts the audience in the middle of the battle.

Steven Spielberg has out done himself and effectively held up a mirror to civilization for events to which we should all be ashamed of, rather than appalled at the movie for its real life depictions. I suggest that this movie be made standard view for congress as well as the President each and every time the question of war comes up. This movie would not stop future wars but I would hope the objectives would be much more clearly defined. I say this as a US Marine.
1998-07-29
One of the Greatest War Movies of All Time
Together with "Schindler's List (1993) and "Platoon" (1986), "Saving Private Ryan" ranks as one of the greatest war movies of all time. Like "Platoon" it gives the viewer an "in the trenches" experience.

Spielberg has hit another home run with this one. The battle scenes are so realistic and gut wrenching that the viewer is left with the impression of what the real battles were actually like. Spielberg conveys the uselessness and futility of war as we follow Tom Hanks and his squad in their search for Private Ryan following a devastating battle on D-Day.

Spielberg's two World War II masterpieces, Schindler's List and Saving Private Ryan should be required viewing at the high school level in order to instill in our youth a sense of the sacrifices that were made over a half a century ago in order to preserve our freedom.
1999-08-20
Saving Mister Spielberg
Visually, the best WW2 movie. In other ways, far from the best. The movie is loaded with errors and falls into demonizing the German soldier and praising the American. A few examples, far from the reality the combat scenes show the Germans acting like cattle without ANY strategy at all they just run and shout, one funny part is the behavior of the German tankers, they drive in a ruined village in a VERY narrow street, like they have never heard of ambush! -One starts to think if the script writer has ever heard of

the capabilities of the German panzer crews, SS-Captain Michael Wittmann attacked and destroyed 48 armored fighting vehicles alone in a single action! The most absurd part is the -"Macgyver/Rambo scene"-when Capt. Miller and friends start to throw the mortar grenades slaughtering a few dozen Germans. The most unforgivable error is that there were NO SS-units with Tiger tanks operational in Normandy at this point of time. This movie is way overestimated.
1999-08-31
Wise Up People
War films can be broken into two basic categories; the propaganda film, which celebrates bravery and patriotism; and the anti-war film, which shows the suffering and futility of war. The most extreme propaganda films are usually produced when a war is threatened or actually in progress and either demonize or belittle the individual enemy soldier. This is useful for both inspiring the home front and for assuring it that there will be an ultimate victory. While these films play well with a wartime audience they appear somewhat silly when viewed in a post-war environment.

An exception to this war-in-progress concept was is "Saving Private Ryan". Cloaked in an anti-war facade, this film was more typical of what would have been produced in 1944 (its setting) than 1998 (its year of release).

Under its thin anti-war facade of realistic looking destruction, Private Ryan breaks with the characterization elements that are essential for classification as an anti-war work. Almost by definition anti-war films use a faceless enemy ("Paths of Glory") or portray the enemy soldier as sharing in the suffering and futility of war ("The Enemy Below"). Often they are portrayed as victims of a fanatical leadership and the audience is invited to identify with or at least understand them ("The Longest Day").

This is because after a war, both the victors and the vanquished have an incentive to portray their enemy as brave and determined, otherwise victory is hollow and defeat is humiliating. Not so in Private Ryan; if the German battle performance and basic infantry tactics shown in the film were representative of what was actually practiced, a single allied division could have occupied all of Germany by the end of June 1944. The final battle scene alone makes the viewer wonder how, facing such a totally inept enemy, the war could have gone on more than a few days after the D-Day Landings. Among the most obvious:

A sequence where American soldiers run back and forth in front of a Tiger I tank without drawing the fire of the tank's machine guns. These tanks had internally operated machine guns, which would have easily cut down these soldiers. Knowing this the soldiers would not have exposed themselves to this fire.

Tanks entering an urban area ahead of infantry, driving down the middle of the town as if on parade. Instead infantry would flank any defensive position on the street and secure the area immediately ahead of the tanks so they do not come into range of anti-tank weapons. These tactics were validated during early fighting on the Russian front and became operational imperatives for all Panzer units.

A Hitler Youth dagger found in the trench right after the first bunker is taken on the beach. The men in these bunkers were mostly older second-tier draftees and Ukrainian conscripts. Normandy was not expected to be the invasion target and it's highly unlikely that a member or former member of the Hitler Youth would have been assigned to these marginal units. But it was an excellent way to make the audience less squeamish about the brutality inflicted by the allied soldiers when these German units attempted to surrender.

So just what is "Saving Private Ryan"? The first 24 minutes are a high budget remake of the "Longest Day" whose less expensive landing sequence conveyed more tactical believability about the process of securing a beachhead. The next 90 minutes are a mistake-ridden, choppy, and contrived remake of "The Big Red One". Ultimately, this overlong odyssey said less about patrolling behind enemy lines than "Kelly's Heroes"- a counterculture comedy whose serious scenes and character development were superior in almost every way.

