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Crime, Thriller, Action, Adventure, Mystery, Sci-Fi
IMDB rating:
Christopher Nolan


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Ellen Page as Ariadne
Tom Hardy as Eames
Ken Watanabe as Saito
Dileep Rao as Yusuf
Cillian Murphy as Robert Fischer
Tom Berenger as Peter Browning
Pete Postlethwaite as Maurice Fischer
Michael Caine as Miles
Lukas Haas as Nash
Tai-Li Lee as Tadashi
Claire Geare as Phillipa (3 years)
Inception Storyline: Dom Cobb is a skilled thief, the absolute best in the dangerous art of extraction, stealing valuable secrets from deep within the subconscious during the dream state, when the mind is at its most vulnerable. Cobb's rare ability has made him a coveted player in this treacherous new world of corporate espionage, but it has also made him an international fugitive and cost him everything he has ever loved. Now Cobb is being offered a chance at redemption. One last job could give him his life back but only if he can accomplish the impossible-inception. Instead of the perfect heist, Cobb and his team of specialists have to pull off the reverse: their task is not to steal an idea but to plant one. If they succeed, it could be the perfect crime. But no amount of careful planning or expertise can prepare the team for the dangerous enemy that seems to predict their every move. An enemy that only Cobb could have seen coming.
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Insanely Brilliant ! Nolan has outdone himself !!
What is the most resilient parasite? An Idea! Yes, Nolan has created something with his unbelievably, incredibly and god- gifted mind which will blow the minds of the audience away. The world premiere of the movie, directed by Hollywood's most inventive dreamers, was shown in London and has already got top notch reviews worldwide and has scored maximum points! Now the question arises what the movie has that it deserve all this?

Dom Cobb(Di Caprio) is an extractor who is paid to invade the dreams of various business tycoons and steal their top secret ideas. Cobb robs forcefully the psyche with practiced skill, though he's increasingly haunted by the memory of his late wife, Mal (Marion Cotillard), who has a nasty habit of showing up in his subconscious and wreaking havoc on his missions. Cobb had been involved so much in his heist work that he had lost his love!

But then, as fate had decided, a wealthy business man Saito( Ken Watanabe) hands over the responsibility of dissolving the empire of his business rival Robert Fischer Jr.(Cillian Murphy). But this time his job was not to steal the idea but to plant a new one: 'Inception'

Then what happens is the classic heist movie tradition. To carry out the the task, Cobb's 'brainiac' specialists team up again with him, Arthur (Joseph Gordon-Levitt), his longtime organizer; Tom Hardy (Eames), a "forger" who can shapeshift at will; and Yusuf (Dileep Rao), a powerful sedative supplier.

There is only one word to describe the cinematography, the set designs and the special effects, and that is Exceptional! You don't just watch the scenes happening, you feel them. The movie is a real thrill ride. The action scenes are well picturised and the music by Hans Zimmer is electronically haunting. Never, in the runtime of the movie, you will get a chance to move your eyes from the screen to any other object.

Leonardo, who is still popularly known for Jack Dawson played by him in Titanic, should be relieved as his role as Dom Cobb will be remembered forever. His performance may or may not fetch him an Oscar but it will be his finest performance till date. The supporting cast too did an extraordinary work. Christopher Nolan, ah! what a man he is. His work is nothing less than a masterpiece and he deserves all the awards in the 'Best Director' category. If "Inception" is a metaphysical puzzle, it's also a metaphorical one: It's hard not to draw connections between Cobb's dream-weaving and Nolan's film making, intended to seduce us, mess with our heads and leave an ever-lasting impression.

To conclude, I would just say before your life ends, do yourself a favor by experiencing this exceptionally lucid classic created by Nolan!

My Rating: 10/10

Thanks & Regards
In a Decade, "Inception" May Be A Religion
Films about dreams and the subconscious are usually not very straightforward and almost always weird. "Inception" is no exception to that rule, but like its cinematic predecessors who have explored the contrast between and the questions of what is real and what is illusion (i.e. "The Matrix" (1999), "The Cell" (2000), "Abre Los Ojos" (1997) & its American remake "Vanilla Sky" (2001)), you really can't look away, nor should you.

"Inception" is an excellent and breathtaking movie that may be one of the only films released so far during the Summer of 2010 that lives up to its hype. It is a nearly perfect and highly original film that holds your attention until the credits roll. The less you know about this movie going in, the more you will be entranced by seeing it.

Leonardo DiCaprio plays Dom Cobb, a world class criminal who, with the help of a team of sleep experts, works his way into people's subconscious and steals what people value most: ideas directly from their minds. In his last assignment to possibly clear his name, he is assigned not to steal an idea from someone, but to plant one inside that person's mind. The difficulty comes when certain people are trained to block their ideas from being taken.

