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Download Lawrence of Arabia 1962 Movie Legally
Drama, Adventure, Biography, History, War
IMDB rating:
David Lean


          Lawrence of Arabia IMDb    Lawrence of Arabia Wikipedia    Lawrence of Arabia Soundtrack

Peter O'Toole as T.E. Lawrence
Alec Guinness as Prince Feisal
Anthony Quinn as Auda abu Tayi
Jack Hawkins as General Lord Edmund Allenby
Omar Sharif as Sherif Ali
José Ferrer as Turkish Bey
Anthony Quayle as Colonel Brighton
Claude Rains as Mr. Dryden
Arthur Kennedy as Jackson Bentley
Donald Wolfit as General Sir Archibald Murray
I.S. Johar as Gasim
Gamil Ratib as Majid
Michel Ray as Farraj
John Dimech as Daud
Lawrence of Arabia Storyline: An inordinately complex man who has been labeled everything from hero, to charlatan, to sadist, Thomas Edward Lawrence blazed his way to glory in the Arabian desert, then sought anonymity as a common soldier under an assumed name. The story opens with the death of Lawrence in a motorcycle accident in Dorset at the age of 46, then flashbacks to recount his adventures: as a young intelligence officer in Cairo in 1916, he is given leave to investigate the progress of the Arab revolt against the Turks in World War I. In the desert, he organizes a guerrilla army and--for two years--leads the Arabs in harassing the Turks with desert raids, train-wrecking and camel attacks. Eventually, he leads his army northward and helps a British General destroy the power of the Ottoman Empire.
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A long epic... unlike this review
Wow, a great epic movie. L of A show's T.E Lawrence, not purely in a heroic light, but the complex figure the man was.

Lawrence was a confident leader of men, but also arrogant & naive, the last two qualities becoming more evident as the film wears on.

The Acting in this film is brilliant, especially Peter O'Toole & Omar Sharif. A film that is a must see for all film lovers.
British officer is used to incite Arabs against the Turks
Ten it is and well deserved. I have seen this several times and always find something to dwell on. Of course, Peter O'Toole was superb, but so was his supporting cast.

Anthony Quinn looks more Arabic than Arabs. And Anthony Quayle always has been a favorite of mine and Claude Rains, Jack Hawkins, Alec Guiness, and Jose Ferrar were splendid. The latter was appropriately dissolute as the Turkish officer who captured Lawrence

The photography was spectacular, the skyline, deserts, and battle scenes. There were just enough of the fighting. The opening air bombing, the attack on the train, the massacre of the Turkish column, and the final raid.

What also was impressive was the relationship between Lawrence and the two Arab boys. All in all, a marvelous production that no one should miss.
"Every shot, every scene is so beautifully formulated."
Once I read a book on cinema and it says that if late Peter O'Toole had been anymore charming in that dessert, then the movie would be worthy of "Florence of Arabia". It was his original striking blue eyes, predominant screen-charisma and surely, his knowledge and experience on acting, which made him a legendary artist of acting Hollywood. This is "Lawrence of Arabia"; a 'totalitarian' cinema, where acting and assured filmmaking are absolute. The fact that modern filmmakers rely so much on CGI and such to produce kitschy films, cinema magic which enraptures audiences, is rarely being conjured up. Till today, "Lawrence of Arabia" is highly regarded as one of Hollywood's greatest epics.

This is a story of a young, educated British military officer named T.E. Lawrence (Peter O'Toole). Not vast to be a biographical motion picture, but greatly an account of Lawrence's exploits in the Arab Peninsula during World War One. At first he was being sent for duty to gather information of Prince Faisal's (Alec Guinness) activities on his revolt against the Turks. But not to the expectations of his superiors, he showed defiance and led the Arabs to fight their enemies. "Lawrence of Arabia" is a 'desert' film, with no major stars attached to it. If I were to live during that period of time, I would not expect success from it.

