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Download Pan's Labyrinth 2006 Movie Legally
Year:
2006
Country:
USA, Spain, Mexico
Genre:
Drama, Thriller, War, Mystery, Fantasy
IMDB rating:
8.2
Director:
Guillermo del Toro

 

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Ivana Baquero as Ofelia
Sergi López as Captain Vidal
Maribel Verdú as Mercedes
Doug Jones as Fauno
Ariadna Gil as Carmen Vidal
Álex Angulo as Doctor
Manolo Solo as Garcés
César Vea as Serrano
Ivan Massagué as El Tarta
Gonzalo Uriarte as Francés
Francisco Vidal as Sacerdote (as Paco Vidal)
Juanjo Cucalón as Alcalde
Pan's Labyrinth Storyline: In 1944 falangist Spain, a girl, fascinated with fairy-tales, is sent along with her pregnant mother to live with her new stepfather, a ruthless captain of the Spanish army. During the night, she meets a fairy who takes her to an old faun in the center of the labyrinth. He tells her she's a princess, but must prove her royalty by surviving three gruesome tasks. If she fails, she will never prove herself to be the the true princess and will never see her real father, the king, again.
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Reviews
Pointless
It is really interesting that a movie so enjoyed by some viewers can be so annoying for others. This is my general impression when I read reviews on IMDb. Pan's Labyrinth (PL) is the most typical example when it's completely incomprehensible for me how a movie can be so highly rated. The only amazing aspect of this movie is that so many viewers find it so great. OK, for sure it's visually beautiful and unusual in terms of story-telling technique, but the story is so unpleasant, one-dimensional and pointless that I just to wanted to get away from the cinema (which almost never happens).

Since I do not understand how anyone can find this movie enjoying, I will just try help you people who get disturbed by the same movie elements as myself. So if you often find the following aspects annoying in movies you should be careful before buying a ticket to this one.

* Over-simplification of evil through characters that are extremely bad for no obvious reason (black or white - no gray scales)

* Extreme violence that is completely pointless and makes you feel sick

* Sympathetic characters that you are supposed to sympathize with immediately without really getting to know them

* Two parallel story-paths (fantasy vs reality), none of which has any absorbing plot, and are completely unrelated to each other during most of the movie

Normally I hate when people express their anger and give a 1 star rating because they hate a movie that everyone else finds so great, so the only good thing about PL is that I can at least start to understand how people can become so angry with a so called cinematic masterpiece.

PS. My interpretation is that PL is a movie for artistic people that enjoy getting emotional through fuzzy fairy tales about good and evil, whereas it is not a movie for thinking people that wants to attain a higher understanding of the good and evil in man with some structure and logical congruence in the end. OK, PL actually has some congruence in the end, but this doesn't save a movie that is simply repugnant from start to finish.
2007-04-11
It really deserves all the acclaim
The negative reviews of this film on IMDb seem to fall into two categories: a) it was too violent b) the fantasy element was too muted

Without getting too political, worse things are going on in the world at this very moment than were depicted in this film. While many people prefer entertainment that insulates them from the harsh realities of this world, one shouldn't get so indignant when a film portrays the world for what it is. Capitán Vidal was a fictitious character, but there are plenty of people exactly like him. Humans are capable of terrible atrocities and looking the other way does nothing to improve our nature. If violence offends people so much they should do something about real violence rather than writing nasty reviews about depictions of it.

The violence set a tone of desperation for Ofelia. Fairy tales themselves are extremely violent, and Disney cartoons are nothing like the stories they were based on. This film was rated R. What were you expecting?