That plot summary only covers the basics of this pretty complicated story, but to describe every plot detail would take away the magic of this film you must see yourself to believe. DiCaprio is good in his role, but unlike many other films he has starred in, this is perhaps his only role where his character alone does not carry the weight of the movie on his shoulders or share it equally with one other co-star. Instead, this great ensemble cast teams together to make this movie work, just as their characters collaborate to pull off such a unique heist. Joseph Gordon-Levitt, Ellen Page, and Tom Hardy are especially good in their roles.

The special effects in this film were also very good, which is amazing considering their simplicity compared to the "Matrix" movies. There are slow-motion shots, but no impossible kung fu fighting sequences. It's especially interesting when the film gets into the architecture of certain dreams, and impossible sequences are filmed in a way I've never seen other than in drawings.

However, the special effects would mean nothing if the story wasn't good. For this reason, even something as simple as a spinning top holds your attention in a way you would never think it would when seeing it in this film. The credit here can be given to writer and director Christopher Nolan, who has not made a bad film yet. There are many twists and turns in this film, but Nolan never loses his focus in the process of telling the story. If Nolan does not get nominated for Best Director and/or Best Original Screenplay next Oscar season, there is something terribly wrong with the Academy.

That being said, there was still a lot about this film I still don't get, and may require multiple viewings to better understand. However, some of the best films I've seen are confusing at first. "2001: A Space Odyssey" (1968) is a film I've seen a couple of times, and still don't understand completely. It still has a major following, though, as I'm positive this movie will. It's an incredibly entertaining movie, but it also makes you think and continues to do so after you leave the theater.
What Nolan doesn't know about humanity
At one point Cobb tells us that despite his best efforts, he cannot create a dream wife with the depth and complexity of his real wife. Could this be Nolan's own subconscious, commenting on his own limitations as a writer and director?

Cobb undertakes to plant an idea in someone's head so that Cobb's employer can monopolize an industry. Cobb succeeds, and thereby recovers his own life. No one in the film questions the morality of this; the film doesn't really question the morality of this, or invite the viewer to do so. Apparently, it's just business. Although in a way that is often thin, banal, or hypocritical, usually the sentiments offered to us in movies managed to stay aligned with basic ideas of good and evil. Not in the case of Inception. The popularity of this movie is a little frightening.
I wish I'd been dreaming instead of watching this
**Only a very teeny spoiler** Well, what can I say? Inception was the most overrated movie I've seen in years. The plot had more holes than a string vest.

I found the first 20 mins dull at best, and was easily distracted (I actually paused the film and ordered a pizza/had a look at Twitter/read another message board...). I even restarted the film to give it another chance, but to no avail.

Then for a whole 20 mins, it managed to keep my attention before leaving me again thinking 'why I am watching this?' for the next hour or so. I finally gave in with 45 mins to go when it turned into a Bond movie with snow skiing chases that appeared from nowhere.

I didn't give a toss about the characters who did nothing to make me want to care, the plot didn't fill more than a few minutes of the 145 mins I stayed with it and bar a few nice CGI tricks - I can't say there was anything not done better in other movies many times over and in a great deal less time.

Give me Total Recall for dream based plots and action any day of the week.

The acting was average, the architect looked 17yrs old yet somehow became an instant expert in dreams/psychology and managed to be smug - was she the token precocious child that all writers include when their stories are dying on the page? Perhaps a cute pet dog would have helped here.

It isn't often that I switch a film off because I think its pointless to carry on. Inception didn't even annoy me enough to see what happened at the end - I simply didn't care. How this is getting anything over a 6/10 is beyond me. I gave it a 4/10 and even then I think I'm being generous - it didn't even score on the So Bad It's Good chart.
some people, who liked that movie wrote that we all have to "understand" this movie to find it good and those who didn't, are rating it as awful

DAMN these inception lovers are wrong

i understood this AWFUL movie, he (cobb) is a dream extractor who extracts the thought and other stuff of ppl and this time he has to put a thought in.....bla bla bla

at the end (which is damn ****) he doesn't wake up from this dream zone(dunno the English word) and i ask myself : where the **** are the bad guys?? ahh there aren't any... what are you freaking kidding me??? its a dream so there is no need for bad guys... BAH i really was disappointed cause i expected some BAD GUYS and some more special effects CAUSE THEY WERE IN A ******* DREAM

in other words the move is awful its waste of time and the money in to worth it
Matrix but in dreamworld? Nah.
I'd like to keep my review rather to the point.