Although the film is widely recognised as a Hollywood epic, it is rightfully also an excellent character-study. Lawrence, of the movie, is a multi-layered character. It is the coherent development of the mentioned character, that the film's writing actually plays a great role. Lawrence was a playful, carefree man at first. The man is slightly like a clown perhaps, but a very educated clown indeed. His personality preceding the invasion of Aqaba probably justified the idea that his fellow soldiers are actually stumped by his efforts in assisting the Arabs. The moment he was tasked to execute a man he once saved to avoid surge of conflicts between Arabian tribes, the old persona of his starts to fade away, and the new, darker one begins to evolve in him. His soul must be so well attached with love and mercy, that the abrupt killing of his friend affects him to the extent that it transforms him significantly, in spite of the action being utterly necessary. His troubled mind, and madness, are dragged till the end of his expeditions, only to develop leisurely, to its final form. But in the face of the character, his intelligence as a man of winner is not easily overlooked. Knowing that he needs more men to capture Aqaba, he successfully tricked Auda (Anthony Quinn), and his men, into joining his side. And also with regard to his other successful missions against the Turks, it clearly shows about his intellect as a military leader. Lawrence is a fearless and ambitious warrior, but it is his complex personality that intrigues me.

The filmmaking of the picture is ingenious. Every shot, every scene is so beautifully formulated. Director David Lean and cinematographer Freddie Young had orchestrated cinematography to be the best out of it. The performances are superb, with Peter O'Toole leading the way, and was well supported by Omar Sharif, Alec Guinness and Anthony Quinn. And yes, one shall not ignore the magical score by Maurice Jarre.

It is of profound understanding that "Lawrence of Arabia" would melt cinema lovers with its awe-inspiring filmmaking, but again, I reiterate, the hero who is interconnected with enigmatic notions that mobilizes my love for it. The final scene of the show is interesting; Lawrence ignores the British soldiers in heavy military vehicle passing by, but shows attention when conservative Arabs catch the sight of him. This encapsulates the viewpoint that he favours the Arabs over his own people.

"Lawrence of Arabia" is David Lean's masterpiece, but shockingly it never turned out to be one of my personal favourites. But in the eyes of the world? It is one of the greatest absolutely. Released in the early 1960s, and deservedly became one of the most successful works of cinematic art of that era. The 'desert masterpiece' shines and bears upon light that coruscates from genuine movie enchantment towards audiences. I love to see the shot of a rising sun that comes in before Lawrence puts an end to fire of matchstick as the mention for that. The wonderment of "Lawrence of Arabia" is rarely performed again, in my time.

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A Unique Landmark
Lean's tremendous 'Lawrence of Arabia' is truly one of a kind. Compared to epic Hollywood movies that have been made before and since, the strength of 'Lawrence of Arabia' is that the film's heart lies in its story and character rather than lavish sets, action scenes or special effects. That is not to say that this movie was lacking in the aforementioned department. Quite the contrary because Lean has used a lot of rawness and subtlety. The desert is so wonderfully captured that it is successfully portrayed as ruthless and yet seductive. The viewer can understand why Lawrence is drawn towards it. During the action sequences, the camera would shift back to the characters' faces allowing the viewer to see their emotional reaction to the ongoing horror rather than merely showing 'cool action scenes'. Beautifully shot and edited and thanks to a solid screenplay, 'Lawrence of Arabia' follows a very smooth pace and even though the running time is more than 4 hours long, there was not a moment when I felt that it dragged. The soundtrack is mesmerizing.

However, what would have 'Lawrence of Arabia' been without the immensely talented Peter O'Toole? I was very surprised to discover that this was his first film. Whether it's his spontaneous reaction, impressive improvisation, or terrific dialogue delivery. The actor plays the part very naturally. There is not one scene where he acts formulaic or theatrical (a risk many actors ran into those days, especially with such roles). It is a prototype performance that portrays a heroic character as very human.