Then there is the finale, a total rip-off of Arthur Pohl's "The Bridge" (1949), which focused on a handful of recently conscripted German schoolboys who fight for control of an inconsequential bridge during the last weeks of the war. They were at the bridge because of a series of accidents and they naively stayed there because of their youthful idealism and sense of duty. Like Private Ryan, most do not survive the engagement. What is notable is not that Pohl was able to make a much better film for a fraction of the cost (that is not particularly unusual), but that he was able to convey more perspective four years after the event than Spielberg could manage 50 years later.

But these criticisms of Private Ryan are based on the assumption that Spielberg's intent was to make a worthwhile war film and there is simply nothing to support this assumption. More likely Spielberg's agenda was make money while subtly refuting post-war portrayals (such as "Das Boot" and "Cross of Iron") of the German soldier as something more than the sub- human creature of WWII propaganda days or the cartoon villains of his own "Raiders of the Lost Ark" series.

The genius of Private Ryan is its success in packaging this sick message inside a commercially successful film. At the time of its release and its almost universal acclaim, this aspect of the film was largely unrecognized (and unexamined) by both audiences and critics. In this respect it owes less to the war films it shamelessly plagiarizes than to early 1950's cinema, where McCarthy-paralyzed Hollywood directors resorted to subtle themes that went undetected by studio executives and regulators. Only recently has its status begun to erode as individual critics more carefully examine its elements, away from the euphoria that surrounded its initial release

Although "Saving Private Ryan was popular, remember that the "Rat Patrol" ran for 58 episodes, watched by television audiences who were also entertained by similar silly nonsense.

Then again, what do I know? I'm only a child.
2006-11-15
Propaganda
This is tiresome Hollywood propaganda that more and more people simply cannot swallow any more: the myth of the 'good war', the 'necessary war', the war for 'freedom', in which the 'good' and the 'bad' side couldn't be more easy to discern...

This is a worldview (((Steven Spielberg))) would love to impress upon us. But the narrative this film is based upon is rapidly being demolished, as more and more people want the truth, not myths about this horrible war that cost us so many dead people.

When will the likes of Spielberg address the real root causes of the war? When will they make a film about the Bolshevik murderers who killed many millions of innocent people in the USSR? The answer is never.

I have to say I have zero interest in Spielberg's propaganda. I hate this film.
2016-06-11
Brilliant, despite simplified characterizatins
As of three years ago, I have made a point of watching this film on June 6th every year, so that the true meaning of this historic date will never be lost. I know it sounds trite, but with holidays such as Memorial Day quickly becoming an excuse for cookouts, I feel the need to reinforce the terrible and awesome sacrifices that have shaped the course of history. This movie does just that. For all of it's character development shortcomings, it still ranks as simply the most powerful cinematic depiction of war I have ever seen.

And as a side note, the whole character development issue almost seems moot, considering the context in which most of these men knew each other. Ready to die for their brothers, many ironically knew very little of each other's personal lives, except for snippets learned during the calm interludes, when the soldier would share stories or letters from a world far away.

That is why the betting on what Hank's character does as a civilian makes so much sense. To many, life at home was a carefully guarded treasure that served as a very personal and private link to sanity and hope. If you haven't seen this film, make it a point to do so. You will find a whole new appreciation for the ability of the common man who, faced with impossible odds and true terror, is somehow able to accomplish the extroardinary. It will renew your faith in mankind, while simultaneously horrifying you at man's folly.
2004-09-11
Great Realistic Movie
As the name suggests this a war-movie in which an agent named Capt. Miller(Tom Hanks) is sent on a mission to save a soldier named Pvt. James Ryan. Ryan's mother has already lost her three children in the same war against the Germans.

Movie starts with an approx. 25 minutes of a thriller action sequence where the American forces are fighting against German forces at Omaha Beach. Director Steven Spielberg has made this scene one of the most epic real war sequence I have ever seen in a movie. Thousands of soldiers died in this horrifying, dreadful sequence. Special effects by cinematographer(Janusz Kaminski, also in Schindler's list) has made this a perfect sequence.

Protagonist Capt Miller survived this war, assembles a group of soldiers to invade German troops and find Ryan. Movie depicts the struggle of Miller and his team to complete their mission. Movie becomes a little bit slow during the mission but still must be able to hold the audience together.

Intense emotion scenes, like when Ryan's mother is informed about the tragic death of her three sons might make viewers cry and arouse patriotic feeling in them. Movie showcase some good strategies, teamwork, breakdowns and courage. All these things together complete this movie and makes it much more interesting than any other fiction movie.