Pros: 1. its theme - dream is a fascinating topic to say the least. There are a lot of unknowns in dreamworld.

2. its plot - there are several sweet twists and unpredictable turns.

3. its edgy drive - although you know what's coming next, still you feel jumpy about it when it does.

4. its rapid storyline - the story moves fast from one scene to another, making the viewers feel like on a roller coaster ride. At times, it's hard to keep up, even after watching it several times.

5. its sophistication - there is a lot of information to remember and digest. This is the very thing the modern moviegoers are after, I believe.

6. its realism - okay, pun intended. The movie explains (or at least tries to) the ins and outs of what dream is about and how it functions, some of which are very familiar with and dear to us.

Cons: 1. its poor character development - although the acting was convincing enough there was not enough of character development. I wonder how many people really felt connected to the main character(s) after watching the movie. Yes, the movie talks about emotional struggles but it was more of an action film than anything else, if you ask me.

2. too many distractions - I found that the movie had more characters than necessary. They may play certain roles in the plot but they seemed more of distractions than anything else. I wish the movie was more focused.

3. a bit preachy - I noticed that the characters would explain things about dreamworld and then the exact things happen later in the movie. I'm afraid, Inception overused this trick.

In conclusion, its theme is fascinating but its delivery is not without room for improvement.

I highly recommend you to go and read Somewhere carnal over 40 winks, if you dig this kind of flicks.

Good idea lost in the noise
The central idea of "Inception" is an interesting one: technology exists to enter other people's dreams in order to steal their most private secrets or to implant new ideas. With Christopher Nolan of "Memento" fame as writer and director, this should have been a smart, compelling movie. Unfortunately, "Inception" is a bloated failure.

The root problem is that Nolan replaces the fascinating surrealism of dream worlds with lengthy outtakes from James Bond movies. For example, early in the film, when Cobb and Ariadne are sitting at a café in a dream world, Cobb tells Ariadne to stay calm. What's going to happen? Is the waiter going to bring her a glass full of wriggling eyeballs? Is she going to turn around and see her best friend from high school having sex with Abraham Lincoln? No. THINGS START EXPLODING. And that's the whole movie in a nutshell: gaudy special effects and endless fight scenes as a poor substitute for imaginative ideas.

The matryoshka-doll plot of dreams within dreams isn't nearly as hard to follow as one might imagine. This is largely because nothing of consequence happens at higher levels once our heroes have moved on to deeper levels. The higher-level supporting actors just fight off bad guys -- and overblown special effects -- until it's time to bring back their colleagues from the depths.

Nolan should sit back, watch a few of the best movies by Luis Bunuel and David Lynch, and try again with one-tenth the budget and ten times the imagination. (Okay, that's never gonna happen, but it's *my* dream.)
Movie about dream invasion proves nightmare.
Inception: the story of corporate agents who trap their mark in an engineered "dream world" that's oddly dreary yet deafening, populated with nasty soulless projections, in which minutes seem like hours or decades, all just to rob the mark - and just when it feels the nightmare's about to end, you just find yourself in a nightmare within the nightmare. This pretty much sums up the audience experience.

I found Inception uninteresting, too long, and absolute work to watch. While the premise was great, and the plot at least interesting, the writing, plot sequence, and execution were poor. And even the cinematography was greatly disappointing. You'd think a deliberately constructed dream world would be fantastic - it was merely drear, deafeningly loud, bland, stark, and depressing - even when it was monumental, it had a decidedly Stalinist architectural quality. I realize that people (supposedly) dream in black-n-white ... but did they have to make almost everything grey and dingy? Virtually all of the "fantastic" clips shown in the trailers happen in the first 30 minutes. In the great (70+ minute) finale the only visually interesting and original bit is the 0-gravity fight-scene as the hall tumbles around them.

The climax seemed interminable, but ceased to be suspenseful about 10 minutes in. All the supporting cast - with the arguable exception of Caine - were complete ciphers, mere 2-dimensional shadows you couldn't give a damn about. The descent into dream Limbo to rescue their employer made no sense given what was explained about the nature of dream invasions: just whose dream were they entering? It was not DiCaprio's character's, so why are they stuck in his deep subconscious? ... unless of course it was all really just his nightmare to begin with.

In the end, the whole movie only makes sense if it really is all the main-character's unending nightmare. Unfortunately, it proved a nightmare for me. I know thousands of brain-dead, hype-fed, viewers who imagine themselves intelligent and deep, felt differently. But my actual nightmares are more interesting, less painful to endure, and considerably cheaper.
Boring, too long, illogical, awful dialogue
This film really let me down.

I didn't expect a great film but I expected something that was at least 'OK'.

