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Drama, Fantasy, Sci-Fi, Romance
IMDB rating:
Michel Gondry


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Jim Carrey as Young Joel
Kate Winslet as Clementine Kruczynski
Gerry Robert Byrne as Train Conductor
Elijah Wood as Patrick
Mark Ruffalo as Stan
Jane Adams as Carrie
Tom Wilkinson as Dr. Howard Mierzwiak
Ryan Whitney as Young Joel
Debbon Ayer as Joel's Mother
Amir Ali Said as Young Bully
Brian Price as Young Bully
Eternal Sunshine of the Spotless Mind Storyline: A man, Joel Barish, heartbroken that his girlfriend Clementine underwent a procedure to erase him from her memory, decides to do the same. However, as he watches his memories of her fade away, he realizes that he still loves her, and may be too late to correct his mistake.
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The Size of the Brick
What an exciting time to be alive! We can actually go to our corner theater and participate in the invention of a new medium. Fundamental elements of the vocabulary are still being explored and invented.

I knew that I was witnessing something important halfway through. Superficially this is another Kaufman exercise in self-reference. Those are always interesting, he knows how to fold the story with methods of telling the story plus a third story about those methods. There's some of that here, but it is shoehorned into the 'big idea' that wasn't his in the first place. So although you have one of the most powerful folding actors ever (Winslet), the real advance here is in another area.

Hundreds of films have tried to portray dreams and visions, folding them into 'reality.' Some are blunt ('What Dreams may Come'), others frantic ('Pi') and puzzling

('Mulholland Dr'). No one has yet managed the arbitrary slipperiness of visions as successfully as Tarkovsky in 'Nostalgia.'

Part of Tarkovsky's genius is in making ordinary objects exotic by bending the context. But he does his work in large chunks.

Any filmmaker, the real ones, make an early decision about the materials of their creation, just as an architect does. In architecture, you can choose to make the structure out of bricks. These things actually hold the building up. Then you have to design the brick. What's the right size?

Tarkovsky used large bricks, so we could read them from a distance. Rodriguez , for instance, in his second act of 'Once Upon a Time in Mexico,' used what looks like small bricks, but they are just for show: they carry no narrative.

What we have here are small bricks, small minivignettes that come at blinding speed from all tenses and actually hold up the narrative. You need an intelligent actor to help carry this off and in this case we have the redoubtable Kate who is one of our most intelligent masters of this sort of architectural material. After all, her very first film ('heavenly Creatures') was about this same matter: how small a fantasy or memory could be and still create reality.

Ted's Evaluation -- 3 of 3: Worth watching.
Trippy, strange, but also very emotional and moving. This movie is perfectly balanced.
Jim Carrey is known for his roles in screwball comedies, and it seemed as there was no way to get an actual clean break off from his normal goofy persona. It may have seemed that way, but this movie proves otherwise. What we have here is a mature film, with some funny moments, but instead of a stupid Carrey performance, we have a deep and moving performance, in a very strange and original, but nonetheless deep and moving picture.

Joel Barish (Jim Carrey) leads a fairly mundane and boring life until he meets Clementine (Kate Winslet). He and Clementine click right away despite their contrasting personalities. One day when visiting her and work, Joel finds she has no recollection of him, and discovers she had her memory erased of him from a clinic. Because of his depression over her, Joel decides to do the same thing. During the procedure, Joel realizes he wants to remember her, and must take her to places in his memory where she can't be erased. Meanwhile, during the operation at Joel's apartment, we meet the doctors working on him. Stan (Mark Ruffalo) and Patrick (Elijah Wood) are the somewhat incompetent doctors, as they care about their own needs more than that of Joel, and Stan ends up inviting over Mary (Kirstin Dunst), the receptionist at their place of work. Joel jumps from memory to memory causing confusion by the younger doctors and a call to older Doctor Howard (Tom WIlkinsin) and secrets about the people performing the operations come out.

For a movie that takes place mainly inside one guy's mind, this manages to be a very emotional film. Joel is a really likable character, and his progression throughout the film and in his memories is quite interesting. Kate Winslet plays a good opposite to Joel's introverted ways, and her performance as Clementine, and as merely a memory concocted by Joel is also excellent. All the performances are great, and what makes them great, is despite some stupidity even in the doctors, they're still portrayed as people, not just morons. They are just as deep as our protagonist, and have just as much baggage on the brain.