Of the supporting cast, Omar Sharif is very likable as Sheriff and Anthony Quinn provides some comic relief. The rest of the actors do fairly well. Only Alec Guinness's portrayal of Prince Feisal falls flat.

Overall, 'Lawrence of Arabia' can be described as a one-man show because of Peter O'Toole, but then that would be unfair to David Lean and Robert Bolt as this also marks their best work (or at least one of their best works) to date. This is truly a unique epic film experience and there is hardly any other picture of its genre that has achieved remotely close to what 'Lawrence of Arabia' has.
If you can find it on the big screen - that's the way to see it!
This film should be viewed in a big cinema on a big screen. That really is the only way to truly "feel" the desert scenes in this film beautifully photographed by Fred A. Young.

This film has influenced so many - Steven Spielberg, Martin Scorsese, James Cameron, etc., etc., but most of all film restorer Robert A. Harris. Mr. Harris along with Jim Painten, brought the film back to life with the magnificent 1989 restoration and director's cut watched over by Sir David Lean and Anne V. Coates, the film's original editor. It is a MUST for all film buffs.

Although the film is over 40 years old, being a period piece it doesn't date. The film re-creates the stiff formality of the British Military of the First World War very nicely bringing to life the pompousness of General Murray, a type not likely to be encountered by today's generation. The odd quirkiness of Lawrence and his many hang-ups are depicted as only O'Toole could have created the character.

The DVD is pretty crisp and clear infrequently revealing the age of the celluloid. It is very exciting but no television can match the awesome landscape created in a large format cinema equipped with real 70 mm projectors. If you have the chance, see it there first (and often, if possible).
"Truly, for some men nothing is written unless they write it"
An inordinately complex man who has been labeled everything from hero, to charlatan, to sadist, Thomas Edward Lawrence blazed his way to glory in the Arabian desert, then sought anonymity as a common soldier under an assumed name. The story opens with the death of Lawrence in a motorcycle accident in London at the age of 47, then flashbacks to recount his adventures: as a young intelligence officer in Cairo in 1916, he is given leave to investigate the progress of the Arab revolt against the Turks in World War I.

In the desert, he organizes a guerrilla army and--for two years--leads the Arabs in harassing the Turks with desert raids, train-wrecking and camel attacks. Eventually, he leads his army northward and helps a British General destroy the power of the Ottoman Empire David Lean's stunning film is often referred to as "One of the greatest films ever made" and one of the "greatest British films to cross the pond "and rightly so. So breathtakingly beautiful I even had the stunning colors in my dream last night and that score playing over and over again. As Spielberg said on the DVD" A film which is an inspirational to all" and I totally concur with that as I, like Spielberg won't to try direction in the future. This is the film that inspired Spielberg to make movies and the likes of Scorsese. So this is one film that no-one should miss.

A film of epic proportion and stunning visuals is overwhelming when you watch it. In modern film making it's unlikely that you will see a film so authentic as this. With the introduction of CGI, a film like this would not be made today! I doubt I'll give such a detailed review, as I am still spellbound by the film...still thinking about it's greatness. I will most likely repeat myself, so bear with me. It took 2 years to film this, but you can see the attention to detail in every frame. So well directed and so well put together with stunning visuals, which makes most films you've seen recently look average. If only films were like this now, I would be so much more happy! The screenplay has to be one of the greatest ever written. Every bit of dialogue, you want to hear and when there's no dialogue you are still engaged by the landscape and the spacial awareness of the characters-who so wonderful portray their characters, you can't help but feel part of the film.