It is easier to understand people who thought the fantasy element was eclipsed, and were maybe hoping for another Narnia or one of the other countless fantasy flicks that has come out in the wake of LOTR. This film touched on many of the most fundamental themes of mythology, such as parallel worlds, dangerous tasks, hidden identities, sacrifice, and death. It did something more than the standard fantasy movie, which is part of why it was such a great film.
2007-02-28
Innocence and brutality
I saw the movie yesterday in the Spanish premiere and I confirm: it's one of the best Guillermo del Toro's films (if not the best ever). Innocence and brutality, fantasy and reality, together in a wonderful fairy tale about the power of magic in dark times. The performances are great, mainly from Sergi López, Maribel Verdú and the big revelation of the film: the 12 years girl Ivana Baquero. Del Toro repeats the context of the film "El Espinazo del Diablo" ("The Devil's Backbone"), the Spanish Post-Civil War, with the same philosophy: the supernatural invading the daily life in a depressive environment and the innocence of children trapped between both world. But "El Laberinto del Fauno" is most compact, most mature and best done in very aspects, and perhaps it's the most personal movie from Del Toro.
2006-10-12
Marvelous movie in which a bookish young stepdaughter of a sadistic army officer escapes into a creepy but captivating fantasy world and finds a strange Pan
Set in the not so tranquil Spanish woodlands of aftermath Spanish Civil War , where a small band of anti-fascism rebels are hiding out. Ofelia's love of fairy tales is obvious from the beginning of The Pan's labyrinth . When a widow marries an authoritarian Francoist captain Vidal (Sergi Lopez), her daughter goes to a countryside mansion . This is where Ofelia (Ivana Baquero) and her pregnant mother (Ariadna Gil) have come to live, in the company of the violent , brutal Capitán , Ofelia's new stepfather and soon to be father of her half-brother. The captain and his troops must fight Republican guerrillas of the hills and woods, that Ofelia finds her release and distraction of the new world order and its warring factions and delves into the older, mysterious and enchanting world of fairies , faun's and giant frogs . Ofelia becomes friend of the servant Mercedes (magnificent Maribel Verdu), who is the sister of one of the rebels and actually is giving support to the bunch . Ofelia takes refuge in a labyrinth , she finds in the grounds of his home, and in reveries involving Pan (Doug Jones, it took five hours to get into The Pale Man costume , once he was in it, he had to look out the nose holes to see where he was going) , who set three tasks she must overcome to take place as princess of a magical kingdom and in order to obtain immortality according to the legend . Meantime , resistance fighters plot their strategies in the nearest forest battling fascist troops .

This is a gorgeous , charming , graphic and deadly fairy tale . An exceptional picture for its inventive visuals , imagination and fantasy ; inspired partly by Goya's ¨Black Paintings¨ , including fantastic sequences parallel the reality . Sensational acting by Sergi Lopez as a cruel , unforgiving and totalitarian idealist Capitán Vidal . Versatile Sergi steals the spectacle as the monstrously sadistic officer bringing real menace to what might have been an absurd caricature . Wonderful and imaginative visual effects by DDT and magnificent special effects by Reyes Abades . The faun's legs were not computer-generated , Guillermo del Toro created a special system in which the actor's legs puppeteer the faun's fake ones , the actor's legs were later digitally removed . Impressive production design by Eugenio Caballero and rousing set design by Pilar Revuelta . The ruined town seen during the opening sequence of the film is the old town of Belchite Zaragoza, in Aragón, which was also used by Terry Gilliam for ¨Adventures barón Munchausen¨, the town was destroyed during the Spanish Civil War and never rebuilt. Sensitive as well as imaginative musical score by Javier Navarrete . Colorful and evocative cinematography by Guillermo Navarro , Del Toro's usual .