How wrong I was. I honestly can't understand the hype. 'Intelligent' they say?? What sort of intelligent film has to have it's protagonists explain what is happening continuously throughout the film?? Now Memento, that was a good film. And, I suppose, 'intelligent'. But by intelligent, I mean something that pushes boundaries of the viewer's understanding. I don't mean intelligent as in 1) able to do simple arithmetic, 2) develop reading and writing skills and 3) generally being one notch above a dolphin.

OK, let's make a start shall we? Firstly, one of the greatest literary and cinematic arts is the use of metaphor. This film has none. One thing the film is full of is too much explanatory dialogue (not to mention pre-teen psychology - the father figure relationship in the subconscious). For example, in the first Matrix film, the viewer understands the profundity of what is being delivered through metaphor (a feature that the subsequent Matrix films sadly missed). In this film here, everything is painstakingly explained. To me, this speaks volumes.

Secondly, great actors, yes. BUT ALL miscast and given appalling dialogue in an appalling script. I mean, Ellen Page was great in Juno, but here she comes out with painfully mechanical lines in the same way that Joseph Gordon-Levitt also does. In the same way that every character does. They ALL speak the same way and we are no better understanding one character by the end of the film than we were when they first appeared.

Thirdly, logic. Philosophy. Call it what you want. Why was Ariadne chosen to become the architect? What does she actually DO??

And Ken Watanabe. Why is he alive after dying on the third or fourth level 'down' in the subconscious after the film so adamantly stresses the dangers of dying in the 'dream'? How can he wake up on the plane?? Why, in fact, is there that scene at the start of the film where he appears old and which features the safe and the confidential papers Leonardo De Caprio finds.

Why does Leonardo De Caprio constantly have to furrow his brow? Oh, yes, it's a vain attempt to look mean and manly because the poor man still has, unfortunately for him, such a baby face.

Why is Cillian Murphy's character chosen to be their means of helping LDC's character get back to his kids? And isn't it convenient to have a dream sequence in a blockbuster that resembles a James Bond film snow-covered chase scene? Why does the film have to go on for two and a half hours instead of one and a half? And most importantly, if Leonardo De Caprio's character is so severely screwed up about his wife why, o why does he have to be the main character in this film? Couldn't the team work with someone more well-balanced?? Can he in fact be any use to his kids if he eventually finds them???

Nonsense nonsense nonsense. Big pile of nonsensical psycho-babble. And yes, where else but America???
What is the most resilient parasite?
It could possibly be Leonardo DiCaprio. That's a bit harsh – I know he has to eat too – but does he have to always play the same sanctimonious, pedantic, self-righteous know-it-all? And he's been in some bad movies recently. "Revolutionary Road" was a potentially good movie, but he always comes off as immature. "Shutter Island" was so transparent that I guessed the ending about 10 minutes in. But, this is supposed to be about "Inception"...

Yes, "Inception", a movie so simplistic that I yawned throughout. My (lucky) wife fell asleep claiming that it wasn't of interest to her. What claimed to be a smart, intelligent thriller, turned out to be the usual bag of guns, explosions, chases, etc. The plot, paper-thin and without any real point, is a yawn-fest of borrowed ideas and takes liberally from movies we've seen before. Is 10 years really soon enough to remake "The Matrix" (with Ellen Page as Neo)? Dennis Quaid in "Dreamscape" is far more entertaining. "Videodrome" is way more complex and intriguing, a movie that makes the viewer work.

While the acting is fair enough for an action flick, there isn't much to say about the movie at all. It's pretty 1-dimensional and quite dumb. What really irks me is the fact that I was told repeatedly about how this movie was so complex, complicated, hard to understand, etc. It's really not. It just uses a nonsensical plot device; that of layered dreaming, to try and outwit the audience. While completely ridiculous – isn't a dream within a dream just part of the same dream? – it's also not hard to grasp. Is the bar really that low? What would the audience that this bamboozled make of a movie like "Primer" which is one of the most complex movies ever devised. Even "Mission Impossible" had more plot twists and turns than this drivel.

To be honest it was barely just okay. It was boring like a bus-ride through Nebraska. Your mind is the scene of the crime? I didn't see much of any crime - just some folks trying to get a guy to change his mind. Big deal. Michael Caine is even becoming a Director's Trademark. His two minutes on-screen were gratuitous at best, certainly not a requirement to the story.

So, to wrap up: boring, simple-minded, dumb, nonsensical plot with no 'science' and barely any 'fiction', less-than-average acting, annoying constant music while people are talking, convenient 'get-outs' when the logic of the story fails, which is frequently. Wow, I actually think I hate this movie.
See Also
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Essex Heist
Essex Heist
UK ‘2017
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