Tom Hanks's acting has raised the bar of expectations further high. Steven Spielberg has done one of the greatest job you will ever see. Realism in this movie makes it a must watch.
2014-08-18
Actually it's pretty GOOD history
I know it's fashionable to trash successful movies but at least be honest about the trashing... Pvt. Ryan was fiction but it was pretty good HISTORICAL fiction. The details were well thought out and based on reality.

There was nothing stupid about the portrayal of the German army... Rommel DID blunder in his placement of force, The high command DID think Calais was going to be the invasion spot, not Normandy. Hitler didn't wake up until noon on that day and his aides were afraid to wake him. The Rangers did come in right behind the first wave and did take a beach exit by sheer will to get the hell off the beach. The bluffs were the scene of heavy close fighting. The german defenders were mostly Eastern European conscripts from defeated areas. (note that the 2 men that tried to surrender were NOT speaking German). There WAS a young man rescued from interior Normandy after his brothers were all killed. He WAS an airborne trooper (the difference was that he was found by a chaplain and was removed from the front.)

The battles inside Normandy were small actions town to town, street to street, house to house. Small actions like taking the radar station happened. Small actions like a handful of men defending a river bridge against odds happened. Small squads of men, formed out of the misdrops banded together ad hoc to fight. There were all enlisted groups and all officer groups. A General did die in the glider assault. FUBAR aptly described much of what happened that day.

And there were only Americans in the movie because the Brits and Canadians were many klicks away in a different area... this was Omaha beach. The story was an American one. And Monty DID bog down the advance and everyone knew it. And as for "American Stereotypes"... well those pretty much define America: my college roomie was a wise-ass New York Jew. My best friend was a second generation east coast Sicilian. My college girlfriend was a third generation German. My first wife was French and English. I'm Irish, my boss is Norwegian and I work with a Navaho... you get the point?

So much for it being bad history. It was in fact an excellent way to let a jaded and somewhat ignorant-of-their-past generation *feel* something of what their grandparents (LIVING grandparents) went through. It is perhaps less important that the details be exact as the feel be right. Even now the details are not fully known or knowable about that campaign... it was too big, too complex and too chaotic to be knowable. There is not even an accurate casualty count of D-Day itself.

Now as to the depth of characters. What I saw there was the extraordinary circumstances into which ordinary people were thrown and what happened to them. I saw the things that would mark a generation (I have heard in my elderly male patients sentiments similar to what Cpt. Miller was expressing when he announced his ordinariness) I saw the dehumanization that occurs with war and its mitigation moment to moment, man to man... Cpt. Miller didn't know anything about Ryan and he didn't care... until Ryan revealed his humanity to him with his story of his brothers. Pvt. Reiban was ready to walk out of the situation until he discoverd his captains ordinariness and his humanity. Then he began to look to him almost as a father. Pvt. Mellish rightfully delights in his revenge for all the times he's had to take it because he was Jewish by telling German captives he's "Juden!" Nerdish Cpl. Upham can stand alongside his bigger, stronger, braver Ranger compatriots and describe the poetry and melancholy of Edith Piaf's song... then face his cowardice, turn around and stand up in the face of danger and finally demonstrate the dehumanization of the enterprise he was enmeshed in by executing Steamboat Willie... even though Willie had no more choice about being there than Upham did and in other circumstances would have made a friend.

I could go on and on with this but enough already. OK, perhaps it is not The Best Movie Ever Made but it is still a good movie. And if one will take the blinders of fashionable negativism off they will see it. Finally, this is not a patriotic story... if anything it is an acknowledgement and thank you to all those old men still out there that did so much for us. To them I say a deep and sincere thank you.

2001-06-10
Can be an eye opener
Being still a teenager, I realize that I am still relatively young and may not fully comprehend the true impact of war, if ever. I know that many have criticized this movie for not truly giving the sense of war or whatnot.

In my view, this was not the purpose of the movie. Instead, I believe that this movie was made as a tribute for those lives lost in the war and to give the audience a more graphic taste of the battlefield. The viewer may only begin to get a sense of the horror felt by those involved, but I hope that most will never have to know such feelings.

Movie-wise, its terrific. Superb acting, exciting and twisting plot, emotional moments, and edge-of-your-seat action. I came away speechless with a better view of the true loss of war.

While the feelings conveyed are not as realistic as some would like, this movie is also not exactly a light-hearted take on war. I feel that Hollywood has a responsibility to accurately reproduce the historical subject being represented to the best of their ability, and this is achieved. The costumes, special effects, sounds, and sets are virtually genuine.

The bottom line: While unable to truly portray the experience of war, the viewer still comes away feeling solemn and respectful with a true sense of loss for those involved. The excellent production values are only a bonus.
2004-02-16
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