The motion picture was splendidly directed by Guillermo del Toro who even gave up his entire salary , including back-end points, to see this film become realized . In 2007, this film became one of the few fantasy films ever nominated in the Best Foreign Language Film category at the Oscars . The film was hailed by critics and audiences alike, and del Toro decided to give Hollywood another try . Its fantastic assurance confirms Del Toro as one of contemporary cinema's most rewarding purveyors of fantasy such as demonstrated in his first big break ¨Cronos¨, and followed by ¨Hellboy¨, ¨Blade II¨ , ¨Mimic¨ ,¨The devil's backbone¨ and many others .
2013-07-08
Violence for violence's sake
Del Toro's film's cinematography was excellent, but that may have been a curse, in the end. While I do believe great movies affect our psyches, I believe it is the responsibility of filmmakers to not betray our trust: this movie drags our innocence through the mud. The GRAPHIC VIOLENCE was unbearable. If you are not at all sensitive to violence, you may feel just a bit queasy when the face of a man is slit open. If you are sensitive to violence, please do not see this movie, not even on DVD. I feel sick and I am angry that the film did not merit some sort of X rating for violent content. Del Toro: you may have had reason to stun us, but at what expense? The reason violence is unwanted is because it's horrible, and to show the most violent things I have ever seen on film without warning (the opening stunner of the bottle through the face - IN your face) is betrayal. To conclude, the cinematography was perfect, but it was the unfortunate conduit for graphic violence.
2007-01-28
A masterpiece
1944. Franco's authoritarian fascist regime is a horrid world for a child, barely into her teens. Ofelia retreats into herself, finding in her fantasy world the lessons of courage, self-discipline and integrity she will need. With her, we travel beyond outward appearances, through a labyrinth of fears and uncertainties, from which Spain will not escape for several decades.

A dark, brutal fairytale, chillingly set in the real world but full of hope and warmth, Pan's Labyrinth accomplishes a masterpiece.

Our film opens with a momentary shot of Ofelia, blood from a nosebleed disappearing as the frames are introduced in reverse. A voice-over takes us back to the time of the Spanish Civil War. Ofelia arrives (with her pregnant mother) at a nationalist military base in the woods and is introduced to her stepfather, a vicious commanding officer. Capitán Vidal dispenses arbitrary justice to anyone he suspects is against him. Two suspected rebels caught by his men are summarily executed. Only afterwards is a rabbit discovered in their bag, proving their claim that they are just woodsmen (and maybe also a throwaway reference to Alice in Wonderland).

Ofelia is unwilling to accept this harsh adult world. She retreats into a labyrinth where she meets a strange Pan-like creatures, Fauno, who gives her a set of tasks where she has to face some of her darkest fears, winning a key for her next task.

The story becomes more intense, both outside the labyrinth (where Vidal is busy torturing people) and inside, where Ofelia has to face the Pale Man - a creature that has plucked out its eyes and can only see by placing them in the stigmata on its hands. Around the walls of the room are pictures of people being cast into hell by the Pale Man (From inference or the director's comments, it is apparent that the Pale Man represents authoritarianism, whether that of the Fascists or the Church). In Pan's Labyrinth we have a parable about the journey of Spanish society from the 1940s to post-Franco, a magical fairytale of stunning beauty, a story of the struggle and character development of a child on the edge of puberty, and a tense story of battles between Nationalists and Republicans. That they are all welded together seamlessly and precisely in a multi-level narrative is a remarkable achievement and thrilling experience. The sheer artistry recalls Cocteau's La Belle at la Bête. Del Toro sweeps us into a dreamlike, poetic vision, with a minimum of CGI and a grasp of dialogue that seems almost transcendental.

In a brave decision, an actor (Ivana Baquero) who is only as old as her character has been used to play the young Ofelia. But as the ethereal figure between two worlds, she is also there to cast the earthy characters involved in material battles into more visceral contrast. Editing is crisp throughout, without a single frame wasted. Rich colours and unflinching camera-work keep us rooted in the experience, whether it is Ofelia crawling face-down in the mud and covered with insects, or a hapless victim having his nose smashed in by the Capitán. Yet scenes of tenderness and beauty are equally as moving - Ofelia retreating into her mother's arms, a nursemaid powerless to help her republican lover, or a doctor performing an act of mercy.

The movies, like our dreams, folklore and imagination, are rich with symbols and images that can strike a chord in our deepest being. Artists, as well as creators of myths and religion, have long employed such symbols to guide and inspire, knowing that the conscious mind may accept a sign more easily than rational argument alone.