The direction is phenomenal. The jump from memory to memory and the erasing of the memories gives us a huge feel of what Joel has gone through and takes us through all kind of interesting settings. In contrast, we have Joel's apartment where our co-plot is going on with the doctors, and the apartment in so many scenes gives a feeling of intimacy with the surroundings. The memories Joel has are so well done and even eerie at times, but also very sad and lonely when need be. Director Michael Gondry and screenwriter Charlie Kaufman really molded some brilliant contrasts, and some lovely and thought provoking characters.

Overall, this really is destined to be a classic, or if not that a highly regarded cult classic. It's an emotional, beautiful movie, with Jim Carrey showing that he deserves more roles in dramas after pulling this off. Nothing's ever been quite like this, and chances are, nothing will again.

My rating: **** out of ****. 108 mins. R for language and sexuality.
Innovative and Amazing! Love it
Love hurts for most of people because we don't really learn how to love and how to live with someone you love. We got our role model for love from our parents but lots of time they didn't even know how to live with someone they love either. And then, we learned how to love and how to communicate the one you love through so many heartbreaks. This movie gives us what we all secretly wish for- a chance to forget something that's hurt us in the past. I have heard a lot of people talking about this movie. I remember I saw once when I was so little. I couldn't understand the whole movie at all at that time, but last year, I watched it again. It totally amazed me, not only the story, but also the scene.
Best Film of 2004
Joel (Jim Carrey) is a rather milquetoast man who meets up with free spirit Clementine (Kate Winslet), and they become romantically involved. However, they endure a messy breakup and Clementine goes to a business called Lacuna, Inc., where she has all of her memories of Joel erased. Not wanting to be left out, Joel also goes to have his memory erased. However, soon after it begins, Joel realizes that he wants to keep the memory of Clementine, so he tries to reverse the process.

Well, if you're familiar with Kaufman's work, then you know what your getting yourself into. This is just as weird if not weirder than his previous work, Being John Malkovich. I knew what I was getting myself into, but 90% of the movie I was saying to myself "What the hell is going on?", but in a good way. It opens with Joel calling in sick for work and going on a different train, heading for Montauk. He meets Clementine and they hit it off. Now this is about 15 minutes into the movie, then out of nowhere come the opening credit sequence. I will admit, I thought it would be different, but I'm glad that it is the way it is, the movie is 80% of the time in Joel's head.

If you think you know Carrey, think again. This movie is his best performance, better than Majestic, Truman show and all of his comedic roles (which is what I love him for). Just looking at his face from the second we see him, we feel his pain, then like that, we feel his joy, embarrassment and hate. Just awesome acting on his part, and Winslet was great as the free spirit who never seems satisfied. The supporting cast all work well in their small, yet important roles. Oscar nominations for Winslet and (crosses fingers) Carrey.

But if I were to bet any money on any Oscar nominations it would obviously be the writing, what a mess, but beautifully constructed. You think to yourself, is that scene really necessary? Then ten minutes later you think to yourself how brilliant it was, that's beautiful, crazy, give me whatever he's smoking kind of writing. Charlie Kaufman's writing is always clever, but this time he's one-upped himself by making something simultaneously bizarre and emotionally engaging. It seemed like his earlier movies were clever for the sake of cleverness, but 'Eternal Sunshine' manages to dazzle you with it's originality and it's poignancy. The fact that this movie was able to wrap such profound loss, emotional tenderness, and hope in such a self-consciously stylized package illustrates the incredible talent of the people behind it.

Michel Gondry's use of vibrant coloring and quick camera movement give the film a very involving first hand feeling. The constant use of the handy cam is very all involving for the viewer, and I suppose that this is exactly what is needed in such a personal movie. His work on the dream sequences is incredible as well. He decides to use more practical effects than what we see today with computers.

Eternal Sunshine is a tragic, yet beautiful film that sits at the top of my list of "Best of 2004".
Impossibly Crappy- Few Redeeming Qualities
I struggled for a long time to like this movie. I just felt horrible; everyone was enjoying the "best film of the last ten years" and I just felt like I was watching cinematic vomit. I felt out of the loop, but, I suppose that's just going to have to be alright, because I refuse to like this piece of bile.

