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Crime, Drama, Thriller, Mystery
IMDB rating:
Christopher Nolan


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Guy Pearce as Leonard
Carrie-Anne Moss as Natalie
Joe Pantoliano as Teddy Gammell
Russ Fega as Waiter
Jorja Fox as Leonard's Wife
Memento Storyline: Memento chronicles two separate stories of Leonard, an ex-insurance investigator who can no longer build new memories, as he attempts to find the murderer of his wife, which is the last thing he remembers. One story line moves forward in time while the other tells the story backwards revealing more each time.
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iPhone 480x204 px 605 Mb xvid 600 Kbps mov Download
The Reverse Genius Principle
9) And that's when we realize we could never be sure of anything to begin with.

8) When Leonard eventually thinks he has found his wife's killer, eleventh-hour reveals shock us with the possibility that his whole crisis may be nothing more than delusion.

7) Editing this movie must have been like navigating inside Las Vegas hotels with no watch or compass: sex and drug distractions, deprivation of day or night, no signposts or exit signs, and of course, nauseous on cheap shrimp and hairy tequila. Untold credit to editor, Dody Dorn, for shuffling the deck as confusingly as possible, yet weaving the tale as tightly as a sanitarium wicker basket.

6) But every few minutes, the movie twists back on itself, each flashback a segment of Leonard's life that happened just before the segment we have just seen – and with each flashback, we realize just how wrong Leonard is about who his friends are, his past life, clues to the killer, his quest *in toto.* By about the fourth paragraph we realize: this piece is running backwards.

5) From Jonathan Nolan's short story, *Memento Mori*, we meet Leonard mid-investigation, slumming it in a cockroach motel, having lost his job as insurance consultant, looking disheveled (as Guy Pierce can do so natchelly), and optimistically on the trail of the murderer; hanging with gregarious Teddy (Joe Pantoliano), and involved with hot bod, Natalie (Carrie-Anne Moss), both of whom seem to be aiding Leonard catch his killer.

4) Leonard's last "new memory" was the murder of his wife. During the scuffle with his wife's killer, a blow to the head caused his memory faculty to shut down. Whether this is truly biologically possible (if you cannot make new memories, how do you even shop for food and water or pay the rent?), for the movie's purposes, it means Leonard must piece together clues to his wife's killer through copious notes, tattoos on his own body and Polaroids. But the truth will forever elude him and the clues that lead to the killer are mere wraiths, the products of his own "selective" reasoning.

3) The harder you strive for something, the harder it is to grasp. But what you care least about - or that you were never striving for – falls into your lap. Some call this the path of least resistance, but it's actually called The Reverse Genius Principle. And Leonard - all ephemeral ideas and misplaced action – is a Reverse Genius in full throttle.

2) Guy Pearce is the memory-challenged Leonard, who is trying so hard to move forward – to find his wife's killer, but unable to create "new memories" to retain info - that he ends up moving backward. Thusly, writer-director Christopher Nolan has crafted a film where the clues to a murder fall neatly OUT of place. Backwards.

1) *Memento* opens with a killing. We don't know why. We don't know who.
Like An Ipod on Shuffle But only containing 6 songs playing for 2 hours
I really hate to discredit art when credit is due. But in the case of memento if you like to watch a barrage of continuously replayed and ominously boring clips and a truly not so thrilling movie with a has been leading actor who would sadly do better on a lifetime movie rather than this. This is sad to see what is becoming of America or rather the world when this kind of a movie gets such a good rating. This movie was a blundering piece of reverse psychology that a 6 month old child could have guessed from the beginning. However if you feel like watching an almost 2 hour movie with only 45 minutes of film love going from color to black and white with no intentional purpose and like to feel like your mind is stuck in an ipod shuffle with bad 80s music for what feels like hours be my guest and watch this boring pile of garbage just remember i told you so.
Not what happens next, but what happens before
Imagine you're in a bathroom and you see a bottle of whiskey. And you have to question whether that means you're drunk.

Imagine a woman gets you so angry you hit her in the face and bloody her lip. She walks out of the room, but returns in a few minutes. You ask her who hit her and she tells you some other guy's name. You vow to punish that guy.

Imagine you're running down the street. Some other guy is running too. At first you think you are chasing him. Then, he fires a gun at you and you realize you are the one being chased.

This is Leonard's problem. He's out to find and kill the man who killed his wife. But he can't remember what happened five minutes ago. He uses notes, tattoos and Polaroids to keep track of information he has learned. But some of this information is wrong.

And get this — Leonard's mission of revenge is told in scenes that are backwards-sequenced.

Ingenious. That's the only word to describe this outstanding puzzle movie. Anyone unwilling to devote very close attention to a film should avoid this one. Those willing will find it immensely rewarding.