In watching a movie, we combine ideas of the real, the imaginary and the symbolic to find an inner affinity. And, if the filmmaker has done his job properly, will feel truly moved.

One of the things that can make or break a movie that makes extensive use of symbols is whether those symbols echo in the collective unconscious, often through time honoured association, or not. Knowledge of mythology or Jungian psychology can make all the difference. Much has been made of the title. Originally 'El Laberinto del Fauno', the translation at first appears sloppy, but Del Toro has done his research well. While quipping that it 'just sounded better', a little investigation of classical authorities shows Faunus as a form of the ancient god Pan (Lempriere). Pan, the goat-like god that represents a totality of possibilities, together with goat-like stubbornness and independence of thought, is the perfect symbol. In the film he says, "I've had so many names... I am the mountain, the forest and the earth. . . . I am a faun. Your most humble servant, Your Highness." In Greek Mythology, Pan also won the affections of a princess under the form of a goat. The freedom of thought (and sexuality) he advocated, with the rise of Christianity, caused him to be portrayed as the Devil; but we learn his intentions are good, whereas the holy-looking Pale Man offers temptation only as an excuse to rip his victims apart. As an aspect of the creative power, fauns in mythology also symbolise firm aspiration and human intelligence.

The one symbol that Del Torro is less adept in using is that of dying. He tends to use the valid, if flawed connotation of redemption-through-death promoted by the religions he disavows, but it is a small point that in no way spoils the story.

Pan's Labyrinth leads us through parallel stories and themes without once losing its internal consistency. Some audiences may be put off by the idea of using flights of fancy in such a blatant way or, sadly, by the fact that it is subtitled. Such minor monsters should not get in the way of enjoying the film on a simple entertainment level. Cinephiles, on the other hand, will not want to miss such a rare treat of talent.
2006-11-22
The best fantasy of the past decade
Everyone's been raving about this. My opinion doesn't differ too much. It did however suffer slightly from the overwhelmingly high expectations I'd developed based on how brilliant everyone said it was, and the whole "20min ovation at Cannes" thing. Really, who stands for that long? That said, it's an amazing work.

Skipping the plot recap (find the briefest synopsis you can if you need to be filled in), I'll go straight to the tech specs. I'm not a huge Del Toro fan, Cronos was interesting but lacked something for me. Mimic was dross. Hellboy was enjoyable and Ron Perlman is always great on screen. But here, the director really outdoes himself. By far. He has wrapped together some amazing elements and somehow maintains a balance, that doesn't tip into the mundane or the ridiculous for a moment. And this is no mean feat. The story is part historical drama, part fantasy, part family melodrama. When it dips out of the fantasy, it still enchants.

Sergi Lopez and Maribel Verdú really drive the story in the historical drama scenes. I haven't seen Lopez in anything other than a film called Lisbon, in which he played a character so completely opposite from the Captain. He is a fierce and terrifying guy but actually comes across as sympathetic in a couple of scenes. Verdu is incredible as Mercedes, the head housekeeper (or something) who is Ofelia's closest friend in the house. The scenes with these characters and the civil war subplot never fail to hold your attention. Ivana Baquero is excellent as the main character Ofelia, her performance is very mature and believable and she shares some beautiful scenes with her mother and Mercedes.

When the fairy tale elements return, it's astounding how naturally they fit into the story. I think that is the real magic of this film. The war drama and the fairy tale stem so naturally from each other.

One thing that most reviews haven't mentioned is the violence. I think it's been firmly established that this is an adult's fairytale, but at times it is a very intense and brutal film. There are a couple of scenes in particular which are very disturbing and difficult to watch. These do not distract from the tone and theme of the film however so they don't seem exploitative at all. If you are squeamish, it may get a bit much for you.

A final and obvious point I spose I can't get away without making: the set design, costumes and effects are superb. That's all.

I was perhaps expecting a little more fantasy, but the unique blend of genres is absolutely compelling. There wasn't a false note anywhere or a plot hole, which are too often present in fantasy films. I can't recall a good, original fantasy film from recent years. Fortunately this blows MirrorMask out of the water. It doesn't share any of the contrivances, vagueness or ineffectual characters with that film.