First off, the plot revolves around a pretty lame plot device, namely a memory erasing company. Some people really do forget other human beings, even those they've been romantically involved with, so why rely on this lame device? Charlie Kaufman's funny dialogue and interesting plots have gone out the window, making way for some incredibly bad lines, like, "Do you think I'm ugly?" I just hate listening to the characters talk; they are some of the most repulsive, unlikeable characters committed to the screen. Kate Winslet's character in particular I wanted to smack. I mean, how is it possible I can stand a four hour movie starring a rapacious gangster (Once Upon a Time in America) and can't not walk out on this under-two hour claptrap starring decent humans? I wouldn't want to spend ten minutes with these bastards, let alone 100 minutes.

Kirsten Dunst starts dancing in her underwear. Whoop-de-doo. Mark Ruffalo makes a mistake. Elijah Wood looks like a chihuahua. Jim Carrey looks ill. Kate Winslet spaces out and annoys the hell out of me. No actor in the movie has a breakout performance, not even Jim Carrey, who's just as annoying as he is in his comedic films. Even the score by the otherwise talented Jon Brion sucks! It's like everything that touches this movie instantly turns to sh*t.

The direction, courtesy of mediocre music video director Michel Gondry, is not even worth mentioning. It's ridiculous. All of it is done very ambitiously, but most of the time it just feels stupid and over-the-top.

In all, I found a predictable, bland, overrated, steaming piece of tripe. Please, never speak of it again in my presence.


Pseudo-intellectual claptrap of the Charlie Kaufman Kind
(Spoiled...) Like the rest of Kaufman's self-absorbed hallucinations, Eternal Sunshine fails to jump the "who cares" hurdle. What an overwrought mess of a movie. As far as that mind-surgery-memory-deleting helmet goes, why in tarnation was Jim Carrey's character--a self-described uninteresting bore--so very talented at resisting the program? No mental giant, he would have succumbed immediately. End of movie. But no! We replay this deja vu game of meeting forgotten lovers into infinity, while every character gets thrown into stylistic outer space: Comedy for some, tragedy for others, sex farce when Mr. Kaufman runs out of ideas. Actually, apart from Sunshine's tangled structure, there are no ideas. Not once are we given useful, relevant information about anyone who inhabits the film. Carrey and Winslet's megawatt dual-presence is wasted inside of a situation that resembles a hamster cage, not a story. Only Tom Wilkinson, as the memory-deleting helmet inventor, seems to grasp the danger of what's happening. Kaufman, however, surrounds him with a gang of assistants who are giggling morons. What a sad, confused, irrelevant film. I was reminded more than once of the forgotten French mind-game films of the sixties. Marienbad, anyone?
Romantic in a realistic and genuine way
Hands down what is going to stand out in this movie is the performances by Kate Winslet and Jim Carrey. These two breathe life into these two characters. I was really impressed with the chemistry between these two. Overall I think this a romantic movie due to the writing. These two rather different people genuine care and are intrigued by each other, but there are times where they are frustrated by each other. In the end, the two decide what they have is worth fighting for. As far as the sci-fi element I was a little skeptical because I'm not usually drawn to science fiction, but in the movie it's treated as a normal thing and its really only a plot device. Visually this movie is stunning and found myself getting lost in the memories. This is one of the best films I've ever seen and I highly recommend it.
It's OK (very OK)
Very nicely crafted science fiction love story. More of an experience than a film.

What? Sci Fi? Well yes. A simple science fiction device, memory erasure, is the vehicle for this beautifully shot, brilliantly edited and directed love fable. The fact that this is a good film does not disqualify it from the sci fi genre. In fact, would-be sci fi writers and film-makers should take note of this.

But Eternal Sunshine is a love story first and last, in all respects. The characters are what John Irving would call "L.A. dysfunctional", although they don't live in L.A. Carrey and Winslet are deeply insecure people with little going for them but good looks (which they try to disguise), fairly sweet dispositions, and a desire for companionship. They meet on Valentine's Day in Montauk, where they have both seemingly traveled 'on a lark', and the entire experience of the film seems to derail from this point forward. Chronological, linear story-telling becomes impossible because the characters are having their memories erased in order to assuage the pain of their separation. No spoilers, so let me stop right there.