I like highly contrived movies. Ironically, I'm not a big science fiction fan because I like the contrivances to be within the realm of present-day plausibility, if that makes any sense. If you share that sensibility, check out "Memento."
Rated 10th best overall? Is this a joke?
Rated 10th best overall by IMDB? There was nothing above average in this movie. A weak plot that unfolds backwards is worse, not fresh, creative, or ground-breaking. If you ranked this movie in your top 10 you probably enjoyed such classics as Lost Highway and Drowning Mona.

If you can appreciate an art display consisting of a cage of live chickens running around, this movie is for you. Otherwise, this movie was a sharp stick in the eye. Avoid at all costs.

Not as good as they'd make you believe
Don't believe the hype -- people seem to go out of their way to tell you how great this film is. The truth is that, when it comes to the crunch, it's actually not really anything that special.

Pearce, as the man who has no short term memory after he sustains a brain injury when his wife is raped and murdered, is competent enough, but this film does get really annoying in the way that it loops within the plot in order to get you back to the same point you were at 2 minutes ago -- and then moves onto the next scene.

That was really annoying.

A lot of this only makes sense in the last scene -- when the Sammy story finally comes to a point -- but by then it's taken an effort to sit through a lot of the rest of the film.

Make no mistake, it's not bad, but it's not anything sensational either.
Okay, what am I doing? Oh, I'm chasing that guy.
What I generally look for in a good movie is character development. If nothing changes in the characters' personalities, I have trouble enjoying the film, as it loses a certain sense of realism. One method of character development that I particularly enjoy is that of the "revealing" method, finding out more about a person's personality by being shown information. Many people mention The Usual Suspects when reviewing Memento and I can't help using it as well. This method of character development is used very well in that movie also, in the twist at the end. I felt that Leonard's character developed extremely well in that we were shown bits of his personality at a time and it was not until the end that we found out what he was truly all about. *Spoiler comment at end*

This film, with its memory-troubled main character, reminded me of a sub-plot in the Kurt Vonnegut novel, The Sirens of Titan, in which the main Character, Malachi Constant, must endure repetitive memory wipes, only knowing what is going on by re-reading a series of notes that he writes to himself.

I was going to mention something else about Memento, but I forgot it. Maybe I should have written myself a note.




***Spoiler comment below***


I really enjoyed the sequence of shots in which Leonard realizes that he's crazy and consciously decides to prolong his fictitious search by leaving himself a note that is, in effect, a lie. The idea of lying to oneself brings up entirely new issues of paranoia that I thoroughly dig.

Will have to count next time i see it, the number of times that Teddy tries to get the keys to Leonard's car. I think it may be as many as six.

small plot hole, the Jaguar's car alarm goes off when the window is shot, but the alarm had not been armed.



***End Spoiler***


You see the ending, and then have to wade through the rest of the movie, as it is told in scenes that are presented in reverse order, to see if the ending was a good thing, or a bad thing. I had that figured out as the opening credits were rolling. I didn't find the story at all interesting, I knew how it ended, it was just a matter of seeing how we got there... it didn't work for me.

Also, I found the guys affliction very odd. I've never heard of such an extreme memory problem. I also kept asking myself if a person with this problem could function well enough to leave himself notes, and to tatoo himself with notes, and go on this quest, would he be going around with no one to help him a little... he knows that eventually he will be lost again, except for his notes. I didn't buy it. Too odd... too silly.
Major disappointment
A very manipulative movie that constantly tries to fool the audience. It runs in reverse, but only halfway up the story line where everything that went before is called into question. The director is a David Lynch wannabe, but the expostion is SLOW and BORING.
Forget about it!
An empty theatrical experience. A dull movie with no emotional core. Clever editing substitutes for lack of substance and dramatic appeal. Christopher Nolan's failed attempted to invent an original narrative structure.

The only intriguing aspect of this glossy Hollywood film disguised as daring indie is the fact it has received accolades from movie critics as well as average movie fans. 'Memento' is so smartly put together that both groups lack the courage to say that the movie is a failure and a bore for fear of not coming out ignorant and unsophisticated.

Long ago it was observed by Pauline Keal that art house audience accepts lack of clarity as complexity, accepts clumsiness and confusion as 'ambiguity' and as style. If you thought 'Limey' was pretentious, wait 'til you see this. Or, better yet, don't!

Just forget about it!
I saw this movie with neutral expectations, and I don't see what all the fuss is about. It is TERRIBLE. Difficult to keep eyes open through the entire thing. What happened to you people when you saw it? Did your tickets come with free popcorn or something? How is the movie so appealing? The plot is semi-original, the acting puke-inducing. I say it loud for all to hear: LAME-O.
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