I just wish I'd seen it without already having read so much. I've tried very hard to not reveal any plot details at all as it does go to some surprising and unexpected places. Fortunately most of the reviews have done the same. I'd urge anyone with the chance to see it to do so immediately, and try not to read too much more.
2006-09-12
One of the best films ever made.....
You would think that, with 1000 or so positive reviews, one more would not matter? However, this is not only one of the most extraordinary films ever made, it is also a personal fave which I have seen many times.

Comments include:

* can Guillermo del Toro actually make a bad film? I don't think so. Because of his name on the credits I have checked out many films of his that, while not in the same class as this one, were nonetheless flawless in execution.

* of many film I have seen about war (too many to count) this one manages to humanize the condition to a greater degree than I can recall. Each character is perfectly cast with perfectly written dialog to bring home the metaphor of trying to live your life while chaos reigns around you. A little girl with a sick pregnant mother who just lost her father and finds her step-father to be a monster ... perfect!

* many films deliberately strive for that special "ambiguous" ending but this one nails it. I remember couples coming out out the theatre arguing over what the real purpose of the film was, what the real ending was, what the intent was, etc

* the one single scene where the young girl has to enter a subterranean land and retrieve artifacts WITHOUT EATING THE FOOD ON THE TABLE is in many ways scarier than the scariest horror films you could name. Moreso because the audience knows how hungry she was and empathizes. It reminded me of the Cyclops scene in the 1950s 7th Voyage of Sinbad, considered a classic of its own.

* the scenes of violence (and there are many) are done so well you can almost taste the copper in the blood on screen

One of the best films ever made
2015-05-24
Unexpected brilliance.
This is a movie with a simple and straightforward plot which contains layers and layers of intelligent writing, metaphors and message.

To speak further about the script will end up in spoilers and that would be pointless since my very purpose writing this review is to encourage people to see it.

This is no small feat, interpreting fantasy as something of a product of a real world, cross-referencing how the child acts to her real surroundings and the "other world", metaphors that describe the accelerated state of growing up some of us are put through... Incredible. Simple, straightforward yet there is so much to be appreciated.

Those who are saying how it's predictable and thus not enjoyable, I ask of you, which movie nowadays aren't predictable? Hell, even 21 grams was predictable but so damned good. It's not about how it ends, you can always predict how a movie would end if you've ever taken a half-decent script writing class or have some common sense. It's always about how well you tell a story.

I'm grateful there are still directors who aren't tied down to this new epidemic of including a plot twist simply because they need a plot twist.

Pan's Labyrinth features some of the best storytelling and attention to detail without being affected by the now ever-popular opinion of cameras having to be put through several technical difficulties to make the shots eligible to be called a brilliant shot.

I am also grateful for them not dubbing it. Watching it in its' original language is much, much more rewarding even if I had to rely on the subtitles for most of the time.

This is a brilliant movie. Watch it.
2006-12-14
Beautiful, violent, magical and sad....
I was fortunate enough to catch Pan's Labyrinth last night as part of the 'Fright Fest' programme in London and was completely blown away. Guillermo Del Toro himself was present to both introduce the movie and to answer questions afterwards. He spoke very passionately about the film, and it was easy to see why. Guillermo Del Toro has created something very special - part war movie, part fantasy, that everyone should see. The film features a fantastic performance by Sergi Lopez as Captain Vidal and as central character Ofelia, newcomer Ivana Baquero delivers the performance of a seasoned veteran. If you are the type of person who is put off by subtitled movies, don't be. This is a very 'visual' film that does not rely overly on dialogue. This does not open until 24 November in the UK and 29 December in the USA but already I am looking forward to seeing it again (and buying the Special Edition DVD).This is the first time I've felt the need to write a review on here. Do yourselves a favour and go and watch it on the big screen.
2006-08-25
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