If I have made Eternal Sunshine seem like it might be too much of a challenge or too disturbing for an evening's light entertainment, be not afraid. Certainly there are occasional disturbing elements, and the characters themselves are all neurotic enough to have walked off the street and onto the screen. But the film is so artistically rendered, and so well thought-out that what could have been a nightmare really becomes a fantastic post-modern love fable. It's also one of those great films that becomes predictable after a while, but is so delightfully portrayed and satisfying that it does not matter.

The acting is exceptionally good. I would expect nothing else from this cast. Winslet is especially remarkable for her ability to play a young North East American better than most American actresses could. How this genius has been passed up in each of her 4 Oscar nominations to date is inexplicable. Carrey's talent is undeniable, though I dislike many of the films he chooses to take on. His performance here is easily as good as his award-worthy performances in the Truman Show, Bruce Almighty, and Man on the Moon.

We spend a lot of time inside people's heads in this film, yet the camera never becomes a member of the cast as it does in films like "Being John Malkovich". I can pay no higher compliment to the production team. This is a very difficult thing to accomplish, and it is done with flawless simplicity in Eternal Sunshine. This film has just joined Shakespeare in Love, Wild at Heart, and Brokeback Mountain among my favorite all-time love stories. This is the first Michel Gondry film I have seen. I am going to make sure it is not the last.
Eternal Sunshine of the Spotless Mind (2004) - Don't Erase my Memory, Please!
"Eternal Sunshine of the Spotless Mind" is one of the many masterpieces that proves why we all love film in the first place. Directed by French director Michel Gondry, and written by accomplished filmmaker Charlie Kaufman, "Eternal Sunshine of the Spotless Mind" is equal part romantic comedy, psychological thriller, science-fiction, and non-linear narrative. Taking a break from comedy, the film stars Jim Carrey in a more dramatic performance as a man who volunteers to erase every single memory of him and his ex-girlfriend, played by Kate Winslet, whom coincidentally has already done the same thing. The film then takes us on a wonderful and imaginative journey through this one man's mind, as he tries to fight against those who try to steal his memories away, while at the same time, trying to fight for the woman he loves. First-time director Michel Gondry makes his second directorial debut in such a stylish fashion. He perfectly guides the movie with enough clever execution and brilliant uniqueness. Writer Charlie Kaufman has written such a beautiful script that contains witty humor, sharp characters, and true dialouge, which was able to win him a Best Original Screenplay Academy Award. Besides Carrey and Winslet, this remarkable cast includes Kirsten Dunst, Elijah Wood, Mark Ruffalo, and Tom Wilkinson, all bringing such memorable performances on screen. But it's the romantic relationship between Jim Carrey and Kate Winslet that carries the movie, and their adventures into trying to keep their memories together from falling apart. Jim Carrey may be more noticeable in more comedic-driven films, but he still provides great dramatic performances, and this is one of those movies that shows how great an actor he is. But, Kate Winslet is the scene-stealer, as the light-hearted, charismatic girlfriend, with a different choice of hair color in nearly every scene. It doesn't matter what role you give to Kate Winslet, because no matter what, she will still be awesome in the role! This movie also provides some of the beautiful uses of imagery that I have seen in a while. In a usual Charlie Kaufman movie, something weird always has to happen. Accompanied with a memorable soundtrack, beautiful effects, and stylish editing, "Eternal Sunshine of the Spotless Mind" is pure filmmaking at it's finest. Although there were some characters that kind of got me annoyed, especially Elijah Wood's character, who seems sort of lost into his given performance. It was just a few moments where the movie loses a bit of it's magic. But, that doesn't hurt the movie's momentum, though! Those flaws are out-shined by how beautiful this movie has been made to look. This is probably one of my favorite movies, and it will definitely be a memorable one, as well. "Eternal Sunshine of the Spotless Mind", in my review, "a magical romance, fantastically well-made film".
Great, if you can relate...
If you can relate to the underlying theme of love longed for, love given and received, and love lost, this is a great film. If you have come to understand that acceptance can -sometimes- be a great thing and not a compromise or a 'settle for' - this is a moving film.

As crazy and almost surreal as elements of this film are, it somehow remains honest and real. That seems like a contradiction... life is contradictory, isn't it?

Carrey and Winslet both turn in superb performances, as do the supporting cast. An incredible film that most of the people who 'get it' will love - but I suspect there will be more than a small percentage who won't understand it or can't relate to it and they will (understandably) dislike it.
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