Each actor's dialogue so brilliantly play off one another...again it's so wonderful to watch. Some outstanding performances from Peter O'Toole, and Omar Schariff, who rightly gained an Academy Award nomination, and Alec Guiness and Anthony Quale. By the end of the film, I didn't realize it was almost 4 hours long, which again shows how much I enjoyed this film. Perhaps it shows the shot attention span of people today as to some negative reviews I've read on here. That annoys me a lot. All I can say to people is this, it shouldn't matter the length of a film! That score has to be one of the greatest I've seen on film. I am still running over in my mind now, so well orchestrated it's unbelievable. Arabia contains some of the most iconic scenes in cinema history from Omar Scharrif's entrance to Lawrence standing on top of the Turkish train with a background of leaves me Wowed. Again that scene with the entrance of Omar Schariff, wow! One of the greatest entrances I've seen. So well photographed and directed, you'll never see such a scene like that again. Superb! Overall, a masterpiece of a film, which every single person on this site such watch. Such an amazing film...outstanding!
David Lean's "Lawrence of Arabia" (1962) is one of the few films that I would call mesmerising. The acting by all the leads is brilliant. Peter O'Tool is just superb as Lawrence. His performance could quite possibly be the greatest role ever. Alec Guinness as Prince Faisal was one of the more strange acting choices (he plays an Arab), but Guinness is very good and (the then) newcomer Omar Sharif as Sheriff Ali ibn el Kharish is astonishingly good, and there are a lot more great actors in the movie like Anthony Quinn, Claude Rains, and Arthur Kennedy. All the different departments did everything to perfection, (espesially the breathtaking Cinematography by Freddie Young) and the direction and script are flawless. One to watch in a sitting. By the way, please check out my My Movies list at: .
Lawrence epic!
a great film with some great performances by: Peter O Toole, Omar Sharrif, Jack Hawkins and many more. and with great music by: Maurice Jarre. and fantastic visuals and camera shots! and good special like the explosion of the trains! what makes the film more epic is that there where a lot of humans and animals on the set like the scene in Akaba and all of the other army scene's. the only thing that pulls me of this movie is: the running time! it's over 220 min what makes it the longest movie to ever win best picture.(which was well deserved) the film won 7 Oscars which are:best set decoration, best camera,best director,best editing, best music,best picture and best sound but no best actor what i think would be well deserved! last thought: a great film that aged pretty good! 9/10
Nothing is written…Lawrence of Arabia
Lawrence of Arabia is oftentimes listed as one of the greatest films of all time. Not only that, but many say Peter O'Toole's performance as T.E. Lawrence is the greatest piece of acting ever to be captured on screen as well. Being that the movie was made 45 years ago, I wasn't going into it thinking I would agree with either statement necessarily. Whether the four hour run time was too daunting to get my hopes up or not, I knew that no matter what, I needed to finally see this film. I was going to go for the ride from Cairo to the Middle East along with the band of Arab tribes trying to take back their land from the Turks.

On a technical level, Lawrence of Arabia has few equals. Director David Lean has created something with true epic focus. There are no advanced computer graphics multiplying fake people into huge battle scenes, this had to be done with real extras, sweltering in the desert heat waiting for their opportunity to fight amongst the movie's stars. The scope is wide and Lean is never afraid to show the desert as a desolate wasteland because the shots are beautiful to behold. The British didn't understand what Lawrence saw in the sand, but viewing the landscape shots here, the audience can see the tranquility and beauty that it truly holds. This was a big-budget movie and it shows by the settings besides the desert. When we arrive in Cairo and see the excess with which the soldiers live; its affluence is on display. Not only by the material objects, but also by the soldiers' utter ambivalence to the fight while their Arab counterparts are trekking through the sun-ravaged desert to claim victory.

It is this juxtaposition between the British forces and Arab fighters that backbone the film. Yes, T.E. Lawrence is the focal point and his journey from army outcast to Arab liberator is the story arc we follow, but it is the fact that he tries to live in both worlds which really defines the course of actions on display. Credit does have to go to Peter O'Toole for his ability to grow his character throughout and display the emotion and conflict living inside him. Lawrence saw an opportunity to help the Arab tribes regain control of their land despite Britain's refusal to give them artillery. Even at this early moment, he might have suspected this lack of true support as a sign of future motives, but he was so focused on his cause and the fact that he could do anything he set his mind to, he just didn't care. When he finally succeeds with his first mission, he returns a broken man, having killed and seen things he never wanted to see. He knew it was all for the best, though, and needed to stick by his word of setting his new friends into a free land. Only when the men at Cairo, who once laughed at his expense, praise him with accolades and promotions does Lawrence first start becoming a man without a clear purpose. A man that was accepted by no one now finds himself loved by two distinct cultures, and must somehow cope with the success or eventually fall as a result.

Besides the excellent performance by O'Toole—intense, sarcastically humorous, and heartbreakingly real throughout—we are also treated to an acting clinic from the supporting players. Omar Sharif is fantastic as the Arab Sheriff Ali who agrees to accompany Lawrence on his suicide mission to take a Turkish outpost. Sharif gives Ali a realistic progression from a man who cannot see a white man surviving anything in their future, to one who would follow Lawrence into Hell if asked. Anthony Quinn is also great as Auda abu Tayi, a leader of a tribe that can be bought by whoever offers most. His interactions with O'Toole are some of the best moments in the film because Lawrence always knows what to say to persuade Auda into doing something for his own interests and not for monetary gain, (although he still likes to take something as a souvenir for his troubles). Even Alec Guinness brings an effective performance despite playing an Arab Prince. There are many moments where the allusions to his later Obi-Wan Kenobi character come through making me smile, but the accent is hidden nicely into a British educated Arab speech that helps me forget he is as much an Englishmen as O'Toole is Irish.

In the end, however, it is the story which truly leaves a mark. During the runtime, I was slowly seeing some redundancies and wondering if an hour could have easily been chopped off without a second glance. Disappointment was setting in and I was thinking I might have to give it a 7 or 8 rating as a whole. Once the final scenes play out though, you realize why we needed everything that came before. It is Lawrence's success in battle that both leave him broken but also ripe for persuasion into continuing on. The British were looking for a way to have Arabs do the work but eventually swoop in and take the Middle East for themselves, and with Lawrence, they had their man to rally the troops. Lawrence was neither British nor Arab, but instead a man beyond his dreams and ideals. The Arab tribes would never be able to live in harmony for a peaceful unity, and the British were just waiting for the implosion to occur. When all is said and done, Lawrence realizes he is not the God that people, and himself, saw him as, but a pawn that has been played from the beginning. His sanity and drive for good is sucked out of him because while it seemed he was accepted by both worlds, he really didn't belong to either.
Hard to believe that after 45 years of loving movies, I finally got around to seeing Lawrence of Arabia. As with many films that make a huge impact on me, I dreamt about it that night. I dreamt of flowing white silk robes, decorated horses and sand. Lots of sand. Many have already given a synopsis and cast list, many have listed the films assets. For me, after the experience (and trust me, at 227 minutes, it's an experience) I was left feeling stunned and empty, stunned by the depiction of the desert, empty from the realization that nothing within the dark expanses of human experience really changes. Yes to one reviewer who was not sure Lawrence ever existed. He did. A very complicated man, shy yet full of an odd bravado, Lawrence reveled in the drama of a land he loved but could not be part of. He sought adventure and when it came, was overwhelmed and ultimately disappointed that his life was not like the childhood adventure tales he undoubtedly read. The film tells his story in broad strokes, very strong characters surround Lawrence, whose character is played brilliantly by O'Toole who stays quietly charismatic (as well as physically beautiful) creating an enigma that is never really understood. You're left wondering how the hell he got away with what he did, yet amazed that it happened. The futility of war is tempered with the romanticism it creates. People come together in common causes, strong relationships develop, heroes emerge. Wars are full of such scenarios and inspirational tales. But this is at heart the story of a film flam game, a bait and switch played on a grand scale with an Empirical Western giant manipulating desperate peoples using one of their flamboyant yet influential soldiers as a ploy. This con game was the undoing of T. E. Lawrence and he spent the rest of his life in guilt, trying to escape his fame, changing his name, reluctant to accept profits from his memoirs and wondering if the adventure had been worth it.
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